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Healer and ‘plant spirit whisperer’ Zorah Cholmondeley seeks to revolutionize the way we view our gardens and the natural world. Introducing the faery realms, she invites us to witness the tremendous variety and interplay of life-forms connected to the earth. Beyond the fae, she speaks of gnomes, dragons, angels and entities such as the Master Pan, all of whom have a unique part to play in the dynamics and health of our planet. And, it is their fondest wish that we should become aware of them! In The Enchanted Garden, Zorah shows how we can become allies with the fae and other nature guardians – to co-create a world with infinite possibilities for love, joy and togetherness. In a series of short chapters, she portrays faery history, introduces her muse Queen Maeve, explains how to create a garden for the faeries, discusses fears of connecting to the fae and the importance of fun and reverie, suggests how crystals can be used in the garden, describes the significance of weather, the moon, seasonal festivals, and much more. In the second part of the book she presents communications from the spirit beings of dozens of plants and trees – from aconitum to the yew tree – with meditations and spiritual insights. Can we learn to be sufficiently still in order to listen with our hearts to the natural world all around us, including the subtle ecosphere of the fae? This book is for anyone who seeks to relate to nature and their gardens more consciously. ‘The Enchanted Garden brings you closer to nature’s wisdom and will surely spark faith in the Magic that’s forever around and within us!’ – Calista, author of Unicorn Rising and The Female Archangels ‘The Enchanted Garden will help you transform your garden into a sacred portal of elemental communication. It’s full of practices, rituals, and a directory of nature spirits you can connect with, to activate peace and magic in your life.’ – George Lizos, author of Lightworker Gotta Work ‘Whether you are a gardener or not, this delightful book will assist you in deepening your connection to plants, flowers, trees and elementals and return some of their magic into your Earth-walk experience. – Alphedia Arara author of Ascending with Unicorns
Projects: Tintagel, labyrinth, snow queen, lothlorien, pixie, licorne, naiad, Tristan & Isolde, mirror mirror, selkie, changeling, tinker, Galadriel, traveler, mermaid, alchemist, Atlantis, firebird, talking fish, tree of life.
The Eclectic Sole is a collection of exciting and diverse sock knitting patterns that will delight both new and experienced sock knitters with a little something for everyone.
In this acclaimed study of British statehood, identity and culture, Tom Nairn deftly dispels the conviction that the Royal Family is nothing more than an amusing relic of feudalism or a mere tourist attraction. Instead, he argues that the monarchy is both apex and essence of the British state, the symbol of a national backwardness. In this fully updated edition, Nairn’s powerful and bitterly comic prose lays bare Britain’s peculiar, pseudo-modern, national identity—which remains stubbornly fixated on the Crown and its constitutional framework, the “parliamentary sovereignty” of Westminster.
Mozart's Don Giovanni is an operatic masterpiece full of iconic and mythical tensions that still resonate today. The work redefines the terms of power, seduction, and morality, and the resulting conflict between the aesthetic and the ethical is deeply rooted in the Enlightenment and romanticism. The Don Giovanni Moment is the first book to examine the aesthetic and moral legacy of Mozart's opera in the literature, philosophy, and culture of the nineteenth century. The prominent scholars in this collection address the opera's impact on the philosophical visions of Kierkegaard, Goethe, and Williams and its influence on the literary and dramatic works of Pushkin, Hoffmann, Mörike, Byron, Wagner, Strauss, and Shaw. Through a close and careful analysis of Don Giovanni's literary and philosophical reception and its many appropriations, rewritings, and retellings, these contributors treat the opera as a vantage point from which theory and philosophy can reconsider romanticism's central themes. As lively and passionate as the opera itself, these essays continue the spirited debate over the meaning and character of Don Giovanni and its powerful legacy. Together they prove that Mozart's brilliant artistic achievement is as potent and relevant today as when it was first performed two centuries ago.
Incarnations of fatal women, or femmes fatales, recur throughout the works of women writers in the Romantic period. Adriana Craciun demonstrates how portrayals of femmes fatales or fatal women played an important role in the development of Romantic women's poetic identities and informed their exploration of issues surrounding the body, sexuality and politics. Craciun covers a wide range of writers and genres from the 1790s through the 1830s. She discusses the work of well-known figures including Mary Wollstonecraft, as well as lesser-known writers like Anne Bannerman. By examining women writers' fatal women in historical, political and medical contexts, Craciun uncovers a far-ranging debate on sexual difference. She also engages with current research on the history of the body and sexuality, providing an important historical precedent for modern feminist theory's ongoing dilemma regarding the status of 'woman' as a sex.
Skepticism about Christianity abounds. Building on the work of Charles Taylor, Ian S. Markham argues that contemporary skepticism is more a mood than an intellectual repudiation of Christian theology. In its attempt to accommodate science, the church too often opts for deistic responses that take the spiritual out of the material. Against this response, Markham argues for a rich, imaginative account of the world that is grounded in Christian revelation, and affirms spiritual causation, angels, and the reality of the saints. It is a clarion call for the Western church to learn from the church in the Global South and create a rich theology that lives up to its professed values as a genuinely inclusive church.
Four English ladies rent a medieval castle on the Italian Riviera for one magical month. Each finds her life transformed in this tale of self-discovery, recounted with warmth, wit, and charm.