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From medieval craftsmen to modern industrial designers.
A reissue in hardback under the National Trust imprint of a classic, superbly illustrated book tracing Sir Edwin Lutyens's formidable achievements of both grand public buildings and his many beautiful country houses. Through his architecture of New Delhi, Lutyens had the unofficial status of Britain's 'architect laureate', but it is in his wonderful country houses that his creative genius can most fully be appreciated. Elizabeth Wilhide traces the development of the Lutyens style and illustrates his remarkable blend of function and artistry, from the imposing granite of Castle Drogo and Lindisfarne to the restful appeal of Munstead Wood, which he designed for his long-term collaborator and friend, Gertrude Jekyll. Wilhide also devotes a large section of the book to Lutyens's wonderful interiors. With a foreword by Sir Edwin's granddaughter Candia Lutyens and specially commissioned photographs showing interiors and gardens, as well as original designs for furniture, this elegant monograph provides a fresh insight into a rich and enduring heritage of design.
The first book from designer Michelle Nussbaumer features her dramatically lush interiors and shows readers how spaces can be inspired by travel and filled with treasures from around the world. As a curator who discovers exquisite treasures all over the world for her projects and her Dallas-based design store Ceylon et Cie, Michelle Nussbaumer has a signature style, in multilayered rooms that mix periods with antique textiles, embroideries and weavings, unconventional furniture, and global art. The result is unique interiors that might recall 1940s glamour or nineteenth-century England. Her first book, organized by mood and style, showcases interiors that range from calm to bold, and from rustic to exotic. These include Nussbaumer’s own stunning residences in Switzerland and Texas, as well as her work for clients around the country. Her sumptuous interiors—eclectic in style and influenced by the designer’s travels from Paris and Rome to Africa, Mexico, and China—provide alluring inspiration for design aficionados.
Employing numerous examples of classic British design, Designing Modern Britain delves into the history of British design culture, and thereby tracks the evolution of the British national identity.
Fifteen lavishly detailed Southern houses in Atlanta, Georgia, South Carolina, the Virginia Piedmont, along the Florida coasts, and in the mountains of North Carolina, from a leader in traditional architecture. Esteemed Atlanta architect Norman Davenport Askins made his name with his mastery of historical precedent. His gracious and livable designs recall such diverse sources as Italian Renaissance country villas, hillside castles in the Dordogne, and the very strong presence of the Colonial Revival and Federal houses in Atlanta and the greater South. Inspired by Tradition presents a portrait of Southern elegance through Askins’s trademark infusion of traditional design with understated innovation and style. New color photographs of interiors and landscape, commissioned specially for the book, complement traditional hand-drawn plans and elevations. In a special section dedicated to “Elements of Tradition,” Askins identifies the key components of traditional design and the parameters for using them successfully. Ultimately he believes in approaching tradition with innovation and individuality—adding touches of glamour, humor, and romance that bring his houses to life.
In general, householders took advantage of what was available nearby; homes in the south-east, for example, made use of the cast and wrought iron products of Kent and Sussex, and those in Devon had locally-made earthenware fire-backs and firedogs." "Ayres has assembled a mosaic that provides a vivid picture of the interiors of smaller domestic dwellings of the past. Embellished with illustrations from early sources, the author's own line drawings together with photographs of surviving interiors and their details, the book provides evidence for the treatment of historic interiors and inspiration for schemes of decoration today."--BOOK JACKET.
Papers from a symposium held at the University of Pennsylvania.
This is a truly paradigm-shifting study that reads a key text in Latin Humanist studies as the culmination, rather than an early example, of a tradition in university drama. It persuasively argues against the common assumption that there was no "drama" in the medieval universities until the syllabus was influenced by humanist ideas, and posits a new way of reading the performative dimensions of fourteenth and fifteenth-century university education in, for example, Ciceronian tuition on epistolary delivery. David Bevington calls it "an impressively learned discussion" and commends the sophistication of its use of performativity theory.
A celebration of a unique culture and its experience of design, this sensitive text is a timely examination of Japanese design at the start of a new century. The country's economic boom in the 1980s produced a surge of interest in land and building, and consequently in design in all its forms. From restaurant interiors to products, from private housing to recreational spaces, design received an unprecedented degree of attention. However the bursting in the early 1990s of this so-called 'bubble' economy has prompted a re-examination of design and its role in urban society.