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An alphabetical reference with more than 1,500 entries that trace symbols to their cultural, religious, or mythological origins, and explain the hidden or encoded meaning that lies concealed beneath objects' and concepts' ordinary, outward appearance.
Offering thousands of definitions of myths and metaphors, The Encyclopedia of Symbolism is an invaluable tool for understanding the creative process, literary and artistic analysis, dream interpretation, or personal and professional imagery. Designed for the expert or novice, scholar or student, this volume provides a straightforward, thorough investigation into the world of creative symbolism - the unique language of the brain - for both personal enlightenment and practical application. The Encyclopedia of Symbolism includes more than 10,000 definitions and interpretations - from Abacus to Zodiac; a convenient, easy-to-use alphabetical format; cross-referencing for easy exploration of multiple meanings; the similarities - and differences - between universal, cultural, and individual symbols; how to interpret obscure signs or dreams and apply them to your personal situation; and symbols of Astrology, I Ching, and Tarot.
Unlock the lost and hidden meanings of the world's ancient and modern signs and symbols with the latest in the hugely popular series of 'Element Encyclopedias'. This is the biggest A-Z reference book on symbolic objects you'll ever find.
"From cave paintings in Africa, Asia and Oceania, to the emergence of sophisticated graphic styles in Europe at the turn of the century, these images stimulate curiosity and wonder at the enormous breadth of human creativity."--BOOK JACKET.
Jewish symbols reflect the interaction of word and image within Jewish culture. Jews have always studied, interpreted, and revered sacred texts; they have also adorned the settings and occasions of sacred acts. Calligraphy and ornamentation have transformed Hebrew letters into art; quotation, interpretation, legend, and wordplay have made ceremonial objects into narrative. This book represents just such a collaboration between art and language. Ellen Frankel and Betsy Platkin Teutsch, writer and artist, have brought their extensive knowledge and talents together to create The Encyclopedia of Jewish Symbols, the first reference guide of its kind, designed for use by educators, artists, rabbis, folklorists, feminists, Jewish and non-Jewish scholars, and lay readers.
The book is the first comprehensive encyclopedia of Western ideograms ever published, unique in its search systems, that allows the reader to locate a symbol by defining just four of its visual characteristics. It is about our graphic cultural heritage as expressed in subway graffiti, fighter jets' signs and emergency exit symbols. It contains 2,300 symbols, 1,600 articles and streamlined reference functions. Ideogram scarved in mammoth teeth by Cro-Magnon men 25,000 years ago, put on modern household appliances by their manufacturers or sprayed on walls by political activists, are all presented in dictionary form for easy reference. Symbols cover current designs used in advertising, logotyping, architecture, design, decoration, religion, politics and astrology.
The first volume of An Encyclopedia of Archetypal Symbolism was a stunning collection of color images and text organized around mythic themes that follow the solar calendar from cosmos and creation to death, transformation, and rebirth. In this second volume, the focus is the human body as a carrier of deep psychological insights and sacred meanings. Whether idolized or abused, the body is the object of much fascinated attention, even obsessive preoccupation, in the contemporary Western world. What has been missing from our culture's preoccupation is an appreciation of the body's organs as symbols of the deepest contents of the human psyche. This book surveys the richness of meaning found in a wide range of beautiful sacred images from the world's traditions and explains what the symbolism of our physical form teaches us about the inner realities of our consciousness, spirit, and divine essence.
In nearly 1500 entries, many of them strikingly and often surprisingly illustrated, J. C. Cooper has documented the history and evolution of symbols from prehistory to our own day. With over 200 illustrations and lively, informative and often ironic texts, she discusses and explains an enormous variety of symbols extending from the Arctic to Dahomey, from the Iroquois to Oceana, and coming from systems as diverse as Tao, Christianity, Judaism, Buddhism, Islam, Tantra, the cult of Cybele and the Great Goddess, the Pre-Columbian religions of the Western Hemisphere and the Voodoo cults of Brazil and West Africa.
For artists, designers, and all with an interest in Buddhist and Tibetan art, this is the first exhaustive reference to the seemingly infinite variety of symbols found throughout Tibetan art in line drawings, paintings, and ritual objects. Hundreds of the author's line drawings depict all the major Tibetan symbols and motifs—landscapes, deities, animals, plants, gurus, mudras (ritual hand gestures), dragons, and other mythic creatures—ranging from complex mythological scenes to small, simple ornaments.