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The Doctor, Romana and K9 are in 1930s London, planning to rest after their recent adventures. But what connects the Sussex resort of Nutchurch with the secret society run by Percy Closed? Why has Hepworth Stackhouse hired an assassin? And what is the infe
The Doctor, Romana and K-9 are hoping for a holiday in London in the sweltering summer of 1930. But the TARDIS is warning of time pollution. And that’s not the only problem. What connects the isolated Sussex resort of Nutchurch with the secret society run by the eccentric Percy Closed? Why has millionaire Hepworth Stackhouse dismissed his staff and hired assassin Julia Orlostro? And what is the truth behind the infernal vapour known only as Zodaal? With the heat building, the Doctor and his friends set out to solve the mysteries. An adventure set in 1930s London, featuring the Fourth Doctor as played by Tom Baker and his companions Romana and K-9.
Dr Julian Litten, long regarded as England's authority on funeral customs, leads us from the pomp and panoply of the post-medieval funeral to the clinical anonymity of present-day obsequies.
Only the scathing wit and searching intelligence of Jessica Mitford could turn an exposé of the American funeral industry into a book that is at once deadly serious and side-splittingly funny. When first published in 1963, this landmark of investigative journalism became a runaway bestseller and resulted in legislation to protect grieving families from the unscrupulous sales practices of those in "the dismal trade." Just before her death in 1996, Mitford thoroughly revised and updated her classic study. The American Way of Death Revisited confronts new trends, including the success of the profession's lobbyists in Washington, inflated cremation costs, the telemarketing of pay-in-advance graves, and the effects of monopolies in a death-care industry now dominated by multinational corporations. With its hard-nosed consumer activism and a satiric vision out of Evelyn Waugh's novel The Loved One, The American Way of Death Revisited will not fail to inform, delight, and disturb. "Brilliant--hilarious. . . . A must-read for anyone planning to throw a funeral in their lifetime."--New York Post "Witty and penetrating--it speaks the truth."--The Washington Post
Josh Slocum and Lisa Carlson are the two most prominent advocates of consumer rights in dealing with the death industry. Here they combine efforts to inform consumers of their rights and propose long-needed reforms. Slocum is executive director of Funeral Consumers Alliance, a national nonprofit with over 90 local affiliates nationwide. Carlson is executive director of Funeral Ethics Organization, which works with the industry to try to improve ethical standards. In addition to nationwide issues, the book covers state-by-state information needed by anybody who wishes to take charge of funeral arrangements for a loved one, with or without the help of a funeral director. More information about the book and related issues can be found at www.finalrights.org .
Explains that different plants and animals have different lifespans and grow up at different rates
After a woman is found dead in an isolated cemetery, Inspector Thomas Lynley and his former partner, Barbara Havers, find that the roots of the crime trace to a long-ago act of violence that has poisoned subsequent generations.
They were the two most feared swordsmen of their age: Miyamoto Musashi, mysterious and introspective, and Sasaki Kojiro, arrogant and ambitious. In war-torn Japan, each was thrust forward as a hero of opposing sides . . . and began their final epic confrontation.
This is a book about terminals and boundaries, mortality and closure, the infinitesimals of style and the finite limits of representational language, about least and last things together. It is a book, to start with, about three vast and familiar facts of life and art: death, content, and form. Only by their particular triangulation in the genre of prose fiction do they mark out the hypothesis of the present study: that death in fiction is the fullest instance of form indexing content, is indeed the moment when content, comprising the imponderable of negation and vacancy, can be found dissolving to pure form. Death in narrative yields, by yielding to, sheer style.
A study based on the author's experiences working with the termimally ill examines the death process, discussing such topics as grief, near-death experiences, preparation, and regret-proofing life