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Presents paintings, drawings, and prints by notable artists expressing ideas about city environments. Includes descriptive material about each artist and the accompanying work.
This is an examination of the principle works of Anglo-American novel criticism, defining the values, method and concepts that these works have in common and advancing a defence of Anglo-American humanistic criticism and the ideas proposed by Structuralism, Marxism and deconstruction.
A renowned French architect provides an analysis of the sources, elements, and significance of design. Bibliogs.
First published in 1951, the two volumes of An Introduction to the English Novel discuss how and why the novel developed in England in the eighteenth century. The books look at the function and background of prose fiction, focusing its arguments around the study of carefully selected books that have had a significant impact on its development. The author examines the progress in the long struggle of the novelist to see life steadily and whole, and points out some of the problems and hazards that beset the writer still.
Written especially for students and assuming no prior knowledge of the subject, this book aims to provide a comprehensive introduction to early 20th-century fiction.
First published in 1953, this book forms the second part of Arnold Kettle’s An Introduction to the English Novel. In this second part, Kettle builds a discussion of the modern English novel around the study of various books that have a more than casual significance in its development. He begins with an analysis of James, Hardy and Butler: three late Victorian writers whose work points forward to the major preoccupations of twentieth-century novelists. In his discussion of a dozen or so of these points, the author examines their progress in the long struggle of the novelist to see life steadily and whole, and points out some of the problems and hazards that beset the writer still. ‘The selection both of novelists and their work is excellent... it is both shrewd and witty...’ The Times Literary Supplement ‘Altogether this is a refreshing, challenging and original work, wholly adult in tone, and never pedantic or dull’ The Guardian
Resembling the complex and fragmented way a fly's eye works, Natural Novel contains a myriad of storylines, reflections, and digressions, including a history of toilets and the graffiti found there, a meditation on the relationship between bees and language, and an attempt to write a book using only verbs.Incredibly funny at times, this novel is driven by the narrator's need to come to terms with his dissolving marriage and his wife's infidelity with their close friend. Gospodinov's first novel is both broad in scope and intensely personal, illustrating the impossibility of presenting life truthfully.
This collection of authoritative essays represents the latest scholarship on topics relating to the themes, movements, and forms of English fiction, while chronicling its development in Britain from the early 18th century to the present day. Comprises cutting-edge research currently being undertaken in the field, incorporating the most salient critical trends and approaches Explores the history, evolution, genres, and narrative elements of the English novel Considers the advancement of various literary forms – including such genres as realism, romance, Gothic, experimental fiction, and adaptation into film Includes coverage of narration, structure, character, and affect; shifts in critical reception to the English novel; and geographies of contemporary English fiction Features contributions from a variety of distinguished and high-profile literary scholars, along with emerging younger critics Includes a comprehensive scholarly bibliography of critical works on and about the novel to aid further reading and research
Winner of the Women’s Prize for Fiction “No one writes like Ruth Ozeki—a triumph.” —Matt Haig, New York Times bestselling author of The Midnight Library “Inventive, vivid, and propelled by a sense of wonder.” —TIME “If you’ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home.” —David Mitchell, Booker Prize-finalist author of Cloud Atlas A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both—the brilliantly inventive new novel from the Booker Prize-finalist Ruth Ozeki One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous. At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many. And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter. With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.