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Ready or not, it’s time to forge ahead Carole’s making great headway with a green horse, Pine Hollow is growing, and her relationship with Ben is blooming. Everything’s perfect, right? Stevie is stretching herself to the limit with her eventing, Callie doesn’t have to be afraid of George anymore, and Lisa is crushing on a guy who feels the same way about her. Things finally seems to be falling into place for the Pine Hollow riders. But then, a tragic night brings a world of uncertainty. Are the girls ready to face real challenges? It’s time to hit the trail at a full gallop.
Based heavily on inaccessible Soviet records, this book presents a lively account of a pivotal battle on the Eastern Front, illustrated with photographs and maps. In the history of war there are not that many battles that changed one side's strategy over a considerable period of time, becoming not only a material, but also a psychological factor in decision making. A classic example of this is the Battle of Smolensk in 1941, which forced the German leadership to change their strategy for 'Barbarossa' and to deploy their troops towards the northern, and eastern flanks of the Soviet-German front. We can however find another example on the other side of the front line: this was the battle in the area around Kharkov in the winter of 1943, which had even more of an impact. Following the simultaneous defeat of several of the shock troops on the two fronts and the loss of a large tract of territory the vector of Soviet strategy changed. A passive expectation of the enemy's actions replaced the attacking momentum that was traditional for Soviet command. To begin with there were objective prerequisites: Red Army units were exhausted and had incurred heavy losses in the German counterattacks during February-March. By May 1943 however, when the troops had recuperated and reserves had been drawn up, the psychological factor continued to play a role. Recalling their bitter experience during the winter battles outside Kharkov the Supreme Soviet Command decided not to go on the offensive, but await the start of German offensive operations. Up until the very last day before the start of Operation 'Citadel' the Commander of the Voronezh front N.F. Vatutin was pleading, he demanded that precious summer days not be spent waiting for the enemy to attack but for the Red Army to take up the offensive themselves. All these proposals distracted supreme command, as they remembered Vatutin's failures outside Kharkov a few months previously. From a military historian's point of view the battles outside Kharkov between February-March 1943 were dramatic maneuvering battles and the success of both sides hung in the balance on a daily basis. Operations such as these are always much more interesting than the tedious, meat grinding positioning for a 'house in the forest', that is abundant in the histories of both world wars. Maneuvering, the deployment of corps and divisions around an area to attack an enemy where they are most vulnerable, played a much more important role than the arithmetic of the numbers of tanks and guns. The steady equalization of both Soviet and German sides added spice to this menu of a classic maneuvering battle. During the course of the battle for Kharkov Soviet forces encountered a new, powerful enemy in the shape of the Panzer divisions of the SS. These were elite mechanized formations equipped with the latest technology, which were soon to become leading participants in decisive battles in the East and the West in the second half of the war.
Charlie Bass is a horse-mad ten-year-old who dreams of owning her own pony. So when she accidentally manages to buy a racehorse, Charlie is thrilled. The horse she buys, Noble Warrior, looks the part: strong, fit and healthy. There's just one problem - he won't gallop. In fact, he won't even leave his stable without his best friend, a naughty palomino pony called Percy. Charlie is convinced that Noble Warrior has what it takes to be a champion. But can she prove it? Derby Day is fast approaching and only a win can save the family farm from being repossessed. The stakes couldn't be higher for the Basses. Can Charlie turn her chaotic family into a top training team? Can Noble Warrior overcome his nerves? Will Percy the pony ever stop farting? Find out in this classic, funny animal story, perfect for fans of Dick King-Smith and Gerald Durrell.
The invasion of Iraq by American, British and other coalition forces has indeed transformed the Middle East, but not as the Bush and Blair administrations had imagined. It is Iran, not Western-style democracy, that has emerged as the big winner, creating a Tehran-Baghdad axis that would have been unthinkable before the war. THE END OF IRAQ is the definitive account of the US and UK's catastrophic involvement in Iraq, as told by America's leading independent expert on the country. Peter Galbraith reveals in exquisite detail how US policies -- some going back to the Reagan administration -- have now produced a nearly independent Kurdistan in the north, an Islamic state in the south, and uncontrollable insurgency in the centre, and an incipient Sunni-Shiite civil war that has Baghdad as its central front. Iraq, Galbraith argues, cannot be reconstructed as a single state. Instead, a sensible strategy must accept that it has already broken up and focus instead on stopping an escalating civil war. Unflinching, accessible and powerful, THE END OF IRAQ explores and explains the myriad mistakes and false assumptions that have brought the country to its current pass, and what must be done to prevent further bloodshed.
