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The Epic of Ram, Volume 4 turns to the story of Ram's younger half-brother Bharat. Despite efforts to place him on the throne of Avadh, Bharat refuses, ashamed that Ram has been exiled, and makes a pilgrimage to restore the true heir. This edition features the Avadhi text in the Devanagari script alongside the English translation.
He Is Eka-Vachani, A King Who Always Keeps His Word; Eka-Bani, An Archer Who Strikes His Target With The First Arrow; And Eka-Patni, A Husband Who Is Eternally And Absolutely Devoted To A Single Wife. He Is Maryada Purushottam Ram, The Supreme Upholder Of Social Values, The Scion Of The Raghu Clan, Jewel Of The Solar Dynasty, The Seventh Avatar Of Vishnu, God Who Establishes Order In Worldly Life. Hindus Believe That In Stressful And Tumultuous Times Chanting Ram&Rsquo;S Name And Hearing His Tale, The Ramayan, Brings Stability, Hope, Peace And Prosperity. Reviled By Feminists, Appropriated By Politicians, Ram Remains Serene In His Majesty, The Only Hindu Deity To Be Worshipped As A King.
A masterpiece of Persian Classical epic, the Shahnama or Book of Kings was composed by Abu'l-Qasem Ferdowsi at the beginning of the eleventh century. Because the Shahnama presents itself as a chronicle of the reigns of the shahs from the primordial founders to the Sasanian dynasty which ended in 651, scholarly attention has centered on the question of its historical accuracy. Addressing the literary as well as the historical and mythological aspects of the Shahnama, Olga M. Davidson makes this centerpiece of Iranian culture accessible to Western readers. Drawing on recent work in epic studies and oral poetics, Davidson considers analogies with Classical and medieval European narratives as she investigates the poem's social contexts. Her interpretation of the Shahnama focuses on both the figure of the poet himself and on his protagonists-the superhuman hero Rostam and the historical or historicized shahs. Exploring the Shahnama as an example of court poetry designed to glorify the idea of empire, Davidson identifies as a driving force of Ferdowsi's narrative a strong current of antagonism between king and hero. Ironically, she shows, it is the epic hero himself who poses the greatest threat to the concept of kingship that he is sworn to defend. Poet and Hero in the Persian Book of Kings will be welcomed by readers working in such fields as comparative literature, Middle Eastern Studies, folklore, literary theory, and comparative religion.
The Original Ramayana Was Written Three Thousand Years Ago. Now, With Breathtaking Imagination And Brilliant Storytelling, Ashok K. Banker Has Recreated This Epic Tale For Modern Readers Everywhere. Rama, Soon To Be King Of Ayodhya, Crosses The Ocean To Wage His War Of Dharma Against The Rakshasa Forces Of The Demonlord Ravana. The Valiant Vanars And Bears Suffer Huge Losses When Ravana Unleashes His Iniquitous Sorcery On Them, Destroying Tens Of Thousands Of Rama'S Loyal Soldiers. Despite The Formidable Odds They Fight On Even As The Warfare Spirals Into A Maelstrom Of Unimaginable Carnage And Brutality. And Then, Ravana Does The Unthinkable. Hovering Over The Battlefield In His Flying Vehicle He Executes Sita In Full Public View, Right Before Rama'S Unbelieving Eyes. Rama'S Grief And Rage Know No Bounds And On This Cataclysmic Day He Finally Draws Upon His Ultimate Reservoir Of Brahman Shakti. Invoking The All-Powerful Dev-Astras, The Bow Of Vishnu And The Arrow Of Shiva, He Prepares For A Reckoning And A Victory Like No Other . . .
Vikrant Pande and Neelesh Kulkarni's quest to retrace the trail of Rama's fabled travels during his years in exile began with their trying to locate Chitrakoot on the map and realizing that they had little idea where it might be. Curious about the places mentioned in the Ramayana, they set off on a journey of their own, following Rama's route from Ayodhya to the Dandakaranya forest and Panchavati (near Nashik) and on to Kishkindhya (close to Hampi), Rameshwaram and Sri Lanka. Along the way they would discover how closely the narrative of the Ramayana is linked to local folklore, and how the stories of the Ramayana and the moral framework that binds them together still speaks to the people who live in the land across which Rama, Sita and Lakshman made their journey. For the armchair traveller as well as the enthusiast for epic tales, this is a wonderful book with which to revisit the world of the Ramayana.
Milman Parry and Albert B. Lord collected singularly important examples of Albanian epic song while conducting fieldwork in the Kingdom of Yugoslavia and northern Albania. A complete catalogue of their collected materials, Wild Songs, Sweet Songs is an authoritative guide to one of the most significant collections of Balkan folk epic in existence.
Shubha Pathak explores a new way to connect the primary Sanskrit epics Ramaya?a and Mahabharata with their Greek analogues, the Iliad and Odyssey. This cross-cultural comparative study provides a more comprehensive perspective on the poems' religiosity than the vantage points of Hellenists or of Indologists alone.