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Celebrates the forty-year oeuvre of one of the most important and influential visual artists of the postwar era Subject to passionate controversy during his lifetime, the work of Joseph Beuys is now considered one of the most significant and influential contributions to twentieth-century fine arts. The Essential Joseph Beuys locates the artist’s oeuvre as he saw it: part of a larger, philosophically based practice emphasizing direct democracy, free access to education, and the restructuring of society to meet ecological requirements. A total of 152 works from Beuys’s many fields of activity—drawings and watercolors, prints and multiples, sculptures and objects, spaces and happenings—arranged in chronological order demonstrate the artist’s formal versatility, creative richness, and conceptual depth. The peculiar poetry of the materials Beuys used—felt, grease, honey, wax, copper, and sulfur—emerges along with the gentle melancholy that suffuses the work. Alain Borer analyzes the world of Beuys’s thoughts and imagination with special reference to the artist’s written and spoken statements. This survey is an essential introduction to the work and conceptual world of Joseph Beuys that will appeal to anyone interested in twentieth-century art.
Joseph Beuys is one of the most important and controversial German artists of the late twentieth century, an artist whose persona and art is so tightly interwoven with Germany’s fascist past—Beuys was, after all, a former soldier in the Third Reich—that he has been a problematic figure for postwar and post-reunification Germany. In illuminating the centrality of trauma and the sustained investigation of the notion of art as the two defining threads in Beuys's life and art, this book offers a critical biography that deepens our understanding of his many works and their contribution. Claudia Mesch analyzes the aspects of Beuys’s works that have most offended audiences, especially the self-woven legend of redemption that many have felt was a dubious and inappropriate fantasy for a former Nazi soldier to engage. As she argues, however, Beuys’s self-mythology confronted post-traumatic life head on, foregrounding a struggle for psychic recovery. Following Beuys’s exhibitions in the 1970s, she traces how he both expanded the art world beyond the established regional centers and paved the way for future artists interested in activism-as-art. Exploring Beuys’s expansive conceptions of what art is and following him into the realms of science, politics, and spirituality, Mesch ultimately demonstrates the ways that his own myth-making acted as a positive force in the Germany’s postwar reckoning with its past.
Joseph Beuys’s work continues to influence and inspire practitioners and thinkers all over the world, in areas from organizational learning, direct democracy and new money forms to new art pedagogies and ecological art practices. Here, in dialogue with Volker Harlan - a close colleague, whose own work also revolves around understandings of substance and sacrament that are central to Beuys - the deeper motivations and insights underlying ‘social sculpture’, Beuys’s expanded conception of art, are illuminated. His profound reflections, complemented with insightful essays by Volker Harlan, give a sense of the interconnectedness between all life forms, and the foundations of a path towards an ecologically sustainable future. This volume features over 40 b/w illustrations.
Joseph Beuys (1921-1986) was one of the most original and influential artists of the twentieth century. Challenging the traditional confines of art, he embraced a broader, philosophically and politically based practice formulated in the dictum "Everyone is an artist." His unique approach to the creative process transformed materials such as felt, fat, honey, blood, wax, copper, and sulfur into fluent and expressive artistic media. Called the most olfactory artist in history, he preferred the smells of the pungent and decaying, just as he favored the indecent, ugly, and disfigured over the polished, shiny, tasteful products of city slickers and social seekers. His long-term radical aims included the introduction of direct democracy through referendum, free access to all educational institutions, and a restructuring of the economy based on ecological necessity. The Essential Joseph Beuyswas inspired by the idea of an imaginary Beuys exhibition unhampered by the problems connected with actual exhibitions, e.g., those of geography, insurance, fragility, and the concerns of lenders. The book provides a definitive survey of the artist's work in every medium in which he worked—drawings and watercolors, sculptures and objects, environments and actions, and multiples and printed works. Arranged chronologically and covering the four decades he was active (1945-1985), the book reflects the changes in Beuys's choice of register, from the soliloquy of his early days to the dialogue of his period as a teacher to the powerful language of his public lectures to international audiences. In his introductory essay, "A Lament for Joseph Beuys," Alain Borer summarizes the artist's oeuvre, drawing out themes of great complexity and relating them to Beuys' artistic and social milieus.
By Caroline Tisdall. Artwork by Joseph Beuys.
Joseph Beuys in America,Writings by and Interviews with the Artist,A deeply interesting collection of material by and,about this most important of contemporary artists.,Of immense interest to all admirers of Beuys and,anyone interested in modern art.
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Points of overlap and contention between two avant-garde visionaries In conversations and interviews, Joseph Beuys (1921-86) alluded to Marcel Duchamp (1887-1968) more than to any other artist. And hardly anyone else seems to have challenged his work and his thought more than this artist from the previous generation. Direct evidence of this complex tension is his oft-cited action The Silence of Marcel Duchamp is Overratedfrom 1964, through which Beuys attempted to shift focus onto the political and social dimensions of his concept of expanded art. The associations and connections between the artists go deep. Both used similar radical strategies to rejuvenate the concept of art and the role of art in everyday life; their questions had a number of aspects in common. This fully illustrated catalog is the first to undertake a profound exploration of this multilayered relationship, while investigating both artists' future-oriented potential.