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Volume 1 covers the beginnings of apocalypticism in the ancient Near East, moves through early Judaism, and ends at the Book of Revelation in the New Testament. Volume 2 begins with the apocalypticism in early Christian theology (100 C.E.) and concludes with discussions of apocalyptic influences in medieval and renaissance literature (up to 1800 C.E.). Volume 3 brings the discussion into the 20th century and focuses on the influences of apocalypticism on modern popular culture, art, science, politics, and thought.
The apocalypse’s triumph is witnessed in the arts, literature, music, film, TV, and digital media thereby enabling us to view the very essence of Apocalypse as a cultural phenomenon.
The Aramaic Dead Sea Scrolls represent roughly 13% of the Qumran library and correspond to a wide range of genres and topics. This book consists of the proceedings of a conference on the Aramaic scrolls from Qumran which took place in Aix-en-Provence in 2008. It includes both the papers themselves and a transcription of the discussions. The 22 papers tackle linguistic, exegetical and historical questions, focusing in particular on: the relation of the Aramaic texts to what we know as the Hebrew Bible; their literary genres; the question of their sectarian or non-sectarian provenance; the character of the corpus, and specifically its relevance to the development of apocalypticism and messianism in the Jewish tradition.
Islam, Judaism, and Christianity are engaged not in a 'clash of civilizations' but in a sectarian conflict among branches of a single civilization traditionally steeped in apocalyptic imagery and beliefs. Apocalypticism is a religious luxury that modern civilizations can no longer afford. Many would agree that the propagandists of the Christian Right have raised apocalyptic tensions to a dangerous level since 9/11, but in this book Richard Fenn takes on the mainline church leaders for their role in promoting an apocalyptic view of history. Those who keep apocalyptic beliefs in a respectable place in religious faith and practice must bear their share of responsibility for global terror. It is not only tragic but ironic that the churches have given apocalyptic literature such a respectable place in their sacred texts, because the apocalyptic imagination itself has its sources in non-Biblical literature: the Hellenistic prophesies that gave comfort and courage to the victims of war in the near and middle east from the time of Alexander the Great and Darius. Fenn goes on to hold apocalyptic enthusiasts in the mainline churches, as well as on the Right, responsible for keeping old grievances alive in their demands for a day of final reckoning, and he demonstrates that totalitarian and imperial regimes have made effective use of apocalyptic literature to justify their own violence and to terrify their subjects and enemies.
Eschatology played a central role in both politics and society throughout the early modern period. It inspired people to strive for social and political change, including sometimes by violent means, and prompted in return strong reactions against their religious activism. From the fifteenth to the eighteenth century, numerous apocalyptical and messianic movements came to the fore across Eurasia and North Africa, raising questions about possible interconnections. Why were eschatological movements so pervasive in early modern times? This volume provides some answers to this question by exploring the interconnected histories of confessions and religions from Moscow to Cusco. It offers a broad picture of Christian and, to a lesser extent, Jewish and Islamic eschatological movements from the fifteenth to the eighteenth century, thereby bridging important and long-standing gaps in the historiography. Apocalypse Now will appeal to both researchers and students of the history of early modern religion and politics in the Christian, Jewish and Islamic worlds. By exploring connections between numerous eschatological movements, it gives a fresh insight into one of the most promising fields of European and global history.
How do people understand the Quran to be divine revelation? What is it about the text that inspires such devotion and commitment in the reader/believer? Todd Lawson explores how the timeless literary genres of epic and apocalypse bear religious meaning in the Quran, communicating the sense of divine presence, urgency and truth. Grounding his approach in the universal power of story and myth, he embarks upon a fascinating inquiry into the unique power of one of the most loved, widely read and recited books in the world.
