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'A winning compendium' Daily Telegraph The English see more ghosts than any other nation. From medieval times to the present day, stories have been told about ghosts who avenge injustice, souls who long for peace and spooks who just want to have fun. The English Ghost is a treasure trove of such sightings; comical and scary, like all the best ghost stories, these accounts, packed with eerie detail, range from the moaning child that terrified Wordworth's nephew at Cambridge to modern day hitchhikers on Blue Bell Hill. 'Ackroyd's book has its fair share of terrified hauntees and, unless you're a sceptic, there are plenty of scenes that will make the hairs on the back of your neck bristle' Mail on Sunday 'Ackroyd's collection glides seamlessly from terror to humour to downright peculiarity: it is the ideal read as the nights darken and Halloween approaches' Metro 'A fascinating anthology' Literary Review 'This is a wonderful little book. It's properly old-fashioned and unorthodox, a scrapbook of clues, tittle-tattle, hints and mortal byways' Independent
Rooted in place, slipping between worlds - a rich collection of unnerving ghosts and sinister histories. 'An impressive line-up of established and emerging names.' The Sunday Times 'These eerie, unsettling stories are guaranteed to send shivers down your spine.' Daily Express Eight authors were given the freedom of their chosen English Heritage site, from medieval castles to a Cold War nuclear bunker. Immersed in the past and chilled by rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories. 'Subtly evocative of human relations loss, grief, or the fear of loneliness.' TLS 'A satisfying and spooky read.' Sun Also includes a gazetteer of English Heritage properties which are said to be haunted.
The thrill and chill of the ghost story is displayed in all its variety and vitality through this marvellous anthology. Ranging from the early 19th century to the 1960s, the collection reveals the development of the genre, and showcases many of its greatest expositors - from Sir Walter Scott, H. G. Wells, M. R. James, T. H. White, Walter de la Mare, and Elizabeth Bowen in the UK to Edith Wharton in America. Though its heyday coincided with the golden age of Empire in the nineteenth century, the ghost story enjoyed a second flowering between the two World Wars and its popularity is as great as ever.
The Naremores, a dysfunctional British nuclear family, seek to solve their problems and start a new life away from the city in the sleepy Somerset countryside. At first their perfect new home seems to embrace them, its endless charms creating a rare peace and harmony within the family. But as they grow closer, the house begins to turn on them, and seems to know just how to hurt them the most - threatening to destroy them from the inside out.
Ghost stories are always in conversation with novelistic modes with which they are contemporary. This book examines examples from Sir Walter Scott, Charles Dickens, Henry James and Rudyard Kipling, amongst others, to the end of the twentieth century, looking at how they address empire, class, property, history and trauma.
A #1 "New York Times"-bestselling author delivers the harrowing story of a young woman's determined hunt for a serial killer that draws her into the twisted world of a psychopath and his unspeakable crimes.
Collection of thirty-five English ghost stories written during the Victorian Era.
25 chilling short stories by outstanding female writers. Women have always written exceptional stories of horror and the supernatural. This anthology aims to showcase the very best of these, from Amelia B. Edwards's 'The Phantom Coach', published in 1864, through past luminaries such as Edith Wharton and Mary Elizabeth Braddon, to modern talents including Muriel Gray, Sarah Pinborough and Lilith Saintcrow. From tales of ghostly children to visitations by departed loved ones, and from heart-rending stories to the profoundly unsettling depiction of extreme malevolence, what each of these stories has in common is the effect of a slight chilling of the skin, a feeling of something not quite present, but nevertheless there. If anything, this showcase anthology proves that sometimes the female of the species can also be the most terrifying . . .