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A poisoned paan, a non-government issue arrow and the cameo of a mysterious Englishman...Muzaffar Jang is that rare creature in Mughal Emperor Shahjahan?s Dilli ? an aristocrat with friends in low places. One of whom, Faisal, stands accused of murder. When the body of Mirza Murad Begh is found stabbed in the chest, lying in a water channel in the Qila, poor Faisal is the only one around. But what of the fact that, minutes before his demise, the victim had stepped out of the haveli of Shahjahanabad?s most ravishing courtesan? Could not the sultry Mehtab Banu and her pale, delicate sister, Gulnar have something to do with the murder? Determined to save his friend, Muzaffar decides to investigate, with only a cup now and then of that new-fangled brew ? `Allah, so bitter? ? called coffee to help him. A trail of clues leads him from Mehtab?s haveli out into the streets of seventeenth-century Dilli ? rife with rumours of Dara Shukoh?s strange leanings and Prince Aurangzeb?s rebelliousness ? into a conspiracy far more sinister than he had imagined...
A poisoned paan, a non-government issue arrow and the cameo of a mysterious Englishman... Muzaffar Jang is that rare creature in Mughal Emperor Shahjahan’s Dilli – an aristocrat with friends in low places. One of whom, Faisal, stands accused of murder. When the body of Mirza Murad Begh is found stabbed in the chest, lying in a water channel in the Qila, poor Faisal is the only one around. But what of the fact that, minutes before his demise, the victim had stepped out of the haveli of Shahjahanabad’s most ravishing courtesan? Could not the sultry Mehtab Banu and her pale, delicate sister, Gulnar have something to do with the murder? Determined to save his friend, Muzaffar decides to investigate, with only a cup now and then of that new-fangled brew – ‘Allah, so bitter’ – called coffee to help him. A trail of clues leads him from Mehtab’s haveli out into the streets of seventeenth-century Dilli – rife with rumours of Dara Shukoh’s strange leanings and Prince Aurangzeb’s rebelliousness – into a conspiracy far more sinister than he had imagined...
A serial killer is terrorizing Dilli and Mughal nobleman and detective Muzaffar Jang might have finally met his match. In the spring of 1657, the Mughal armies have reached the Deccan, besieging the Fort of Bidar. Back home in Dilli, there is unrest: the empire seethes and stirs, and its capital reflects this turbulence. Muzaffar Jang, newly married to his beloved Shireen and trying to adjust to life as a husband, stumbles into the investigation of a merchant's murder. Even as another crime – the kidnapping of a wealthy moneylender's infant son – occurs, Muzaffar finds himself at odds with his brother-in-law, Khan Sahib, the Kotwal of Dilli. Things get increasingly puzzling as one murder follows another and, soon, it is clear that the streets of Dilli have a serial killer on the loose. Muzaffar, who soon finds himself at odds with the system as well as those closest to him, must follow his gut to unmask this audacious murderer, while trying to obey Khan Sahib's warning: do not get in the way of the law. But has he finally bitten off more than he can chew?
The Englishman’s Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West – the Cypress Hills Massacre. Vanderhaeghe’s rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era – with its visionaries, celebrities, and dreamers – provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter – “the Englishman’s boy” – whose fate, ultimately, is a tragic one.
One of the New York Times’s 100 Best Books of the 21st Century Winner of the 2006 Orange Prize for Fiction, another bestselling masterwork from the celebrated author of Swing Time and White Teeth "In this sharp, engaging satire, beauty's only skin-deep, but funny cuts to the bone." —Kirkus Reviews Having hit bestseller lists from the New York Times to the San Francisco Chronicle, this wise, hilarious novel reminds us why Zadie Smith has rocketed to literary stardom. On Beauty is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture wars—on both sides of the Atlantic—serve to skewer everything from family life to political correctness to the combustive collision between the personal and the political. Full of dead-on wit and relentlessly funny, this tour de force confirms Zadie Smith's reputation as a major literary talent.
Reprint of the original, first published in 1874.
Reproduction of the original.