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We were born to be creators. The Era of the True Creator sheds light on the expanding spiritual consciousness that is occurring within a growing number of people in our present day. It is a guide to releasing old patterns of drama so that we can learn to exist clearly within the present moment, unifying our beliefs of duality and discovering our infinite nature. From here, our propulsion towards creation continues, but now it is true creation, stimulated through joy. This is a book of that will evoke an awakening of consciousness within the reader.
A radically new cosmological view from a groundbreaking neuroscientist who places the human brain at the center of humanity's universe Renowned neuroscientist Miguel Nicolelis introduces a revolutionary new theory of how the human brain evolved to become an organic computer without rival in the known universe. He undertakes the first attempt to explain the entirety of human history, culture, and civilization based on a series of recently uncovered key principles of brain function. This new cosmology is centered around three fundamental properties of the human brain: its insurmountable malleability to adapt and learn; its exquisite ability to allow multiple individuals to synchronize their minds around a task, goal, or belief; and its incomparable capacity for abstraction. Combining insights from such diverse fields as neuroscience, mathematics, evolution, computer science, physics, history, art, and philosophy, Nicolelis presents a neurobiologically based manifesto for the uniqueness of the human mind and a cautionary tale of the threats that technology poses to present and future generations.
Frankenstein was first released in 1818 anonymously. The credit for Mary Wollstonecraft Shelley’s authorship first occurred in 1823 when a French edition was published. A year earlier, Mary’s revolutionary husband, the influential poet, dramatist, novelist, and essayist Percy Bysshe Shelley, died. The same year Frankenstein, or, The Modern Prometheus (its full title) was first published, so was another work by Mary’s husband that shares use of the word Prometheus. The drama Prometheus Unbound was indeed credited to Percy Shelley. The secret admission of many experts in English literature is that Mary Wollstonecraft Shelley did not write a good portion of Frankenstein. In Shelley Unbound, Oxford scholar Scott D. de Hart examines the critical information about Percy Shelley’s scientific avocations, his disputes against church and state, and his connection to the illegal and infamous anti-Catholic organization, the Illuminati. Scott D. de Hart’s fascinating investigation into Frankenstein and the lives of Mary Wollstonecraft and Percy Shelley results in an inconvenient truth regarding what we have long believed to be a great early example of the feminist canon. Scott D. de Hart was born and raised in Southern California. He graduated from Oxford University with a PhD specializing in nineteenth-century English literature and legal controversies.
In this book Riana reveals how she barely survived years of immense abuse and trauma—and was left powerless, suffering, and with no way to cope. Gradually, and incredibly, Riana awakened to the truth of who she was and the truth of who we all are and un-became everything that she thought she was and had to be, to truly step into her purpose, power, and essence . . . and eventually mastered the art of healing. Here, she shows those that are ready to awaken and those already awakened how you, too, can achieve the feelings of worthiness that may be long missing from your life and truly step into your own light. Where suffering will cease, and a movement will be catalyzed. Now a recognized spiritual teacher, Riana documents how she healed, un-became and mastered the art of sustaining the embodiment with her higher self and the divine and details the remarkable trail for others to get to the same place. You are the Creator, encompasses both Riana's compelling story, told with raw intensity, and her resolute, no-nonsense how-to guide to un-becoming, healing and self-mastery from even the deepest levels of suffering. As it is one’s suffering and one's darkest moments according to Riana that becomes the greatest catalyst for enlightenment and healing. Offering a comprehensive course and practice toward Healing and Enlightenment, this book includes powerful exercises, insights, and perspective from a captivating new teacher in spirituality. You are the Creator takes readers on her journey of healing and liberation and mastering the art of awareness, integration, and embodiment. Much more than simple principles and platitudes, the book takes readers on an inspiring spiritual journey to find their true and deepest self and reach the ultimate in personal growth and spirituality: the discovery of truth and light. She awakens readers to their role as a creator and shows them how to identify this through awareness, processes, and practices. Whether this is your first exploration of inner space and spiritual awakening, or you’ve devoted your life to the inward journey, this book will transform your relationship with yourself and the world around you. You’ll discover what you can do to put an end to the habitual thoughts, beliefs and emotions that limit your consciousness. Riana says, "this book is not for those who are not ready to un-become, because this path is a path of destruction and rebirth.” It is for those who are ready to commit and those that are called to truly step into their light, their power and liberation." Riana’s resonating words will sit with your soul long after you put this book down and will serve as guideposts on the way to complete liberation and enlightenment, no matter who you are or where you are in life. ALL-INCLUSIVE – this book includes all the tips necessary to bring your spirit to life and achieve feelings of worthiness. It is a practice for healing and inspiration. PRACTICAL – having a copy of ‘You are the Creator’ means having a guide that is straightforward and hands-on. The book relates to everyone with a spiritual awakening. FASCINATING – the storyline has a captivating flow and fantastic plot. Our book is well-organized with an appropriate and relatable theme. MOTIVATIONAL – we use a plot that touches the heart of every reader. The book motivates and helps you discover the truth and light in everyday practices. AWESOME PLOT – the moment you start reading this book, you flip every page with anticipation. The plot is a twist and blend of principles in the journey of life. This incredible page-turner makes you ready to awaken feelings of happiness and satisfaction that may have disappeared in your life. According to Riana, the author, your deepest and darkest hours are what prepare you for self-mastery and awakening.
