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‘The Ends of Ireland’ considers the work of a key group of critics emerging from Ireland through the 1980s and 1990s: Seamus Deane, Luke Gibbons, David Lloyd, W. J. McCormack, Gerardine Meaney and Emer Nolan. As the main representatives of the turn to theory in Irish Studies these critics have examined Irish culture in the light of ideas taken from psychoanalysis, feminism, Marxism and postcolonialism. In a series of incisive yet accessible chapters Carville analyses the way in which these often provocative ideas have been put to work in the Irish context, transforming our understanding of writers like Joyce and Beckett, as well as informing broader debates around nationalism, modernization, memory and historical revisionism. Essential reading for anyone concerned with Irish Studies and its relationship with theory, the issues raised by ‘The Ends of Ireland’ set a new agenda for Irish Studies in the coming times.
This book is the 9th volume in the established How Ireland Voted series and provides the definitive story of Ireland’s mould-breaking 2020 election. For the first time ever, Sinn Féin won the most votes, the previously dominant parties shrank to a fraction of their former strengths, and the government to emerge was a coalition between previously irreconcilable enemies. For these reasons, the election marks the end of an era in Irish politics. This book analyses the course of the campaign, the parties’ gains and losses, and the impact of issues, especially the role of Brexit. Voting behaviour is explored in depth, with examination of the role of issues and discussion of the role of social cleavages such as class, age and education. The process by which the government was put together over a period of nearly five months is traced through in-depth interviews with participants. And six candidates who contested Election 2020 give first-hand reports of their campaigns.
South-west Donegal, Ireland, June 1856. From the time that the blight first came on the potatoes in 1845, armed and masked men dubbed Molly Maguires had been raiding the houses of people deemed to be taking advantage of the rural poor. On some occasions, they represented themselves as 'Molly's Sons', sent by their mother, to carry out justice; on others, a man attired as a woman, introducing 'herself' as Molly Maguire, demanding redress for wrongs inflicted on her children. The raiders might stipulate the maximum price at which provisions were to be sold, warn against the eviction of tenants, or demand that an evicted family be reinstated to their holding. People who refused to meet their demands were often viciously beaten and, in some instances, killed -- offences that the Constabulary classified as 'outrages'. Catholic clergymen regularly denounced the Mollies and in 1853, the district was proclaimed under the Crime and Outrage (Ireland) Act. Yet the 'outrages' continued. Then, in 1856, Patrick McGlynn, a young schoolmaster, suddenly turned informer on the Mollies, precipitating dozens of arrests. Here, a history of McGlynn's informing, backlit by episodes over the previous two decades, sheds light on that wave of outrage, its origins and outcomes, the meaning and the memory of it. More specifically, it illuminates the end of 'outrage' -- the shifting objectives of those who engaged in it, and also how, after hunger faded and disease abated, tensions emerged in the Molly Maguires, when one element sought to curtail such activity, while another sought, unsuccessfully, to expand it. And in that contention, when the opportunities of post-Famine society were coming into view, one glimpses the end, or at least an ebbing, of outrage -- in the everyday sense of moral indignation -- at the fate of the rural poor. But, at heart, The End of Outrage is about contention among neighbours -- a family that rose from the ashes of a mode of living, those consumed in the conflagration, and those who lost much but not all. Ultimately, the concern is how the poor themselves came to terms with their loss: how their own outrage at what had been done unto them and their forbears lost malignancy, and eventually ended. The author being a native of the small community that is the focus of The End of Outrage makes it an extraordinarily intimate and absorbing history.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Ireland appears to be in the process of a remarkable social change, a process which has dramatically reversed a hitherto seemingly unstoppable economic decline. This exciting new book systematically scrutinises the interpretations and prescriptions that inform the 'Celtic Tiger'. Takes the standpoint that a more critical approach to the course of development being followed by the Republic is urgently required. Sets out to expose the fallacies that drive the fashionable rhetoric of Tigerhood. An esteemed list of contributors deal with issues such as immigration, the role of women, globalisation, and changing economic and social conditions.
In the twenty years after Ireland joined the UN in 1955, one subject dominated its fortunes: Africa. The first detailed study of Ireland’s relationship with that continent, this book documents its special place in Irish history. Adopting a highly original, and strongly comparative approach, it shows how small and middling powers like Ireland, Canada, the Netherlands and the Nordic states used Africa to shape their position in the international system, and how their influence waned with the rise of the Afro-Asian bloc. O’Sullivan chronicles Africa’s impact on Irish foreign policy; the link between African decolonisation and Irish post-colonial identity; and the missionaries, aid workers, diplomats, peacekeepers, and anti-apartheid protesters at the heart of Irish popular understanding of the developing world. Offering a fascinating account of small state diplomacy, and a unique perspective on African decolonisation, this book provides essential insight for scholars of Irish history, African history, international relations, and the history of NGOs, as well as anyone interested in Africa’s important place in the Irish public imagination.
