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Excerpt from The English and Scottish Popular Ballads, Vol. 2 This ballad and the two which follow it are clearly not of the same use, and not meant for the same ears, as those which go before. They would come down by professional rather than by domestic tradition, through minstrels rather than knitters and weavers. They suit the hall better than the bower, the tavern or public square better than the cottage, and would not go to the Spinning-wheel at all. An exceedingly good piece of minstrelsy The Boy and the Mantle' is, too; much livelier than most of the numerous variations on the somewhat overhandled theme. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This definitive 19th-century collection compiles all the extant ballads with all known variants and features Child's commentary for each work. Volume II includes Parts III & IV of the original set — ballads 54–113.
Presents narratives of the poor in eighteenth-century Britain. This collection covers the period from the early eighteenth century through to the Poor Law Amendment Act of 1834 and includes transcriptions of hand-written first-hand representations of poverty to poor law officials.
Collecting together the critically acclaimed The Book of Ballads and Sagas series by the legendary fantasy artist Charles Vess. The award-winning compendium of English, Irish and Scottish fairy tales and folklore returns to print in a sumptuous new collection featuring stories written by multi-award winning author Neil Gaiman (‘Sandman’, ‘Coraline’, and ‘Stardust’), Eisner and Harvey Award-winning cartoonish Jeff Smith (‘Bone’), Aurora award-winning author Charles De Lint, New York Times Bestseller Sharyn McCrumb, Elaine Lee (‘Starstruck’) and acclaimed children’s writer Jane Yolen. This new collection also includes, for the first time since its original publication, back in 1995, Vess’ unfinished epic saga ‘Skade’, and includes an additional 10 pages of artwork that have never been seen before. “Each ballad is a little gem sparkling with restored vitality. It is all here: lust and humor, ghosts and demons, passion and terror, all the things that keep us up at night. What more could the fantasy reader desire?” – SciFi Dimensions “Here Vess reaches the peak of his art, standing proudly with the 19th and early 20th century illustrators who influence him.” – Publishers Weekly “A cloth of rare delight, rich with the perfume of the forest and its graces.” – James Gurney, author of Dinotopia
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.
The Traditional Tunes of the Child Ballads begins where Francis Child's The English and Scottish Popular Ballads leaves off. Bronson has collected all available tunes for each of Child's ballads, annotated and organized them, with notes describing the history and development of each tune and tune family. This is an indispensable text for ballad scholars, performers, and students of the ballad tradition.
Excerpt from The English and Scottish Popular Ballads, Vol. 2 of 5: Part II P. A. 'gil Morrice, ' Percy's Reliques, III, 93, 1765. B. Letter of T. Gray, June, 1757 (p). G. Jamieson's Popular Ballads, I, 18, three stanzas; Jamieson, in The Scots Magazine, 1803, LXV, 698. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Many of the great songs that have inspired performers around the world in the last 50 years come from the English folk song tradition. This book provides words and melodies for nearly 100 songs, along with an exploration of their history and meaning, the context in which they arose, and their value to writers and performers around the world.