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This slim volume presents a practical introduction to the essential beliefs, practices, and moral rectifications mentioned in the Sacred Law. The primary text is Ahmed ibn Zayn al-Habashi's Al-Risalah al-Jami ah which has been a popular introductory text during the last four centuries. The text is read by students in the Middle East, Southeast Asia and, recently, North America and Europe. This edition includes the Arabic text, its translation, and notes drawn from the translator's other works. Readers of this text will learn the essential creed, acts of worship, and moral behavior that are considered personal obligations for all Muslims. They will also learn why these particular things are important. The notes are designed to equip students for personal practice and to prepare them for more advanced studies.
Lenny Duncan is the unlikeliest of pastors. Formerly incarcerated, he is now a black preacher in the whitest denomination in the United States: the Evangelical Lutheran Church in America (ELCA). Shifting demographics and shrinking congregations make all the headlines, but Duncan sees something else at work--drawing a direct line between the church's lack of diversity and the church's lack of vitality. The problems the ELCA faces are theological, not sociological. But so are the answers. Part manifesto, part confession, and all love letter, Dear Church offers a bold new vision for the future of Duncan's denomination and the broader mainline Christian community of faith. Dear Church rejects the narrative of church decline and calls everyone--leaders and laity alike--to the front lines of the churchÂs renewal through racial equality and justice. It is time for the church to rise up, dust itself off, and take on forces of this world that act against God: whiteness, misogyny, nationalism, homophobia, and economic injustice. Duncan gives a blueprint for the way forward and urges us to follow in the revolutionary path of Jesus.
For centuries, Abu Shuja al-Asfahani's legal primer "Matn al-Ghayat wa-l-Taqrib" ("The Ultimate Conspectus") has been a standard text for introducing students of the Shafii school of Islamic law to the full range of basic legal issues. Students will often start their studies by reading it from a basic commentary with their instructor. Many students will read it again from more advanced commentaries as they progress in their mastery of the subject. This volume presents an amiable commentary that makes Abu Shuja's primer accessible to new students. It uses contemporary language and examples to help readers build a sound foundation in Islamic law. "The Accessible Conspectus" is a perfect companion to "The Ultimate Conspectus."
"In these engaging, challenging and beguiling dialogues, Pamela Cohn expertly draws from her subjects, personal biography and conceptual intent, process and nearly subconscious motivation, personal revelation and political mission. The result is a work that not only provides a road map to the furthest regions of cinematic possibility in the early 21st century but one whose spirited back-and-forth inspires the reader to think anew about artistic possibility." —Scott Macaulay, editor-in-chief of Filmmaker Magazine “Pamela Cohn has curated and conducted a series of interviews that simultaneously invite you to turn the page, and pause for a moment of reverie. Her interviews furrow the grounds where sensibilities become cinema, and attitudes become forms." —Luke Moody Lucid Dreaming is an unprecedented global collection of discussions with documentary and experimental filmmakers, giving film and video its rightful place alongside the written word as an essential medium for conveying the most urgent concerns in contemporary arts and politics. In these long-form conversations, film curator and arts journalist Cohn draws out the thinking of some of the most intriguing creators behind the rapidly developing movement of moving-image nonfiction. The collection features individuals from a variety of backgrounds who encounter the world, as Cohn says, “through a creative lens based in documentary practice.” Their inspirations encompass queer politics, racism, identity politics, and activism. The featured artists come from a multiplicity of countries and cultures including the U.S., Finland, Serbia, Syria, Kosovo, China, Iran, and Australia. Among those Cohn profiles and converses with are Karim Aïnouz, Khalik Allah, Maja Borg, Ramona Diaz, Samira Elagoz, Sara Fattahi, Dónal Foreman, Ja’Tovia Gary, Ognjen Glavonic, Barbara Hammer, Sky Hopinka, Gürcan Keltek, Adam and Zack Khalil, Khavn, Kaltrina Krasniqi, Roberto Minervini, Terence Nance, Orwa Nyrabia, Chico Pereira, Michael Robinson, J. P. Sniadecki, Brett Story, Deborah Stratman, Maryam Tafakory, Mila Turajlic, Lynette Wallworth, Travis Wilkerson, and Shengze Zhu. Can nonfiction film be defined? How close to reality can or should documentary storytelling be, and is film and video in its less restrictive iterations “truer” than traditional narratives? How can a story be effectively conveyed? As they consider these and many other questions, these passionate, highly articulate filmmakers will inspire not only cinema enthusiasts, but activists and artists of all stripes.