Discover the astonishing evidence for intelligent design in this New York Times bestselling book by award-winning journalist Lee Strobel. "My road to atheism was paved by science . . . but, ironically, so was my later journey to God," Strobel says. During his academic years, Lee Strobel became convinced that God was obsolete, a belief that colored his journalism career. Science had made the idea of a Creator irrelevant--or so Strobel thought. But today science points in a different direction. A diverse and impressive body of research has increasingly supported the conclusion that the universe was intelligently designed. At the same time, Darwinism has faltered in the face of concrete facts and hard reason. Has science discovered God? At the very least, it's giving faith an immense boost, as new findings emerge about the incredible complexity of our universe. Join Strobel as he reexamines the theories that once led him away from God. Through his compelling and highly readable account, you'll encounter the mind-stretching discoveries from cosmology, cellular biology, DNA research, astronomy, physics, and human consciousness that present compelling evidence in The Case for a Creator. Also available: The Case for a Creator small group video study and study guide, Spanish edition, kids' edition, student edition, and more.
Four artists who are today relatively or almost entirely unknown – one woman and three men – nevertheless played a part in the aesthetic upheavals that led to abstraction in 1940s Montreal. Very active in the art milieu throughout the decade, Marian Dale Scott, Fritz Brandtner, Henry Eveleigh, and Gordon Webber captured the attention of critics of the time, who employed the term “abstract art” to describe both non-objective works and bold formal explorations that retained some reference to visible reality. An examination of these artists’ practices reveals a remarkable openness to international contemporary art trends – French, German, British, and American. Their work and its critical reception conjure a complex picture of the debates on abstraction that took place in Montreal during the 1940s, so often reduced to the controversies surrounding the emergence of the Automatiste movement. The artistic innovations of Paul-Émile Borduas and his group and the radical tone of their 1948 manifesto Refus global cemented their status as Quebec’s abstract avant-garde but also had the effect of eclipsing other visions of abstraction being explored during the same period. This book reinstates the oeuvres of these forgotten protagonists in the narrative of abstract art, illustrating how their practices encompassed a variety of themes: emotion, science, human experience in the broadest sense – but also, as the Second World War unfolded, the violence that marked their era.
The debate over the framers' concept of freedom of religion has become heated and divisive. This scrupulously researched book sets aside the half-truths, omissions, and partisan arguments, and instead focuses on the actual writings and actions of Washington, Adams, Jefferson, Madison, and others. Legal scholar Michael I. Meyerson investigates how the framers of the Constitution envisioned religious freedom and how they intended it to operate in the new republic. Endowed by Our Creator shows that the framers understood that the American government should not acknowledge religion in a way that favors any particular creed or denomination. Nevertheless, the framers believed that religion could instill virtue and help to unify a diverse nation. They created a spiritual public vocabulary, one that could communicate to all—including agnostics and atheists—that they were valued members of the political community. Through their writings and their decisions, the framers affirmed that respect for religious differences is a fundamental American value, Meyerson concludes. Now it is for us to determine whether religion will be used to alienate and divide or to inspire and unify our religiously diverse nation.
The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.