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Especially since the Renaissance, some in Western Christendom have suspected that the deeper dimension of their tradition has somehow been lost, and have therefore sought to discover, or create, an 'esoteric' or 'initiatic' Christianity. In the middle of the nineteenth century two scholars, Gabriele Rossetti and Eugène Aroux, pointed to certain esoteric meanings in the work of Dante Alighieri, notably The Divine Comedy. Partly based on their scholarship, Guénon in 1925 published The Esoterism of Dante. From the theses of Rosetti and Aroux, Guénon retains only those elements that prove the existence of such hidden meanings; but he also makes clear that esoterism is not 'heresy' and that a doctrine reserved for an elite can be superimposed on the teaching given the faithful without standing in opposition to it. One of René Guénon's lifelong quests was to discover, or revive, the esoteric, initiatory dimension of the Christian tradition. In the present volume, along with its companion volume Insights into Christian Esoterism (which includes the separate study Saint Bernard), Guénon undertakes to establish that the three parts of The Divine Comedy represent the stages of initiatic realization, exploring the parallels between the symbolism of the Commedia and that of Freemasonry, Rosicrucianism, and Christian Hermeticism, and illustrating Dante's knowledge of traditional sciences unknown to the moderns: the sciences of numbers, of cosmic cycles, and of sacred astrology. In these works Guénon also touches on the all-important question of medieval esoterism and discusses the role of sacred languages and the principle of initiation in the Christian tradition, as well as such esoteric Christian themes and organizations as the Holy Grail, the Guardians of the Holy Land, the Sacred Heart, the Fedeli d'Amore and the 'Courts of Love', and the Secret Language of Dante. In addition to Dante, various other paths toward a possible Christian esoterism have been explored by many investigators-the legend of the Holy Grail, the Knights Templars, the tradition of Courtly Love, Freemasonry, Rosicrucianism, and Christian Hermeticism-and Guénon deals with all of these in the present volume as well as his Insights into Christian Esoterism. In the latter, one chapter in particular, 'Christianity and Initiation', will be of special interest with regard to the history of the Traditionalist School. When first published as an article, it gave rise to some controversy because Guénon here reaffirmed his denial of the efficacy of the Christian sacraments as rites of initiation, a point of divergence between the teachings of Guénon and those of other key perennialist thinkers. Both The Esoterism of Dante and Insights into Christian Esoterism will be of inestimable value to all who are struggling to come to terms with the fullness of the Christian tradition.
One of René Guénon's lifelong quests was to discover, or revive, the esoteric, initiatory dimension of the Christian tradition. In the present volume, along with its companion volume The Esoterism of Dante, Guénon undertakes to establish that the three parts of The Divine Comedy represent the stages of initiatic realization, exploring the parallels between the symbolism of the Commedia and that of Freemasonry, Rosicrucianism, and Christian Hermeticism, and illustrating Dante's knowledge of traditional sciences unknown to the moderns: the sciences of numbers, of cosmic cycles, and of sacred astrology. In these works Guénon also touches on the all-important question of medieval esoterism and discusses the role of sacred languages and the principle of initiation in the Christian tradition, as well as such esoteric Christian themes and organizations as the Holy Grail, the Guardians of the Holy Land, the Sacred Heart, the Fedeli d'Amore and the 'Courts of Love', and the Secret Language of Dante. One chapter in the present volume, 'Christianity and Initiation', is of special interest with regard to the history of the Traditionalist School. When first published as an article, it gave rise to some controversy because Guénon here reaffirmed his denial of the efficacy of the Christian sacraments as rites of initiation, a point of divergence between the teachings of Guénon and those of other key perennialist thinkers. Both The Esoterism of Dante and Insights into Christian Esoterism will be of inestimable value to all who are struggling to come to terms with the fullness of the Christian tradition.
In East and West Guénon diagnoses the fundamental 'abnormality' of Western civilization vis-à-vis the traditional civilizations of the East, suggests avenues by which the West might be 're-oriented' toward the fundamental metaphysical principles it has largely abandoned, and outlines the possible role of a restoration of true intellectuality in this task. Of course, East and West are no longer what they were in Guenon's time. The aggressive rationalism and materialism of post-Christian Western culture has become a worldwide phenomenon, and no longer corrodes the philosophical and cultural underpinnings of the West only: it has infiltrated distorted forms of Eastern spirituality and metaphysics, incited fundamentalist reactions the world over, and, thanks to the pervasive internet, wields previously unheard of influence. And so today we have an East largely inflamed with a desire to surpass the West in materialism, and a West sodden with moral and spiritual degeneracy. Nonetheless, fruitful exchanges between traditional Christianity and Eastern religions have also taken place on an unprecedented scale, though marred by an ongoing temptation to ill-informed syncretism. In such a milieu, Guénon's East and West, read with an eye to events of recent decades, delivers a stunning intellectual punch. But the East is always the East: the place where the sun rises, the point of recollection and return to the Source. And the West is always the West: the place of the full manifestation of possibilities (including the most degenerate), of the tendency to dissipation and dissolution; the point where the sun sets. In postmodern, global culture, we are all more or less forced to be 'Westerners' outwardly; our only recourse under these circumstances may be to become 'Easterners' within.
