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For most of the last century the methodology of art history has followed a positivist approach, emphasizing form and style, fact and history as the means of studying works of art. By contrast the philosophical pursuit of truth, once central to the fine arts and humanities has largely been abandoned. In For The Love of Beauty, Arthur Pontynen offers a searching and ambitious critique of modern aesthetic practice that aims to restore the pursuit of the knowledge of reality--Being--to its rightful place.Pontynen begins by addressing the question of why the pursuit of truth (be it called Dao, Dharma, God, Logos, Ideal, etc.) is no longer acceptable in academic circles even though it has been intrinsic to the purpose of art at most times and in most cultures. Lacking the pursuit of truth, of some degree of knowledge of what is true and good, the humanities necessarily lack intellectual and cultural grounding and purpose. Fields of study such as philosophy, music, art, and history are therefore trivialized and brutalized. Pontynen's focus on the study of the visual arts details the how the denial of purpose and quality in modernist and postmodernist aesthetics has denied art any possibility of transcending entertainment, therapy, or propaganda.In place of the established narratives, Pontynen offers a counter-narrative based on a cross-cultural pursuit of the good, the true, and the beautiful. He recognizes that substantively different cultural traditions exist and that the truth claims of each may be valid in whole or in part. He shows how the history of art parallels the intellectual history of Western culture and how these parallels affect both aesthetics and ethics. Pontynen engages with those elements of modernist and postmodernist thought that might be true. His purpose is not simply to deny their validity but to engage a viewpoint that does not privilege the notion of a purposeless cosmos. For the Love of Beauty will be of interest
Victorian science changed language from a tool into a natural phenomenon, evolving independently of its speakers. Will Abberley explores how science and fiction interacted in imagining different stories of language evolution. Popular narratives of language progress clashed with others of decay and degeneration. Furthermore, the blurring of language evolution with biological evolution encouraged Victorians to re-imagine language as a mixture of social convention and primordial instinct. Abberley argues that fiction by authors such as Charles Kingsley, Thomas Hardy and H. G. Wells not only reflected these intellectual currents, but also helped to shape them. Genres from utopia to historical romance supplied narrative models for generating thought experiments in the possible pasts and futures of language. Equally, fiction that explored the instinctive roots of language intervened in debates about language standardisation and scientific objectivity. These textual readings offer new perspectives on twenty-first-century discussions about language evolution and the language of science.
How educated and culturally savvy young people are transforming traditionally low-status manual labor jobs into elite taste-making occupations In today’s new economy—in which “good” jobs are typically knowledge or technology based—many well-educated and culturally savvy young men are instead choosing to pursue traditionally low-status manual labor occupations as careers. Masters of Craft looks at the renaissance of four such trades: bartending, distilling, barbering, and butchering. In this in-depth and engaging book, Richard Ocejo takes you into the lives and workplaces of these people to examine how they are transforming these once-undesirable jobs into “cool” and highly specialized upscale occupational niches—and in the process complicating our notions about upward and downward mobility through work. He shows how they find meaning in these jobs by enacting a set of “cultural repertoires,” which include technical skills based on a renewed sense of craft and craftsmanship and an ability to understand and communicate that knowledge to others, resulting in a new form of elite taste-making. Ocejo describes the paths people take to these jobs, how they learn their chosen trades, how they imbue their work practices with craftsmanship, and how they teach a sense of taste to their consumers. Focusing on cocktail bartenders, craft distillers, upscale men’s barbers, and whole-animal butcher shop workers in Manhattan, Brooklyn, and upstate New York, Masters of Craft provides new insights into the stratification of taste, gentrification, and the evolving labor market in today’s postindustrial city.
This book provides a thorough study of the sole biblical foundation of marriage as given in the short description of Genesis 2:24: "For this reason a man shall leave his father and his mother, and be joined to his wife; and they shall become one flesh." All the other biblical texts dealing with marriage are traced back to this basis that was declared as the original ideal by Jesus even in the times of the New Testament and the emerging Christian church. Thoughts about crucial questions concerning marriage, divorce, remarriage, and even what we might expect of marriage in the world to come are thus presented in the light shining forth from the first pages of the Scriptures. The intriguing connections to the biblical plan of redemption, conversion, and baptism are also investigated, developing a deeper understanding of the human-divine covenant that is exemplified by this beautiful Edenic marriage pattern.
Race and Nation is the first book to compare the racial and ethnic systems that have developed around the world. It is the creation of nineteen scholars who are experts on locations as far-flung as China, Jamaica, Eritrea, Brazil, Germany, Punjab, and South Africa. The contributing historians, sociologists, anthropologists, political scientists, and scholars of literary and cultural studies have engaged in an ongoing conversation, honing a common set of questions that dig to the heart of racial and ethnic groups and systems. Guided by those questions, they have created the first book that explores the similarities, differences, and the relationships among the ways that race and ethnicity have worked in the modern world. In so doing they have created a model for how to write world history that is detailed in its expertise, yet also manages broad comparisons.
These essays chart major contributions to recent historiography. Carefully selected for their accessibility and accompanied by headnotes and study questions, the essays offer a clear and engaging introduction for the non-specialist. The introduction describes the emergence of gender as a subject of historical investigation and in ten essays, historians explore the meanings and significance of gender in American history since 1890. The volume shows how the interpretation of gender expands and revises our understanding of significant issues in twentieth-century history, such as work, labour protest, sexuality, consumption and social welfare. It offers new perspectives on visual representations and explores the politics of historical subjects and the politics of our own historical revisions.
Returning (to) Communities offers an innovative collection of examples and case studies into what has become a hotly disputed topic. The chapters present a wide-ranging series of interventions into the new debates over the concepts and practices of “community” and the communal. For this book, scholars have been gathered from across Europe and Australia as well as from the United States, and several contributors are involved in community practice. Returning (to) Communities is essential reading to researchers and students in social policy, sociology, ethnic studies, cultural analysis, media studies, and across all of the social sciences and humanities concerned with the communal and the collective.