Negotiating their way through Stalinist terrors, Nazi slavery and British colonial brutality, Pasha Zayky and his wife, Tanya, tell first-hand how a loving family fight for survival during the hell of the twentieth century.
22 June 1941 changed the direction of the Second World War. It also changed the direction of human history. Unleashing a massive, three-pronged assault into Soviet territory, the German army unwittingly created its own nemesis, forging the modern Russian state in the process. Thus, for most Russians, 22 June 1941 was a critical point in their nation's history. After the first day of Barbarossa nothing would be the same again for anyone. Now, for the first time in English, Russians speak of their experiences on that fatal Sunday. Apparently caught off guard by Hitlers initiative, the Soviets struggled to make sense of a disaster that had seemingly struck from nowhere. Here are generals scrambling to mobilize ill-prepared divisions, pilots defying orders not to grapple with the mighty Luftwaffe, bewildered soldiers showing individual acts of blind courage, and civilians dumbstruck by air raid sirens and radio broadcasts telling of German treachery.
Post-structuralist attitudes to authorship as expressed by Roland Barthes, Jacques Derrida, Eve Kosofsky Sedgwick, and Gayati Chakravorty Spivak with particular attention to time and death.
When Cavalia—the amazing equestrian-themed "spectacular," melding costumes and theatrics with stunt riding and haute école—first took North America by storm, few people knew who Frédéric Pignon and Magali Delgado were. But the whole world was soon abuzz with talk of the magical display these two remarkable individuals provided their audience—whether horse-crazy or layperson, none could walk away unaffected by the powerful connection they demonstrated with their unparalleled cast of beautiful horses. In this remarkable book, now available in paperback, Frédéric—a specialist in liberty and ground work—and Magali—a talented dressage rider at the Grand Prix level—combine efforts and share the secrets of the breathtaking relationships they have cultivated over the course of their lives with horses. They tell the story of Templado—the gorgeous but rebellious stallion who demanded they question all they had learned as horsemen and look at, in a whole new light, what it means to train horses. It was this tempestuous character that taught them that the process of building a relationship with a horse can be on more equal footing than most would dream possible. It is with this life-altering lesson in mind that Frédéric and Magali now explain their Six Golden Principles. These include how you can become a "safe haven"—the most important being in your horse's life—while ensuring he gets the leadership he craves and deserves. And, how to establish acceptable limits of behavior, as well as respect, without ever succumbing to anger or using force. They describe how to read horse behavior so you can better understand and communicate with your equine partner as an "individual." Plus, you'll see what it means to be patient and "give your horse a say" in his own training—and just how rewarding the results can be. In a chapter devoted to their practical approach, you'll explore what is perhaps most central to their methods: the idea of "play" and how games can be used to develop a horse's intelligence, confidence, and desire to perform, whether at liberty or in the most difficult of competitive environments. Magali shares the example of her Grand Prix mount Dao, with whom she has reached the pinnacle of European competition, and whom dressage judges praise for his supple and stress-free performances. Both Frédéric and Magali once thought they had become skilled and compassionate riders and trainers, but found that the monumental challenges presented by Templado turned their beliefs upside down and made them start again from the beginning. They now view their work with horses as a journey of endless discovery and infinite rewards. With this book, full of phenomenal color photographs of their horses, many of whom appeared in the show that first made them famous, you can join—and learn from—them.
The inner circle of the philosophers of Pavi Bujdam are a close group of friends who include a renowned artist, a mathematician, musicians, dancers, theologians and an astrologer, who all live with the great philosophical question of what lies beyond the mere surrounding their almost trouble-free land. In their meetings together they are always exploring their philosophies, an exploration in which the reader is invited to share in the form of the entertainment of the story. In a setting of symbolism and literary device, through the storytelling in The Philosophers and the Mere we tacitly meet Buddhism, ancient Greek philosophy, the Hindu Puranas, Renaissance Neoplatonism, Christianity, the subject matter of great paintings by Poussin and Botticelli, and even the deep philosophical questions of modern physics, all in an original, progressively poetical setting. The tenor of The Philosophers and the Mere is outside the mould of ordinary stories of troubles and strife in personal affairs of human love and relationships. In The Philosophers and the Mere such trouble regularly appears only in the annual masquerade which takes place at the Mereage, the most beautiful part of Pavi Bujdam in which all the friends live. As the story progresses, the philosophy of the friends begins to come to life. In the language of Mythic Symbolism the very landscape of the tale itself undergoes its own metamorphosis. Its final unfolding reveals a post-contemporary myth within whose fabric is woven a message about love and human existence.