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Brings together a representative selection of the writings of Edmund Leach.
This volume contains a selection of Edmund Leach's writings on society, taken largely, though not exclusively, from the early part of his career. It includes such essays as Rethinking Anthropology and extracts from Political Systems of Highland Burma.
Edmund Leach's book investigates the writings of 'structuralists' and their theories in anthropology.
Intellectual biography of Edmund Leach, a leading social anthropologist of his generation, with illustrations.
Reflecting upon the changing human condition, Palsson addresses various conflated zones of life at particular times and scales. Engaging with topical issues on the public agenda, from personal genomics to human-animal relations to the global environment, the book sets out a compelling case for meaningful change.
A Cultural History of Jewish Dress is the first comprehensive account of how Jews have been distinguished by their appearance from Ancient Israel to the present. For centuries Jews have dressed in distinctive ways to communicate their devotion to God, their religious identity, and the proper earthly roles of men and women. This lively work explores the rich history of Jewish dress, examining how Jews and non-Jews alike debated and legislated Jewish attire in different places, as well as outlining the big debates on dress within the Jewish community today. Focusing on tensions over gender, ethnic identity and assimilation, each chapter discusses the meaning and symbolism of a specific era or type of Jewish dress. What were biblical and rabbinic fashions? Why was clothing so important to immigrant Jews in America? Why do Hassidic Jews wear black? When did yarmulkes become bar mitzvah souvenirs? The book also offers the first analysis of how young Jewish adults today announce on caps, shirts, and even undergarments their striving to transform Jewishness from a religious and historical heritage into an ethnic identity that is hip, racy, and irreverent. Fascinating and accessibly written, A Cultural History of Jewish Dress will appeal to anybody interested in the central role of clothing in defining Jewish identity.
How much do we really know about our parents’ lives? What secrets lie in plain sight? This is the true story of hidden love within a small circle of some of the most acclaimed anthropologists of the 20th century. Told by Rosemary and Raymond Firth's son, and the daughter of Celia and Edmund Leach, the man Rosemary loved all her life, this part love-story, part biography, part social history is the tale of a highly influential circle of social anthropologists in Britain from the 1930s, through the Second World War, to the end of the century. The book explores their early influences, their insecurities, their flaws, struggles and achievements. It is a story of passion and commitment, but also of deceit and betrayal, including the inexplicable disappearance, death and alleged murder of a very close friend. It also narrates Rosemary's struggles for emotional and intellectual independence in the face of societal expectations of women and her own guilt, loss and self-doubt. From the Prologue: Rosemary loved many people in many different ways, but she loved two men in particular throughout most of her life. One was her husband, Raymond Firth, regarded by some as among the founding fathers of social anthropology. Yet she also retained a passionate devotion to her first love, Edmund Leach, who would subsequently become the public intellectual face of social anthropology in the later 1960s. Both separately and together they were part of the process of defining the nature of this still growing discipline in the first part of the mid-twentieth century.
In this volume of 15 articles, contributors from a wide range of disciplines present their analyses of Disney movies and Disney music, which are mainstays of popular culture. The power of the Disney brand has heightened the need for academics to question whether Disney’s films and music function as a tool of the Western elite that shapes the views of those less empowered. Given its global reach, how the Walt Disney Company handles the role of race, gender, and sexuality in social structural inequality merits serious reflection according to a number of the articles in the volume. On the other hand, other authors argue that Disney productions can help individuals cope with difficult situations or embrace progressive thinking. The different approaches to the assessment of Disney films as cultural artifacts also vary according to the theoretical perspectives guiding the interpretation of both overt and latent symbolic meaning in the movies. The authors of the 15 articles encourage readers to engage with the material, showcasing a variety of views about the good, the bad, and the best way forward.
The book explores how humans are distinct social beings whose relations nevertheless extend into nonhuman spheres in various ways.