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Derived from The Cambridge guide to theatre_
Analyzes and describes those fundamental characteristics which seem to be present in the works of such major playwrights as Beckett, Pinter, Ionesco, Brecht and Albee.
The figure of the freak as perceived by the Western gaze has always been a part of the Latin American imaginary, from the letters that Columbus wrote about his encounters with dog-faced people to Shakespeare's Caliban. The freak acquires greater significance in a globalized, neoliberal world that defines the "abnormal" as one who does not conform mentally, physically, or emotionally and is unable or unwilling to follow the economic and cultural norms of the institutions in power. Freak Performances examines the continuing effects of colonialism on modern Latin American identities, with a particular focus on the way it has constructed the body of the other through performance. Theater questions the representations of these bodies, as it enables the empowerment of the silenced other; the freak as a spectacle of otherness finds in performance an opportunity for re-appropriation by artists resisting the dominant authority. Through an analysis of experimental theater, dance theater, performance art, and gallery-based installation art across eight countries, Analola Santana explores the theoretical issues shaped by the encounters and negotiations between different bodies in the current Latin American landscape.
Covers world authors from many periods and genres, building an understanding of the various contexts -- from the biographical to the literary to the historical -- in which literature can be viewed. Identifies the significant literary devices and global themes that define a writer's style and place the author in a larger literary tradition as chronicled and evaluated by critics over time.
Seeking to provide a survey of the development of the theatre from its beginnings in primitive ritual to the present day in all countries that have a continuing theatrical tradition, this edition offers information on contemporary writers, directors, plays, companies and theatres, both metropolitan and regional. Entries dealing with technical subjects emphasize the historical perspective and are illustrated when necessary. Other illustrations are placed in thematically arranged groups and function independent of the text, showing the changes of vision in theatrical production over the past 2000 years. ISBN 0-19-211546-4 : $49.95.