Bennie H. Reynolds analyzes of the language (poetics) of ancient Jewish historical apocalypses. He investigates how the dramatis personae, i.e., deities, angels/demons, and humans are described in the Book of Daniel (chapters 2, 7, 8, and 10–12) the Animal Apocalypse (1 Enoch 85–90), 4QFourKingdoms(a-b) ar, the Book of the Words of Noah (1QapGen 5 29–18?), the Apocryphon of Jeremiah C, and 4QPseudo-Daniel(a-b) ar. The primary methodologies for this study are linguistic- and motif-historical analysis and the theoretical framework is informed by a wide range of ancient and modern thinkers including Artemidorus of Daldis, Ferdinand de Saussure, Charles Peirce, Leo Oppenheim, Claude Lévi-Strauss, and Umberto Eco. The most basic contention of this study is that the data now available from the Dead Sea Scrolls significantly alter how one should conceive of the genre apocalypse in the Hellenistic Period. This basic contention is borne out by five primary conclusions. For example, while some apocalypses employ symbolic language to describe the actors in their historical reviews, others use non-symbolic language. Some texts, especially from the Book of Daniel, are mixed cases. Among the apocalypses that use symbolic language, a limited and stable repertoire of symbols obtain across the genre and bear witness to a series of conventional associations. While several apocalypses do not use symbolic ciphers to encode their historical actors, they often use cryptic language that may have functioned as a group-specific language. The language of apocalypses indicates that these texts were not the domain of only one social group or even one type or size of social group.
In this pioneering study of Scripture and reception history, Tucker S. Ferda shows that the hope for Jesus’s second coming originated in his own message about the coming of the kingdom after a time of distress. Most historical Jesus scholars take for granted that Jesus’s second coming was invented by his zealous early followers. In Jesus and His Promised Second Coming, Tucker S. Ferda challenges this critical consensus. Using innovative methodology, Ferda works backward through reception history to Paul and the Gospels to argue that the hope for the second coming originated in Jesus’s own grappling with the prospect of death and his conviction that the kingdom was near; he expected a return that would coincide with the final judgment and the end of the age within the space of a generation. Ferda also makes a major contribution to the reception history of the Bible, shedding light on how Christians distinguished their faith from Judaism by deriding “Jewish messianism” as earthly minded and militaristic. In the early modern period, critics found an expedient way to distance Jesus from this caricature of “Jewish messianism”: they pinned the expectation for the second coming on Jesus’s early followers. A new appreciation for the diversity of Judaism and messianism in the Second Temple period makes possible a fresh reconstruction of Jesus. Bold and historically astute, Jesus and His Promised Second Coming breathes new life into a long-stagnant conversation. It also offers readers fresh insight into the history of Jewish-Christian relations. Students and scholars of the New Testament will need to read and engage with Ferda’s provocative argument.
In every belief system spiritual entities have been labeled as good if they have acted in favor to people and as evil if they have threatened their existence. Furthermore, protective actions and dangerous actions have been classified as such based on the beholder’s level of understanding of order and chaos. Evil entities spread chaos that endangers people’s existence, while good entities create order that preserves human life.
Individualism: The Cultural Logic of Modernity explores ideas of the modern sovereign individual in the western cultural tradition. Divided into two sections, this volume surveys the history of western individualism in both its early and later forms: chiefly from the sixteenth to the eighteenth centuries, and then individualism in the twentieth century. These essays boldly challenge not only the exclusionary framework and self-assured teleology, but also the metaphysical certainty of that remarkably tenacious narrative on 'the rise of the individual.' Some essays question the correlation of realist characterization to the eighteenth-century British novel, while others champion the continuing political relevance of selfhood in modernist fiction over and against postmodern nihilism. Yet others move to the foreground underappreciated topics, such as the role of courtly cultures in the development of individualism. Taken together, the essays provocatively revise and enrich our understanding of individualism as the generative premise of modernity itself. Authors especially considered include Locke, Defoe, Freud, and Adorno. The essays in this volume first began as papers presented at a conference of the American Comparative Literature Association held at Princeton University. Among the contributors are Nancy Armstrong, Deborah Cook, James Cruise, David Jenemann, Lucy McNeece, Vivasvan Soni, Frederick Turner, and Philip Weinstein.