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A sharp and provocative new essay collection from the award-winning author of Freedom and The Corrections
In 1981, while working as New Mexico State Historian, Stanley M. Hordes began to hear stories of Hispanos who lit candles on Friday night and abstained from eating pork. Puzzling over the matter, Hordes realized that these practices might very well have been passed down through the centuries from early crypto-Jewish settlers in New Spain. After extensive research and hundreds of interviews, Hordes concluded that there was, in New Mexico and the Southwest, a Sephardic legacy derived from the converso community of Spanish Jews. In To the End of the Earth, Hordes explores the remarkable story of crypto-Jews and the tenuous preservation of Jewish rituals and traditions in Mexico and New Mexico over the past five hundred years. He follows the crypto-Jews from their Jewish origins in medieval Spain and Portugal to their efforts to escape persecution by migrating to the New World and settling in the far reaches of the northern Mexican frontier. Drawing on individual biographies (including those of colonial officials accused of secretly practicing Judaism), family histories, Inquisition records, letters, and other primary sources, Hordes provides a richly detailed account of the economic, social and religious lives of crypto-Jews during the colonial period and after the annexation of New Mexico by the United States in 1846. While the American government offered more religious freedom than had the Spanish colonial rulers, cultural assimilation into Anglo-American society weakened many elements of the crypto-Jewish tradition. Hordes concludes with a discussion of the reemergence of crypto-Jewish culture and the reclamation of Jewish ancestry within the Hispano community in the late twentieth century. He examines the publicity surrounding the rediscovery of the crypto-Jewish community and explores the challenges inherent in a study that attempts to reconstruct the history of a people who tried to leave no documentary record.
"Matthiessen chronicles two voyages into the frozen seas that surround a landmass larger than the continental United States, most of it buried under eternal snow and ice as much as three miles deep. Ninety percent of the world's fresh water is locked in this immense ice cap, a remote region profoundly important to our environment. The author addresses the subject with authority and passion, discussing everything from global warming and the ozone layer to the vital role of krill, the teeming crustacean that is the cornerstone of the marine food chain." "Nature lovers - birders especially - will be fascinated by descriptions of more than half of the penguin species and an astonishing array of seabirds, from tiny storm-petrels to magnificent albatrosses, which may soar for years without alighting on land; here too are close encounters with whales, leopard seals, and elephant seals, and elusive creatures such as the oceanic orca. There are also remarkable descriptions of the seldom seen polar rookeries where thousands of emperor penguins stand motionless for months at a time, brooding their giant eggs through the long, cold darkness of Antarctic winter."--BOOK JACKET.
JOURNEY TO THE END OF THE EARTH, Introducing William Seymour -- Jerry Newman doesn't mean to keep getting into trouble-it just sort of happens. But when a practical joke goes wrong, burning down a church in his small east Texas town, Jerry's widowed mother quickly sends him to live with his journalist uncle in Los Angeles. Jerry is secretly pleased-not only to avoid being punished for his crime but also to live in California . . . the end of the earth! On the night before the 1906 San Francisco earthquake, Jerry and his uncle go to investigate a popular warehouse church in Los Angeles. There, they hear a man predict the coming quake. But Jerry is even more impressed by the powerful preacher, William Seymour, and by the hundreds of blacks and whites worshiping and praying together in strange "tongues." Jerry wants to believe Seymour's message, but will he do so when it means confessing his dangerous secret? A simple message that shakes the world ...
This book purports to be a manuscript dictated by a strange being named I-Am-The-Man to a man named Llewyllyn Drury. Drury's adventure culminates in a trek through a cave in Kentucky into the core of the earth. It blends passages on the nature of physical phenomena, such as gravity and volcanoes, with spiritualist speculation and adventure-story elements (like traversing a landscape of giant mushrooms).
A woman awoken in air, a soldier forged by fire, a weapon risen from blood. Vhalla Yarl has made it to the warfront in the North. Forged by blood and fire, she has steeled her heart for the final battle of the Solaris Empire's conquest. The choices before Vhalla are no longer servitude or freedom, they are servitude or death. The stakes have never been higher as the Emperor maintains his iron grip on her fate, holding everything Vhalla still has left to lose in the balance. About the Author Elise Kova has always had a passion for storytelling. She wrote her first novella, a high-fantasy, in sixth grade. Over the years she's honed her love of literature with everything from fantasy to romance, science fiction to mystery, and whatever else catches her eye. Elise lives in Saint Petersburg, Florida, where she's currently working on the next installment in her debut YA fantasy series: Air Awakens. She enjoys video games, anime, table-top role playing games, and many other forms of "geekdom." She loves talking with fans on Twitter (@EliseKova) and Facebook (/AuthorEliseKova). Visit her website, EliseKova.com/, for news and extras about her books!
