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Behind the iconic images of Australian homesteads, beach houses and the billowing sails of the Sydney Opera House lies a rich and enthralling history of how Australians have responded to natural and urban environments, and in turn shaped Australian culture and society. The Encyclopedia of Australian Architecture is the first major work of reference to be published on Australian architecture. This magnificent book documents and analyses Australian architecture and architects from indigenous beginnings to colonial, modern and contemporary eras. With over 1000 entries from 200 contributors, and 500 photographs and drawings, The Encyclopedia of Australian Architecture provides an unparalleled compendium of architectural knowledge. It is essential reading for all who care about the built environment.
From the Sydney Opera House and the National Gallery of Victoria to sought-after homes across the country, the pervasive presence of modernism is inescapable in Australia. Led by the likes of Robin Boyd, Harry Seidler and Walter Burley Griffin, modernist architects and designers set out to rebuild at all scales, from vast infrastructure projects, to public health and education institutions, to new centres of culture, consumption and leisure.Australia Modern vividly captures this architectural legacy with a survey of 100 significant modern sites, richly illustrated with archival images and newly commissioned photographs. Contextual essays by leading voices in architecture and conservation explore modernism's influence on every facet of life in Australia and the ongoing challenges facing preservation. Showcasing projects from the iconic and the urban to the everyday, the regional and the lesser known, Australia Modern cultivates an appreciation for the modern architects and buildings that will increasingly constitute the heritage of tomorrow.
"When Europeans first reached Australian shores, a long-held and expedient perception developed that Australian Aboriginal people did not have houses or settlements, that they occupied temporary camps, sheltering in makeshift huts or lean-tos of grass and bark. This book redresses that notion, exploring the range and complexity of Aboriginal-designed structures, spaces and territorial behaviour, from minimalist shelters to permanent houses and villages. 'Gunyah, Goondie and Wurley' encompasses Australian Aboriginal Architecture from the time of European contact to the work of the first Aboriginal graduates of university-based courses in architecture, bringing together in one place a wealth of images and research."--Publisher's website.
Despite a European training and an early career working with Peter Behrens, a migration from Vienna to the Australian state of Queensland positioned the architect Karl Langer (1903-1969) at the very edge of both European and Australian modernism. Confronted by tropical heat and glare, the economics of affordable housing, fiercely proud and regional architectural practices, and a suspicion of the foreign, Langer moulded the European language of international modernism to the unique climatic and social conditions of tropical Australia. This book will tell Langer's story through a series of edited essays focused on key themes and projects. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, it is both an examination of an architect's work and international legacy, and also a case study in the trans-global dissemination of design ideas. Studying the architect's built and proposed work, both regional and metropolitan, the scale and reach of Langer's practice will be considered for the first time, showing how, given his continued influence on the contemporary culture of tropical design, Langer has been unjustly ignored by the historiography of both Australian and Modernist architecture to date.
This book tells the story of the architects and buildings that have defined Australia’s architectural culture since the founding of the modern nation through Federation in 1901. That year marked the beginning of a search for better city forms and buildings to accommodate the changing realities of Australian life and to express an emerging, distinctive, and, eventually, confident Australian identity. While Sydney and Melbourne were the settings for many of the major buildings, all states and territories developed architectural traditions based on distinctive histories and climates. Harry Margalit explores the flowering of these many architectural variants, from the bid to create a model city in Canberra, through the stylistic battles that opened a space for modernism, to the idealism of postwar reconstruction, and beyond to the new millennium. Australia reveals a vibrant and influential culture of the built environment, at its best when it matches civic idealism with the sensuality of a country of stunning light and landscapes.
Divided into three volumes, the Encyclopedia of Vernacular Architecture is a basic resource for this new area of study. As stated in Oliver's introduction "Vernacular architecture is now the term most widely used to denote indigenous, tribal, folk, peasant, and traditional architecture." Volume 1 discusses broad concepts such as 'typologies', 'symbolism and decoration', 'environment' and 'materials and building resources'. Volumes 2 and 3 survey vernacular architecture worldwide, arranged by continent followed by region. Both secular and sacred structures are included in this encyclopedia. The structures and building methods discussed are considered within their particular social and environmental context, disregarding political divisions where appropriate. This encyclopedia also provides line drawings, photographs and some architectural plans. [BQP 2/7/02; MJR 2/12/02].
Architect-designed houses of the period 1950-65 proposed an innovative response to the social, economic, and climatic conditions of post-war Australia. At the same time they embraced the aesthetic, technological, and egalitarian aspirations of modern architecture. An Unfinished Experiment in Living traces the emergence of this architectural phenomenon in Australia, documenting the full range of its expression: from the postwar optimism of the early 1950s through to the affluence of the 1960s. It is a catalogue of the most significant houses of the period. It includes comprehensive plans and period photographs of 150 houses from around Australia, dating from a time when the great Australian dream was the single family house. This book puts forward new research founded on the premise that the most significant houses of the 1950s and 60s represent an unfinished and undervalued experiment in modern living. Issues such as the open plan, the changing nature of the family, the embrace of advances in technology, the use of the courtyard, and the orientation of the house to capture sun and privacy, were valuable and critical lessons. This is a compelling reminder of their continuing relevance. [Subject: Architecture, Design, Australian History, Sociology]
1960, following as it did the last CIAM meeting, signalled a turning point for the Modern Movement. From then on, architecture was influenced by seminal texts by Aldo Rossi and Robert Venturi, and gave rise to the first revisionary movement following Modernism. Bringing together leading experts in the field, this book provides a comprehensive, critical overview of the developments in architecture from 1960 to 2010. It consists of two parts: the first section providing a presentation of major movements in architecture after 1960, and the second, a geographic survey that covers a wide range of territories around the world. This book not only reflects the different perspectives of its various authors, but also charts a middle course between the 'aesthetic' histories that examine architecture solely in terms of its formal aspects, and the more 'ideological' histories that subject it to a critique that often skirts the discussion of its formal aspects.
Architectural Encounters in Asia Pacific explores the architecture of colonial trade and industry, revealing a complex network of transnational connections across the built heritage of the world's most dispersed and culturally diverse region. A wide-ranging collection of case studies uncover these forgotten connections, drawing together stories of migratory architects, imperial commodities, and indentured labour. From Iran to Tasmania, Japan to Java, and Imperial China to the Pacific Islands, the chapters reveal how remnants of colonial trade and industry shed light on the many multi-faceted mobilities of the imperial age, and their enduring legacy in the postcolonial built environments of Australasia, the Pacific, Southeast Asia and beyond. The chapters also reveal deep strands of cultural influences and material imprints long neglected by national histories of architecture, and showcase new methodologies to analyse the interconnectivities and bordering practices which are shaping our experiences of the 21st century. With almost every chapter arising from new archival sources, this richly interdisciplinary volume brings together the work of architectural historians, geographers and heritage practitioners to provide a new understanding of the rich and contested history of this region.