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This 1930 volume provides a historical study of English book and manuscript collectors from 1530 until the time of publication.
This interesting and compelling work offers its readers a unique insight into the private lives of the great collectors whose acquisitions became the nucleus of the foremost museums of Great Britain. "The English as Collectors" is beautifully illustrated and written. Herrmann goes behind the scenes to capture the drive, enthusiasm, and eccentricities of these enlightened patrons of the arts. Through ninety-six rare illustrations, more than seventy-five unique personalities are profiled. This very readable book is for the collector in all of us.
From its inaugural Black Plaque in honour of Witchfinder General director Michael Reeves, this unique collection follows a veridical trajectory to the frontiers of belief. Reeves' film becomes a conspiratorial cauldron drawing in a host of tragic players in the end game of the Sixties. The Cornwall of Du Maurier's The Birds is ploughed to reveal the hidden psychic codes of our Blitz spirit. In a powerfully relevant occult rendering of a bruised Island, the myth of Churchill is dissected and re-animalised. New maps of hell are drawn by colliding the forensic vision of JG Ballard and Lovecraftian magic. Actors, witches and psychopaths maraud across a nightmare terrain of murderous henges and abandoned military bases; conflating creative research into a surreal documentary, history as hallucination. Geography becomes an alchemical alembic, a vale of soul-making distilled by the lysergic psychobiology of Stanislav Grof, the alcoholic lyricism of Malcolm Lowry, and the convulsive travelogues of the Marquis de Sade. If history is revealed as paranoid ritual, how do we escape its time traps to wild new imaginative geographies? The English Heretic collection is a darkly comical, urgently lyrical, mental escape hatch from the hells of our own making.
The colorful patterns of 20th cetnury English transferware from manufacturers like Crown Ducal, Enoch Wood, Royal Staffordshire, Royal Crownford, Alfred Meakin, Spode, Johnson Brothers, Masons and others. With nearly 600 beautiful color photos and 2000 pieces illustrated, this book focuses on the most actively sought-after patterns. Also, included are detailed pricing tables for several major patterns and commentary of popular trends.
Famous throughout the nineteenth century for the quality of its products, the English revolver industry began a steady decline after WWI from which it never recovered. Apart from the famous Webley service revolvers, many products of this important industry are little known outside of the auction house and sale room. This book sets out to rectify that situation, describing Adam's and Tranter's revolvers, as valued in their day as any of Webley's products, and including guns from the more obscure makers neglected by previous writers. In particular, the chapter on military revolvers is one of the most important sections of the book, beginning with the British government's early purchase of Colt's percussion weapon and concluding with the Webley Service revolvers, strikingly familiar to many who served in the British Army in both World Wars. Finally, many of the guns are pictured here for the first time, a number having been photographed especially for this book.
English glass paperwight makers from early times to the present and over 400 examples pictured in color from the early 19th century to 1980. Here are famous Bacchus paperweights. By comparing canes, colors, and styles with these examples, collectors now can identify unknown weights, the fake "1848" dated paperweights, and inkwells.