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This lively and stimulating book guides students through the historical contexts, key figures, texts, themes and issues in sixteenth- and early seventeenth-century English literature. The English Renaissance, 1500-1620 sets out the historical and cultural contexts of Renaissance England, highlighting the background voices and events which influenced literary production, including the Reformation, the British problem, perceptions of other cultures and the voyages to the Americas. A series of short biographical essays on the key writers of the period explain their significance, and explore a variety of perspectives with which to approach them. In-depth analyses of a number of well-studied texts are also provided, indicating why each text is important and suggesting ways in which each might usefully be read. Texts featured include Astrophil and Stella, Othello, Utopia, Dr Faustus, The Tragedy of Miriam, The Unfortunate Traveller and the Faerie Queene. The volume charts the intricacies of English Renaissance literature, taking in a variety of themes including women, gender and the question of homosexuality; the stage; printing and censorship; humanism and education and rhetoric. Attention is also drawn to current debates in Renaissance criticism such as New Historicism and Cultural Materialism, thus the book provides students with an unparalleled foundation for further study. Fully cross-referenced, with a useful chronology, glossary and suggestions for further reading, this much-needed guide conveys the excitement of reading Renaissance literature.
Provides basic information on the people who have contributed significantly to the culture of Western civilization. Covers such figures as the religious leaders who contributed to the Reformation, scientists who paved the way for a new view of the universe, and Renaissance painters, sculptors, and architects, as well as writers, musicians, and scholars.
"Covering the years between the end of the Hundred Years War and the beginning of the Thirty Years War, this book explains the part played by war in the lives of individuals in the early modern phase of European history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
What was the purpose of representing foreign lands for writers in the English Renaissance? This innovative and wide-ranging study argues that writers often used their works as vehicles to reflect on the state of contemporary English politics, particularly their own lack of representation inpublic institutions. Sometimes such analyses took the form of displaced allegories, whereby writers contrasted the advantages enjoyed, or disadvantages suffered, by foreign subjects with the political conditions of Tudor and Stuart England. Elsewhere, more often in explicitly colonial writings,authors meditated on the problems of government when faced with the possibly violent creation of a new society. If Venice was commonly held up as a beacon of republican liberty which England would do well to imitate, the fear of tyrannical Catholic Spain was ever present - inspiring and hauntingmuch of the colonial literature from 1580 onwards. This stimulating book examines fictional and non-fictional writings, illustrating both the close connections between the two made by early modern readers and the problems involved in the usual assumption that we can make sense of the past with thecategories available to us. Hadfield explores in his work representations of Europe, the Americas, Africa, and the Far East, selecting pertinent examples rather than attempting to embrace a total coverage. He also offers fresh readings of Shakespeare, Marlowe, More, Lyly, Hakluyt, Harriot, Nashe,and others.
This handbook of English Renaissance literature serves as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.
This comprehensive guide places Modernist literature in its cultural and historical contexts while offering several alternative approaches to studying the seminal texts of the period. Contextual information is interwoven with close examinations of individual authors and key texts. By focusing on English Modernism, the book examines the uneasy fit between modernism and ‘Englishness’, and addresses the unique features of English modernist literature in relation to larger global trends and contexts. Incorporating cutting edge research while retaining an accessible and lucid style, acclaimed author Heesok Chang delivers an essential introduction to this powerful literary movement.
This guide provides the best practices and reference resources, both print and electronic, that can be used in conducting research on literature of the British Renaissance and Early Modern Period. This volume seeks to address specific research characteristics integral to studying the period, including a more inclusive canon and the predominance of Shakespeare.
The great English writer and gardener John Evelyn (1620–1706) kept a diary all his life. Today, this diary is considered an invaluable source of information on more than fifty years of social, cultural, religious, and political life in seventeenth-century England. Evelyn’s work is often overshadowed by the literary contributions of his contemporary and friend, Samuel Pepys. This new biography changes that. John Dixon Hunt takes a fresh look at the life and work of one of England’s greatest diarists, focusing particularly on Evelyn’s “domesticity.” The book explores Evelyn’s life at home, and perhaps even more importantly, his domestication of foreign ideas and practices in England. During the English Civil Wars, Evelyn traveled extensively throughout Europe, taking in ideas on the management of estate design while abroad to apply them in England. Evelyn’s greatest accomplishment was the import of European garden art to the UK, a feat Hunt puts into context alongside a range of Evelyn’s social and ethical thinking. Illustrated with visual material from Evelyn’s time and from his own pen, the book is an ideal introduction to a hugely important figure in the shaping of early modern Britain.
A survey of modern cinematic and televisual responses to the concept of the golden age