With its dynamic paraphrase of Romans and the inspiring thoughts and prayers that accompany each passage, A Passion for God translates the truths of this magnificent epistle into personal worship.
All Heathens is a declaration of ownership—of bodies, of histories, of time. Revisiting Magellan’s voyage around the world, these poems explore the speaker’s Filipino American identity by grappling with her relationship to her family and notions of diaspora, circumnavigation, and discovery. Whether rewriting the origin story of Eve (“I always imagined that the serpent had the legs of a seductive woman in black nylons”), or ruminating on what-should-have-been-said “when the man at the party said he wanted to own a Filipino,” Chan paints wry, witty renderings of anecdotal and folkloric histories, while both preserving and unveiling a self-identity that dares any other to try and claim it.
This book was published in 1906 by Brook Foss Westcott (1825-1901). This edition is edited to emphasize the English instead of the Greek. We have Greek=English Interlinear so that a layperson can follow Dr. Westcott's brilliant exegesis of the text. These are NOT scanned pages as image pdf. These texts are OCR; removed page headers; spelled checked; added italics and bold fonts; added Greek; added Hebrew and added Biblical cross-references. This Biblical commentary DOES NOT contain Introductions, but verse by verse with table of contents. B. F. Westcott's classic commentary on the Greek version of St. Paul's letter to the Ephesians. Contains extensive verse-by-verse exegetical commentary, as well as multiple “dissertations” on various subjects relating to the epistle. An exegetical classic by a well-respected scholar. Long out of print, it deserves the same attention as Westcott's work in Johannine literature.
A translation of Abu Shuja' al-Asfahani's introduction to classical Islamic law, Matn al-Ghayat wa al-Taqrib. This enduring classic covers the full range of basic topics within the Shafi'i school of law. It includes the full Arabic text and notes to point out where later Shafi'i jurists have differed from the author, Imam al-Nawawi's preferences, and minor clarifications and explanations.
This volume presents an original commentary for Al-Tadhkirah (The Memorandum), a legal primer for Islamic Law according to the later scholars of the Shāfiʿī school by Ibn al-Mulaqqin, an Egyptian scholar who died in 804AH/1401CE. The commentary introduces essential evidence for the core issues of Islamic Law from its primary sources (the Quran, Sunnah, legal analogy, and scholarly consensus). The commentary is based on Ibn al-Mulaqqin's legal commentaries (Sharḥ Mukhtaṣar al-Tabrīrzī, Khulāṣat al-fatāwī, and ʿUjālat al-muḥtāj) and works on legal hadiths (Tuḥfat al-muḥtāj, Mukhtaṣar al-Badr al-munīr, and Al-Badr al-munīr). The Evident Memorandum helps explain why Islamic Law includes specific topics and the essential evidence behind the Shāfiʿī school's opinion. It will be most beneficial to readers who are already familiar with Islamic Law and jurisprudence.
Given the popular-level conversations on phenomena like the Gospel of Thomas and Bart Ehrman’s Misquoting Jesus, as well as the current gap in evangelical scholarship on the origins of the New Testament, Michael Kruger’s Canon Revisited meets a significant need for an up-to-date work on canon by addressing recent developments in the field. He presents an academically rigorous yet accessible study of the New Testament canon that looks deeper than the traditional surveys of councils and creeds, mining the text itself for direction in understanding what the original authors and audiences believed the canon to be. Canon Revisited provides an evangelical introduction to the New Testament canon that can be used in seminary and college classrooms, and read by pastors and educated lay leaders alike. In contrast to the prior volumes on canon, this volume distinguishes itself by placing a substantial focus on the theology of canon as the context within which the historical evidence is evaluated and assessed. Rather than simply discussing the history of canon—rehashing the Patristic data yet again—Kruger develops a strong theological framework for affirming and authenticating the canon as authoritative. In effect, this work successfully unites both the theology and the historical development of the canon, ultimately serving as a practical defense for the authority of the New Testament books.