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To understand the significance of Arabic material in medieval literature, we must recognize the concrete reality of Islam in the medieval European experience. Intimate contacts beginning with the Crusades yielded considerable knowledge about "Araby" beyond the merely stereotypical and propagandistic. Arabian culture was manifest in scientific and philosophical investigations; and the Arab presence pervaded medieval romance, where caricatures of Saracens were not merely a catering to popular taste but were a way of coping emotionally with a real threat. In England as well as in continental Europe, Islam figured in the best intellectual efforts of the age. Dorothee Metlitzki considers "Scientific and Philosophical Learning" in Part One of this book and discusses the transmission of Arabian culture, by way of the Crusades, and through the courts of Sicily and Spain. She sees the work of Latin translators from the Arabic in the twelfth and thirteenth centuries as the background of a medieval heritage of learning that expressed itself in the subject matter, theme, and imagery not only of a scholar-poet like Chaucer but also of the poets of popular romance. In Part Two, "The Literary Heritage," Metlitzki deals with Arabian source books, with Araby in history and romance, and with Mandeville's Travels. She concludes with a general assessment of the cultural force of Araby in England during the middle Ages.
Originally published in 1993, The Medieval Charlemagne Legend is a selective bibliography for the literary scholar, of historical and literary material relating to Charlemagne. The book provides a chronological listing of sources on the legend and man is split into three distinct sections, covering the history of Charlemagne, the literature of Charlemagne and the medieval biography and chronicle of Charlemagne.
Reprint of the original, first published in 1883.
Veiled, secluded, submissive, oppressed—the "odalisque" image has held sway over Western representations of Muslim women since the Enlightenment of the eighteenth century. Yet during medieval and Renaissance times, European writers portrayed Muslim women in exactly the opposite way, as forceful queens of wanton and intimidating sexuality. In this illuminating study, Mohja Kahf traces the process through which the "termagant" became an "odalisque" in Western representations of Muslim women. Drawing examples from medieval chanson de geste and romance, Renaissance drama, Enlightenment prose, and Romantic poetry, she links the changing images of Muslim women to changes in European relations with the Islamic world, as well as to changing gender dynamics within Western societies.