In 1949, Ireland left the Commonwealth and the British Empire began its long fragmentation. The relationship between the new Republic of Ireland and Britain was a complex one however, and the traditional assumption that the Republic would universally support self-determination overseas and object to 'imperialism' does not hold up to historical scrutiny. In reality, for economic and geopolitical reasons, the Republic of Ireland played an important role in supporting the Empire- demonstrated clearly in Ireland's active involvement in the Cyprus Emergency of the 1950s. As Helen O'Shea reveals, while the IRA formed immediate links with EOKA and the Cypriot rebels, the Irish government and the Irish Church supported the British line- which was to retain Cyprus as the Middle-Eastern base of the British Empire following the loss of Egypt. Ireland and the End of the British Empire challenges the received historiography of the period and constitutes a valuable addition to our understanding of Ireland and the British Empire.
Many thousands of Irish peasants fled from the country in the terrible famine winter of 1847-48, following the road to the ports and the Liverpool ferries to make the dangerous passage across the Atlantic. The human toll of "Black '47," the worst year of the famine, is notorious, but the lives of the emigrants themselves have remained largely hidden, untold because of their previous obscurity and deep poverty. In The End of Hidden Ireland, Scally brings their lives to light. Focusing on the townland of Ballykilcline in Roscommon, Scally offers a richly detailed portrait of Irish rural life on the eve of the catastrophe. From their internal lives and values, to their violent conflict with the English Crown, from rent strikes to the potato blight, he takes the emigrants on each stage of their journey out of Ireland to New York. Along the way, he offers rare insights into the character and mentality of the immigrants as they arrived in America in their millions during the famine years. Hailed as a distinguished work of social history, this book also is a tale of adventure and human survival, one that does justice to a tragic generation with sympathy but without sentiment.
Ireland is suffering from a crisis of authority. Catholic Church scandals, political corruption, and economic collapse have shaken the Irish people’s faith in their institutions and thrown the nation’s struggle for independence into question. While Declan Kiberd explores how political failures and economic globalization have eroded Irish sovereignty, he also sees a way out of this crisis. After Ireland surveys thirty works by modern writers that speak to worrisome trends in Irish life and yet also imagine a renewed, more plural and open nation. After Dublin burned in 1916, Samuel Beckett feared “the birth of a nation might also seal its doom.” In Waiting for Godot and a range of powerful works by other writers, Kiberd traces the development of an early warning system in Irish literature that portended social, cultural, and political decline. Edna O’Brien, Frank O’Connor, Seamus Heaney, and Michael Hartnett lamented the loss of the Irish language, Gaelic tradition, and rural life. Nuala Ní Dhomhnaill and Eavan Boland grappled with institutional corruption and the end of traditional Catholicism. These themes, though bleak, led to audacious experimentation, exemplified in the plays of Brian Friel and Tom Murphy and the novels of John Banville. Their achievements embody the defiance and resourcefulness of Ireland’s founding spirit—and a strange kind of hope. After Ireland places these writers and others at the center of Ireland’s ongoing fight for independence. In their diagnoses of Ireland’s troubles, Irish artists preserve and extend a humane culture, planting the seeds of a sound moral economy.
SHORTLISTED FOR THE ONSIDE NONFICTION BOOK OF THE YEAR 2018 The islands off the coast of Ireland have long been a source of fascination. Seen as repositories of an ancient Irish culture and the epitome of Irish romanticism, they have attracted generations of scholars, artists and filmmakers, from James Joyce to Robert O'Flaherty, looking for a way of life uncontaminated by modernity or materialism. But the reality for islanders has been a lot more complex. They faced poverty, hardship and official hostility, even while being expected to preserve an ancient culture and way of life. Writing in her 1936 autobiography, Peig Sayers, resident of Blaskets island, described it as 'this dreadful rock'. In 1841, there were 211 inhabited islands with a combined population of 38,000; by 2011, only 64 islands were inhabited, with a total population of 8,500. And younger generations continue to leave. By documenting the island experiences and the social, cultural and political reaction to them over the last 100 years, On the Edge examines why this exodus has happened, and the gulf between the rhetoric that elevated island life and the reality of the political hostility towards them.It uncovers, through state and private archives, personal memoirs, newspaper coverage, and the author's personal travels, the realities behind the "dreadful rocks", and the significance of the experiences of, and reactions to, those who were and remain, literally, on the very edge of European civilisation.