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It's a humid summer night in August 1997 and LudoCarre is nervous. He hasn't seen or spoken to his ex, Arlo Quinonez since he wasfifteen. Now, he's returning home to be reunited with the one person he made aconnection with in his youth. The night before he arrives, Ludo gives her aphone call. Big laughs and a familiar cadence in Arlo's voice don't justinstantly calm him down -- they make him excited to see her. That excitementonly hurts him more when they show up the next day and find out Arlo has beenmissing...for the last week. Determined to find her, Ludo takes things into hisown hands, but the further he gets into his investigation, the more he questionshow well everyone on base, in town, and even he himself really knew her. Gonewithout a trace, the girl he once knew everything about has now become amystery. Where is his best friend - and who is she, aswell?
Set in 1997, troubled teen Ludo Carre is nervous about returning home to be reunited with the one person he made a connection with in his youth. The night before he arrives, he gives her a phone call to ease his nerves. Big laughs and a familiar sort of cadence in Arlo's voice don't just instantly calm him down -- they make him excited to see her. That excitement only hurts him more when they show up the next day and find out Arlo has been missing...for the last week. Determined to find her, Ludo takes things into his own hands, but the further he gets into his investigation, the more he questions how well everyone on base, in town, and even he himself really knew her. Where is his best friend — and who is she, as well?
'(Conrad) thought of civilised and morally tolerable human life as a dangerous walk on a thin crust of barely cooled lava which at any moment might break and let the unwary sink into fiery depths' - Bertrand Russell This selection of four tales by Conrad is about radical insecurity: lone human beings involuntarily forced into confrontation with a terrifying universe in which they can never be wholly at home. It leads with 'The End of the Tether' and includes also ' The Duel', ' The Return', and 'Amy Foster' - Sailor, Soldier, Rich Man, Immigrant. These powerful shorter works remind readers that Conrad is not just the teller of sea stories and tales of imperialist action, and not only the author of the ubiquitous 'Heart of Darkness'. This is the Conrad who is master of the terror element - global crisis, individual test, and personal trauma - in modern literature. For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Most Christians view the book of Ecclesiastes as an enigma, a puzzle from which we might draw a few aphorisms but little else. Douglas Wilson's fresh, lucid treatment of this wonderful book enables us to see that its message is not a confused riddle but an incisive indictment of "the wisdom of this world." We learn that what we call "modernity" is simply a term for men sinning in the old ways with new toys and tools. There is truly nothing new "under the sun"; man's problems today are exactly what they have been since the Fall. And the answer to man's problem is just as old, yet forever new - "the fear of the Lord is the beginning of wisdom." (Steve Wilkins)
One of Betches' 7 Books by Black Authors You Need to Read This Summer One of Elite Daily’s Books Featuring Interracial Relationships You Should Read In 2020 One of Marie Claire’s 2020 Books You Should Add to Your Reading List When a Nigerian woman falls for a man she knows will break her mother’s heart, she must choose between love and her family. At twelve years old, Azere promised her dying father she would marry a Nigerian man and preserve her culture, even after immigrating to Canada. Her mother has been vigilant about helping—well forcing—her to stay within the Nigerian dating pool ever since. But when another match-made-by-mom goes wrong, Azere ends up at a bar, enjoying the company and later sharing the bed of Rafael Castellano, a man who is tall, handsome, and…white. When their one-night stand unexpectedly evolves into something serious, Azere is caught between her feelings for Rafael and the compulsive need to please her mother. Soon, Azere can't help wondering if loving Rafael makes her any less of a Nigerian. Can she be with him without compromising her identity? The answer will either cause Azere to be audacious and fight for her happiness or continue as the compliant daughter.
Private detective Albert Campion hunts a serial killer in London’s theatre district, in this crime novel from “the best of mystery writers” (The New Yorker). A spate of murders leaves Campion with only two baffling clues: a left-hand glove and a lizard-skin letter-case. These minimal leads, and a series of peculiar events, set the gentleman sleuth on a race against time that takes him from an odd museum of curiosities hidden in a quiet corner of London to a scrapyard in the East End. Margery Allingham shows her dark edge in Hide My Eyes and evokes the sights, sounds, and inimitable atmosphere of 1950s London, once again proving herself “one of the finest ‘golden age’ crime novelists” (Sunday Telegraph). “Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever.” —Sara Paretsky “Allingham’s characters are three-dimensional flesh and blood, especially her villains.” —Times Literary Supplement
Sasha returns to Aurora, the parallel universe of generals, princesses, body doubles, and the boy she loves, Thomas, where she tries to help and find missing people and save them all.
When Lovejoy witnesses a car crash that turns out to be a murder - with one of his oldest antique-dealer friends the victim - he sets out on a trail of revenge that leaves him pondering several bewildering questions. Why did his friend buy up a load of junk furniture? What did he want with an old doctor's bag? Why was his friend killed? Who was trying to kill Lovejoy and - most perplexing of all - what the hell is he doing potholing through underground tunnels dodging armed hit men?