Dante's Inferno is often presented today in lurid 'gothic' terms as if it were no more than an entertaining demonic freak-show. Alternately, it is taken as merely a cultural and political commentary on Dante's own place and time, cast in allegorical terms. But the Inferno, and the Divine Comedy as a whole, are much more than that. The human passions, and the Mystery of Iniquity of which they are expressions, are fundamentally the same in any place and time; the Inferno presents not so much a history of sin as a catalogue of the archetypes of sin, the fundamental ways in which all of us are tempted to betray the human form. Based on the works of a number of the Greek Fathers, on the writings of several members of the Traditionalist School, notably Frithjof Schuon and Rene Guenon, and on the kind of wide personal experience of the violation of the human form that is available to anyone in these times with both the requisite discernment-rooted in love-and the courage to keep his or her eyes open, Jennifer Doane Upton has once again seen Dante's Inferno as it really is. It is the record of the struggle of the human mind, will, and emotions to discover and name, by the grace of God, the sins resident in the human soul. As both a traditional re-presentation and a contemporary revisioning of the 'examination of conscience', individual and collective, Dark Way to Paradise is at once an exegetical masterpiece and a handbook of demonology of concrete use to any true physician of the soul. In its direct application of metaphysical principles to 'infernal psychology', it is unique among Dante commentaries. And in a time like ours, when the Western Church appears to be dissolving before our eyes, to save again what Dante himself saved out of the great medieval Christian synthesis has never been so timely.
The Symbolism of the Cross is a major doctrinal study of the central symbol of Christianity from the standpoint of the universal metaphysical tradition, the 'perennial philosophy' as it is called in the West. As Guernon points out, the cross is one of the most universal of all symbols and is far from belonging to Christianity alone. Indeed, Christians have sometimes tended to lose sight of its symbolism of its symbolical significance and to regard it as no more than the sign of a historical event. By restoring to the full spiritual value as a symbol, but without in any way detracting from its historical importance for Christianity, Guenon has performed a task of inestimable importance which perhaps only he, with his unrivaled knowledge of the symbolic languages of both East and West, was qualified to perform.
This small volume brings together a number of Guénon's early articles relating to Sufism (tasawwuf), or Islamic esoterism. A later article, 'Islamic Esoterism', has also been included, since it articulates so well the particularities of initiation in Islam by defining the fundamental elements of tasawwuf: shari'ah, tariqah, haqiqah. The first constitutes the necessary fundamental exoteric basis; the second, the Way and its means; the third, the goal or final result. In the other chapters, Guénon expresses with his usual synthetic clarity what tawhid and faqr are, and gives examples of traditional sciences, relating angelology to the Arabic alphabet, and chirology to the science of letters ('ilm al-huruf). A number of book and article reviews give further insights into Islamic cosmology. Some may feel that the essay 'Taoism and Confucianism' here included has little relevance to Sufism and Islam. However, such writers as Toshihiko Izutsu and Sachiko Murata have drawn many parallels between the two traditions. Confucianism, concentrating on social and interpersonal norms, functions as a kind of shari'ah in the context of Chinese religion, while Taoism, like Sufism, is precisely the esoteric Way.
Spiritual Authority and Temporal Power is an analysis of cyclical manifestation, and more specifically of the relationship between royal and sacerdotal power. In accord with the Hindu doctrine of manvantaras and Plato's depiction of historical degeneration in the Republic, Guénon views history here as a series of 'revolts' of lower castes against the higher. The kshatriyas (warriors) revolt against the brahmins (priests), thus setting the stage for a revolt of the vaishyas (loosely, the bourgeoisie), as in the French revolution-and, finally, the shudras (the proletariat), as in the Russian revolution (which Guénon does not touch upon in this work). From one point of view, this is a progressive degeneration; from another it is entirely lawful, given the 'entropic' nature of manifestation itself. External, historical descent reflects an inner degeneration: knowledge (the celestial paradise) is eclipsed by heroic action (the terrestrial paradise), which is in turn overrun by the inertia and agitation of the passions. Yet the nadir of degeneration is also the point of renewal: the dawning of the Heavenly Jerusalem-spiritual Knowledge-which begins a new cycle of manifestation.
Dantean Dialogues is a collection of essays by some of the world's most outstanding Dante scholars., These essays enter into conversation with the main themes of the scholarship of Amilcare Iannucci (d. 2007), one of the leading researchers on Dante of his generation and arguably Canada's finest scholar of the Italian poet. The essays focus on the major themes of Iannucci's work, including the development of Dante's early poetry, Dante's relation to classical and biblical sources, and Dante's reception. The contributors cover crucial aspects of Dante's work, from the authority of the New Life to the novelty of his early poetry, to key episodes in the Comedy, to the poem's afterlife. Together, the essays show how Iannucci's reading of central cruxes in Dante's texts continues to inspire Dante studies - a testament to his continuing influence and profound intellectual legacy.
Charles Upton: Human love has fallen on hard times; it has been "officially discredited." Even liberal humanitarianism is not what it used to be; how then can romantic love, which in its origins is essentially aristocratic (in Meister Eckhart's sense when he said "the soul is an aristocrat") find any place in today's world? The truth is, it cannot. The world is too small for it. The place of romantic love is nowhere in this world; its place is in the human soul, whose own proper place is in the eternal self-knowledge of God. Jennifer Doane Upton: The love of God is always secret. For most of us it is so secret that we are not even aware of it. All manifestations that appear around this love are false in a sense, and tend to mis-direct us. To look for the love of God itself within manifest conditions is always to go astray. We spend our time in the world being attracted to this and repulsed by that, and all the while we are blind to this one secret love.