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Catalog of Kate Vrijmoet's solo show at Seattle's Center on Contemporary Art in February 2010. Includes paintings from her "Accident" series, her "Non-ordinary Reality" series, and numerous drawings. The show is introduced by Curator Joseph C. Roberts, and essays by Daniel Kany and Elatia Harris round out this volume.
The acclaimed South African novelist's first collection of nonfiction work presents twenty-three intimate views of South African life and politics during the past forty years and of the development of Gordimer's thought and art
He examines the connection between the personal and the political, showing that Gordimer has always seen the two as inseparable, and that her understanding of this relationship has developed profoundly during her career. Though the book is not biographical, it explores more fully than any preceding publication Gordimer's attitudes toward feminism and her connections with her Jewish background, thereby expanding our comprehension of her social context. Ettin includes a succinct overview of her career and devotes each of six chapters to a major theme, tracing and analyzing the themes as they recur in selected stories, novels, essays, and interview reflections, and as they have emerged in relation to circumstances of her own life. The author sees Gordimer's work as a tool not of propaganda but of understanding, a means of sharpening our perceptions of one another's lives.
The award to Nadine Gordimer of the Nobel Prize for Literature in 1991 was an affirmation of her distinctive contribution to twentieth-century fiction and to the creation of a literature that challenges apartheid. In this study, which may be used as an introduction as well as by those already familiar with Gordimer's work, Dominic Head discusses each of her novels in detail, paying close attention to the texts both as a reflection of events and situations in the real world, and as evidence of her constant rethinking of her craft. Head shows how Gordimer's concerns, apparent in her earliest novels, are developed through increasing stress on the politics of textuality; and he pursues the implications of this development to consider how Gordimer's later work contributes to postmodernist fiction, and to a recentering of political engagement in an era of uncertainty.
Gesture, or visible bodily action that is seen as intimately involved in the activity of speaking, has long fascinated scholars and laymen alike. Written by a leading authority on the subject, this 2004 study provides a comprehensive treatment of gesture and its use in interaction, drawing on the analysis of everyday conversations to demonstrate its varied role in the construction of utterances. Adam Kendon accompanies his analyses with an extended discussion of the history of the study of gesture - a topic not dealt with in any previous publication - as well as exploring the relationship between gesture and sign language, and how the use of gesture varies according to cultural and language differences. Set to become the definitive account of the topic, Gesture will be invaluable to all those interested in human communication. Its publication marks a major development, both in semiotics and in the emerging field of gesture studies.
Situated at the intersection of the colonial and the postcolonial, the modern and the postmodern, the novelists Christina Stead, Doris Lessing, and Nadine Gordimer all bear witness to this century's global transformations. From the Margins of Empire looks at how the question of national identity is constructed in their writings. These authors—white women who were born or grew up in British colonies or former colonies—reflect the subject of national identity in vastly different ways in both their lives and their work. Stead, who resided outside of her native Australia, has an unsettled identity. Lessing, who grew up in southern Rhodesia and migrated to England, is or has become English. Gordimer, who was born in South Africa and remains there, considers herself South African. Louise Yelin shows how the three writers' different national identities are inscribed in their fiction. The invented, hybrid character of nationality is, she maintains, a constant throughout. Locating the writings of Stead, Lessing, and Gordimer in the national cultures that produced and read them, she considers the questions they raise about the roles that whites, especially white women, can play in the new political and cultural order.
With a foreword by well-known neuroscientist Alain Berthoz, The Style of Gestures convincingly makes the case that embodied cognition is essential to the reception, understanding, and enjoyment of art and literature.
A collection of essays by Nadine Gordimer, which illustrate the relationship between outer and inner change for the writer of conscience in South Africa. The essays range from the relative optimism of the 1950s, to the Sharpeville massacre, the banning in the 1960s of the ANC and the Pan-Africanist Congress, to the challenges of the Black Consciousness movement in the 1970s and the interregnum of the 1980s and also include pieces on travel.
This book brings together a variety of perspectives to explore the role of literature in the aftermath of political conflict, studying the ways in which writers approach violent conflict and the equally important subject of peace. Essays put insights from Peace and Conflict Studies into dialog with the unique ways in which literature attempts to understand the past, and to reimagine both the present and the future, exploring concepts like truth and reconciliation, post-traumatic memory, historical reckoning, therapeutic storytelling, transitional justice, archival memory, and questions about victimhood and reparation. Drawing on a range of literary texts and addressing a variety of post-conflict societies, this volume charts and explores the ways in which literature attempts to depict and make sense of this new philosophical terrain. As such, it aims to offer a self-conscious examination of literature, and the discipline of literary studies, considering the ability of both to interrogate and explore the legacies of political and civil conflict around the world. The book focuses on the experience of post-Apartheid South Africa, post-Troubles Northern Ireland, and post-dictatorship Latin America. The recent history of these regions, and in particular their acute experience of ethno-religious and civil conflict, make them highly productive contexts in which to begin examining the role of literature in the aftermath of social trauma. Rather than a definitive account of the subject, the collection defines a new field for literary studies, and opens it up to scholars working in other regional and national contexts. To this end, the book includes essays on post-1989 Germany, post-9/11 United States, the Israeli-Palestinian conflict, Sierra Leone, and narratives of asylum seeker/refugee communities. This volume’s comparative frame draws on well-established precedents for thinking about the cultural politics of these regions, making it a valuable resource for scholars of Comparative Literature, Peace and Conflicts Studies, Human Rights, Transitional Justice, and the Politics of Literature.