'An epic of survival' -- MICHAEL PALIN 'A "grade-A classic"' -- SUNDAY TIMES 'Utterly enthralling' -- GEOFF DYER, GUARDIAN 'Deeply engrossing' -- NEW YORK TIMES LISTED AS A BOOK OF THE YEAR IN THE TIMES, NEW STATESMAN, SUNDAY TIMES The harrowing, survival story of an early polar expedition that went terribly wrong, with the ship frozen in ice and the crew trapped inside for the entire sunless, Antarctic winter August 1897: The Belgica set sail, eager to become the first scientific expedition to reach the white wilderness of the South Pole. But the ship soon became stuck fast in the ice of the Bellinghausen sea, condemning the ship's crew to overwintering in Antarctica and months of endless polar night. In the darkness, plagued by a mysterious illness, their minds ravaged by the sound of dozens of rats teeming in the hold, they descended into madness. In this epic tale, Julian Sancton unfolds a story of adventure gone horribly awry. As the crew teetered on the brink, the Captain increasingly relied on two young officers whose friendship had blossomed in captivity - Dr. Frederick Cook, the wild American whose later infamy would overshadow his brilliance on the Belgica; and the ship's first mate, soon-to-be legendary Roald Amundsen, who later raced Captain Scott to the South Pole. Together, Cook and Amundsen would plan a last-ditch, desperate escape from the ice-one that would either etch their names into history or doom them to a terrible fate in the frozen ocean. Drawing on first-hand crew diaries and journals, and exclusive access to the ship's logbook, the result is equal parts maritime thriller and gothic horror. This is an unforgettable journey into the deep.
In the Retro Hugo Award–nominated novel that inspired the Syfy miniseries, alien invaders bring peace to Earth—at a grave price: “A first-rate tour de force” (The New York Times). In the near future, enormous silver spaceships appear without warning over mankind’s largest cities. They belong to the Overlords, an alien race far superior to humanity in technological development. Their purpose is to dominate Earth. Their demands, however, are surprisingly benevolent: end war, poverty, and cruelty. Their presence, rather than signaling the end of humanity, ushers in a golden age . . . or so it seems. Without conflict, human culture and progress stagnate. As the years pass, it becomes clear that the Overlords have a hidden agenda for the evolution of the human race that may not be as benevolent as it seems. “Frighteningly logical, believable, and grimly prophetic . . . Clarke is a master.” —Los Angeles Times
"Plenty of crowd-pleasing death and destruction...Schumacher wraps up her story with a literal bang." --Booklist Seven signs warned them. Now it’s time for Carbon County to fight back. In End Times, Daphne lost herself in love with Owen, only to discover the dark secret that puts Carbon County at ground zero for the end of days. . . . All thirteen of the Children of Earth have arrived and taken root in town. Together at last, they can perform the series of rituals necessary to awaken their father, a wrathful entity known as the God of the Earth. Daphne protects their identities from Pastor Ted and the God-fearing locals out of love and allegiance to Owen. But when people start disappearing from town and Daphne begins receiving visions from God, her allegiance—and even her love—is brought into question in this astonishing companion novel to End Times.
Winner of the Voelcker Award (PEN America) (2016) In To See the Earth Before the End of the World Ed Roberson presents us with 120 new poems, each speaking in his unique voice and seen through his unique eye. Earth and sky, neighborhood life and ancient myths, the art of seeing and the architecture of the imagination are all among the subjects of these poems. Recurring images and ideas construct a complex picture of our world, ourselves, and the manifold connections tying them together. The poems raise large questions about the natural world and our place in it, and they do not flinch from facing up to those questions. Roberson's poems range widely through different scales of time and space, invoking along the way history and myth, galaxies and garbage trucks, teapots and the history of photography, mating cranes and Chicago's political machine. This collection is composed of five sequences, each developing a particular constellation of images and ideas related to the vision of the whole. Various journeys become one journey—an epic journey, invoking epic themes. There are songs of creation, pictures of the sorrows of war, celebrations of human labor and human society, a respect for tools and domestic utensils that are well made, the deep background of the past tingeing the colors of the present, and the tragic tones of endings and laments, a pervading awareness of the tears in things. Most of all, there is the exhilaration of a grand, sweeping vision that enlarges our world.