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During the medieval and early modern periods the Welsh diocese of St Davids was one of the largest in the country and the most remote. As this collection makes clear, this combination of factors resulted in a religious life which was less regulated and controlled by the institutional forces of both Church and State. Addressing key ideas in the development of popular religious culture and the stubborn continuity of long-lasting religious practices into the modern era, the volume shows how the diocese was also a locus for continuing major religious controversies, especially in the nineteenth century. Presenting a fresh view of the Diocese of St Davids since the Reformation, this is the first new account of religion and society in over a century. It is, moreover, not one which is written primarily from an institutional perspective but from that of wider society. As well as a chronological treatment, giving an overview of the history of religion in the diocese, chapters address key themes, including a study of religious revivals which originated within the borders of the diocese; consideration of popular and elite education, including the contribution of Bishop Burgess's pioneering institution at Lampeter (the first degree awarding institution in England and Wales after Oxford and Cambridge); the relationship of the Church to the revival of Welsh cultural identity; and new reflections on the agitation and realisation of disestablishment of the Church as it affected Wales. As such, this pioneering study has much to offer all those with an interest, not only in Welsh history, but ecclesiastical history more broadly.
Entry point into Welsh migration by experts: many of the contributors have longer studies that students can then read; Multi-disciplinary: shows how historical and literary sources can be read together, includes new archaeological data Showcases new work by a new generation of Welsh historians.
Music in Wales has long been a neglected area. Scholars have been deterred both by the need for a knowledge of the Welsh language, and by the fact that an oral tradition in Wales persisted far later than in other parts of Britain, resulting in a limited number of sources with conventional notation. Sally Harper provides the first serious study of Welsh music before 1650 and draws on a wide range of sources in Welsh, Latin and English to illuminate early musical practice. This book challenges and refutes two widely held assumptions - that music in Wales before 1650 is impoverished and elusive, and that the extant sources are too obscure and fragmentary to warrant serious study. Harper demonstrates that there is a far wider body of source material than is generally realized, comprising liturgical manuscripts, archival materials, chronicles and retrospective histories, inventories of pieces and players, vernacular poetry and treatises. This book examines three principal areas: the unique tradition of cerdd dant (literally 'the music of the string') for harp and crwth; the Latin liturgy in Wales and its embellishment, and 'Anglicised' sacred and secular materials from c.1580, which show Welsh music mirroring English practice. Taken together, the primary material presented in this book bears witness to a flourishing and distinctive musical tradition of considerable cultural significance, aspects of which have an important impact on wider musical practice beyond Wales.