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This essay collection studies the Apocalypse and the end of the world, as these themes occupied the minds of biblical scholars, theologians, and ordinary people in Antiquity, the Middle Ages, and Early Modernity. It opens with an innovative series of studies on “Gendering the Apocalypse,” devoted to the texts and contexts of the apocalyptic through the lens of gender. A second section of essays studies the more traditional problem of “Apocalyptic Theory and Exegesis,” with a focus on authors such as Augustine of Hippo and Joachim of Fiore. A final series of essays extends the thematic scope to “The Eschaton in Political, Liturgical, and Literary Contexts.” In these essays, scholars of history, theology, and literature create a dialogue that considers how fear of the end of the world, among the most pervasive emotions in human experience, underlies a great part of Western cultural production.
An innovative overview of the influence of the Apocalypse on the shaping of the Christian culture of the Middle Ages.
Expecting the End of the World in Medieval Europe: An Interdisciplinary Study examines the phenomenon of medieval eschatology from a global perspective, both geographically and intellectually. The collected contributions analyze texts, authors, social movements, and cultural representations covering a wide period, from the 6th to the 16th century, in geographically liminal spaces where Catholic, Byzantine, Islamic, and Jewish cultures converged. The book is organized in eleven chapters which reflect and explore the following arguments: the study of specific eschatological episodes in medieval Europe and their interpretations; the analysis of apocalyptic visionaries, apocalyptic authors, and their individual contributions; the social and political implications of eschatology in medieval society; the study of medieval apocalyptic literature from a rhetorical, narratological, and historiographical perspective; the history of the transmission of apocalyptic literature and its transformation over time; and a comparative examination of apocalypticism between the Middle Ages and the Early Modern era. This study provides a lens through which academics, specialists, and interested researchers can observe and reflect on this entire eschatological universe, dwelling both on well-known texts, authors, and events, and on others which are much less popular. In gathering different paradigms, tools, and theoretical frameworks, the book exposes readers to the complex reality of medieval anxiety regarding the end of the world.
"This book investigates the various ways that ancient Greek and Roman authors envisioned the end of the world and the role they gave to global catastrophes, both past and future, in shaping human history"--
Crises and end time expectations are closely linked to one another. The present volume collates interdisciplinary research from specialists in the study of apocalyptic and eschatological subjects worldwide and overcomes the existing Euro-centrism by incorporating a broader perspective.
This book makes available major texts in the Christian apocalyptic literature from the 4th to the 16th centuries. The apocalyptic tradition is that of traditional philosophy based on revelation and concerned with the end of the world.
"[This] magnificent critical survey, with its inherent respect for both the 'Westt's mainstream high culture' and the 'radically changing world' of the 1990s, offers a new breakthrough for lay and scholarly readers alike....Allows readers to grasp the big picture of Western culture for the first time." SAN FRANCISCO CHRONICLE Here are the great minds of Western civilization and their pivotal ideas, from Plato to Hegel, from Augustine to Nietzsche, from Copernicus to Freud. Richard Tarnas performs the near-miracle of describing profound philosophical concepts simply but without simplifying them. Ten years in the making and already hailed as a classic, THE PASSION OF THE WESERN MIND is truly a complete liberal education in a single volume.
Including classical, modern, and postmodern approaches to theological anthropology, this volume covers the entire spectrum of thought on the doctrines of creation, the human person as imago Dei, sin, and grace. The editors have gathered an exceptionally diverse range of voices, ensuring ecumenical balance (Protestant, Roman Catholic and Orthodox) and the inclusion of previously neglected perspectives (women, African American, Asian, Latinx, and LGBTQ). The contributors revisit authors from the “Great Tradition” (early church, medieval, and modern), and discuss them alongside critical and liberationist approaches (ranging from feminist, decolonial, and intersectional theory to critical race theory and queer performance theory). This is a much-needed overview of a rapidly evolving field.
This masterful work by Dr. Laurie Olsen uncovers the behind-the-scenes story of the Dogmatic Constitution on the Church Lumen Gentium VIII based on unpublished records from the Vatican Apostolic Archives, including internal memoranda, private notes, never-before-heard audio recordings of closed-door sessions, and more. This monumental achievement of archival research provides a window into what really happened at Vatican II—the council’s inner workings and maneuvers to steer Lumen Gentium VIII in a direction that would profoundly affect marian devotion and the study of mariology from that moment on.
Saint Birgitta of Sweden (d. 1373), one of the most famous visionary women of the late Middle Ages, lived in Rome for the last 23 years of her life. Much of her extensive literary work was penned there. Her Celestial Revelations circulated widely from the late 14th century to the 17th century, copied in Italian scriptoria, translated into vernacular, and printed in several Latin and Italian editions. In the same centuries, an extraordinary number of women writers across the peninsula were publishing their work. What echoes might we find of the foreign widow’s prophetic voice in their texts? This volume offers innovative investigations, written by an interdisciplinary group of experts, of the profound impact of Birgitta of Sweden in Renaissance Italy. Contributors include: Brian Richardson, Jane Tylus, Isabella Gagliardi, Clara Stella, Marco Faini, Jessica Goethals, Anna Wainwright, Eleonora Cappuccilli, Eleonora Carinci, Virginia Cox, Unn Falkeid, and Silvia Nocentini.