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The Essence of Nonsense is a compilation of Nonsensical Rhymes which have been translated by the Author into English from a select few of the exceptional Poems present in the hilarious Abol Tabol, which had originally been composed in Bengali by the legendary but Late Sukumar Ray, in an attempt to convey at least a fraction of the side splittingly funny but yet incredibly provocative satire of Abol Tabol" to those readers, especially Children, who have so far been deprived of the satirical humor inherent in the magnificent verses of the marvelous Abol Tabol
There is within all theological utterances something of the ridiculous, perhaps more so in Christianity, given its proclivity for the paradoxical and the childlike. Few theologians are willing to discuss how consent to the Christian doctrine often requires a faith that goes beyond reason. There seems to be a fear that the association of theology with the absurd will give fuel to the sceptic's refrain: 'You can't seriously believe in all that nonsense.' Josephine Gabelman considers the legitimacy of the sceptic's objection and explores the possibility that an idea can be contrary to rationality and also true and meaningful using the systematic analysis of central stylistic features of literary non sense such as Lewis Carroll's Alice stories. Gabelman sets up a nonsense theology by considering the practical and evangelical ramifications of associating Christian faith with nonsense literature and, conversely, the value of relating theological principles to the study of literary nonsense.Ultimately, Gabelman says, faith is always a risk and a strictly rational apologetic misrepresents the nature of Christian truth.
"The Jesuit review of faith and culture," Nov. 13, 2017-
This hilariously readable collection of classic nonsense poetry, delightfully illustrated throughout, is a showcase of comic talent and sheer silliness. The Everyman Book of Nonsense Verse features an eclectic spectrum of contributors ranging wildly from Edward Lear and Lewis Carroll to Hilaire Belloc, Ted Hughes, Ogden Nash, and Shakespeare, with illustrations by Mervyn Peake, Quentin Blake, Emma Chichester Clark, Spike Milligan, and the deliciously sinister Edward Gorey. Such old favorites as “The Owl and the Pussycat” are accompanied by “Macavity: The Mystery Cat” and “Jabberwocky,” while Ted Hughes’s “Wodwo” sits alone by the bank of a stream in a state of innocence and curiosity that mirrors a child’s sense of wonder at the universe. Whether sweetly funny or deliciously naughty, these masterpieces of the art of the absurd will charm readers both young and old.
This book examines the concept of 'nonsense' in ancient Greek thought and uses it to explore the comedies of the fifth and fourth centuries BCE. If 'nonsense' (phluaria, lēros) is a type of language felt to be unworthy of interpretation, it can help to define certain aspects of comedy that have proved difficult to grasp. Not least is the recurrent perception that although the comic genre can be meaningful (i.e. contain political opinions, moral sentiments and aesthetic tastes), some of it is just 'foolery' or 'fun'. But what exactly is this 'foolery', this part of comedy which allegedly lies beyond the scope of serious interpretation? The answer is to be found in the concept of 'nonsense': by examining the ways in which comedy does not mean, the genre's relationship to serious meaning (whether it be political, aesthetic, or moral) can be viewed in a clearer light.
A “well-crafted and careful rendering of an important and demanding volume” covering the philosopher’s views on language, life, and politics (Andrew Mitchell, Emory University). In these lectures, delivered in 1933-1934 while he was Rector of the University of Freiburg and an active supporter of the National Socialist regime, Martin Heidegger addresses the history of metaphysics and the notion of truth from Heraclitus to Hegel. First published in German in 2001, these two lecture courses offer a sustained encounter with Heidegger’s thinking during a period when he attempted to give expression to his highest ambitions for a philosophy engaged with politics and the world. While the lectures are strongly nationalistic, they also attack theories of racial supremacy in an attempt to stake out a distinctively Heideggerian understanding of what it means to be a people. This careful translation offers valuable insight into Heidegger’s views on language, truth, animality, and life, as well as his political thought and activity.