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This two-way dictionary (Scots-English/English-Scots) provides: * Modern Scots, with some literary words likely to be met in stories or poems* Notes on how to get the most out of your dictionary* Grammar notes and verb lists* Spelling guidance* Help with pronunciation* A brief history of the Scots languageIt can also be used for encouraging the use of Scots in schools and to provide support in the classroom. A useful compact reference book for anyone requiring information on Scots."
This comprehensive dictionary of words and phrases is for all who want to use the Scots language.
The Dictionary of the Older Scottish Tongue defines and illustrates every meaning of every word used in written English in Scotland up to 1700. It is an indispensable reference tool for historians of Scots language, literature, politics, law, and social history.
First published in 1985, the new edition of the Concise Scots Dictionary has been revised throughout to reflect modern Scots usage, alongside extensive coverage of older Scots. Combining accessible style, clear layout and a durable hardback format, this is a user-friendly and robust dictionary that you can turn to for reference and enjoyment.
Dealing with grammar in a modern way, with modern terminology, this book gives readers an understanding of the way language works. Providing readers with the vocabulary to think about and discuss Scots, English and other Modern languages, Modren Scots Grammar fits with the Curriculum for Excellence in that it provides the grounding for readers to undertake further exploration and discover language for themselves. Furthermore, this book aims to give readers confidence in using the Scots language. It is important for young Scots today to realise that Scots is not just bad English, but a language in its own right. Increasing understanding of the differences between the two will improve the use of both. EXCERPT: Whit is grammar? It is whit we ken aboot the wey wirds are pit thegither. The wee dug bit the muckle man is no the same as The wee man bit the muckle dug. We ken that because o the order the wirds gaes in. The laddie lowps that dyke is different fae The laddies lowpit thae dykes. We ken fae the form o the wirds. That's grammar. REVIEW: This useful addition to the study of urban Scots dialects opens up the filed of linguistics to the general reader, combining the expertise of a linguist and a voice coach. Pronunciation in Aberdeen, Glasgow and Dundee are considered, offering insights into how Scots is spoken today. SCOTS MAGAZINE
William Auld is regarded as the most outstanding literary luminary writing in Esperanto. His chief work is La infana raso ("The Infant Race"), on the theme of "the role of the human race in time and the universe" This is essentially the same theme as that of Ezra Pound's Cantos. The present publication provides versions of La infana raso in the three languages spoken in Auld's homeland of Scotland, namely English, Scots and Gaelic. Auld was three times nominated for the Nobel Prize for Literature.
The Scots language is the hidden treasure of Scottish culture. For many of us it is still how we speak to each other, how we express our feelings, our humour, even our Scottishness. It not only connects us to our communities at an emotional level but also links us to our past. Scots was created by millions of voices coming together to share words, phrases and jokes; to understand, act on (and often laugh at) the world around them. Aye, but what exactly is 'Scots' anyway? Usually spoken in a mix with Scottish English, at least nowadays, is it really a language at all? Was it ever? And what about its future? Dr Clive Young embarks on a quest to learn about the secret life of the language he spoke as a bairn. Along the way, he encounters centuries of intense argument on the very nature of Scots, from the first dictionaries, through MacDiarmid, The Broons, Trainspotting and on to present-day Twitter rammies. (And of course, endless stushies about how to spell it.) Some still dismiss Scots as 'just' a dialect, slang or bad English. Behind this everyday disdain Dr Young uncovers a troubling history of official neglect and marginalisation of our unique minority language, offset only by a defiant and inspiring linguistic loyalty. A refreshing counterbalance to the usual gloomy prognosis of Scots' supposedly 'inevitable' demise, Dr Young sketches out a practical roadmap to revitalise Scotland's beleaguered tongue and simple ways we can all keep it 'hale an hearty' for future generations. Acause if you dinna dae it, wha wull?
A rich, sultry, ambitious novel about a young American writer/curator, fleeing a crumbling marriage in New York who travels with her nine-year old daughter to one of the remote islands in the north of Scotland, birthplace of her grandfather. Commissioned to set up a museum there and to write the biography of the island's celebrated poet and chronicler, Mhairi McPhail is slowly drawn in by the complicated life she is uncovering and writing about--the Bard of Fascaray--as she finds herself being transformed, awakened by the ferocity and power of the island. Who was the celebrated poet, Grigor McWatt, The Bard of Fascaray? What was his past? Details of his life are elusive. As Mhairi struggles to adapt to her island life and put her disappointment and troubles behind her, she begins to unearth the astonishing secret history of the poet, regarded by many as the custodian of Fascaray's--and Scotland's--soul. In McAfee's rich novel of invented island life, she interweaves extracts from Mhairi's journal entries, her discoveries and writings of McWatt, and tales of Fascaray itself into a resonant, compelling, dimensional narrative that at its heart explores identity, love, belonging and the universal quest for home.
This book analyses the development of Modern Scots orthography and compares the spelling used in key works of literature, showing how canonical writers of poetry and fiction in Scots have blended convention and innovation in presenting Scots.
How did a single genre of text have the power to standardise the English language across time and region, rival the Bible in notions of authority, and challenge our understanding of objectivity, prescription, and description? Since the first monolingual dictionary appeared in 1604, the genre has sparked evolution, innovation, devotion, plagiarism, and controversy. This comprehensive volume presents an overview of essential issues pertaining to dictionary style and content and a fresh narrative of the development of English dictionaries throughout the centuries. Essays on the regional and global nature of English lexicography (dictionary making) explore its power in standardising varieties of English and defining nations seeking independence from the British Empire: from Canada to the Caribbean. Leading scholars and lexicographers historically contextualise an array of dictionaries and pose urgent theoretical and methodological questions relating to their role as tools of standardisation, prestige, power, education, literacy, and national identity.