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From director and cofounder of the Royal Shakespeare Company Peter Brook, The Empty Space is a timeless analysis of theatre from the most influential stage director of the twentieth century. As relevant as when it was first published in 1968, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance--of any scale. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional, and fascinating, this book shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.
A boy describes the feelings of loss, fear, and guilt felt by himself and his friend Betsy after each of them experiences the death of a sibling.
It is 1932, in Harlan County, Kentucky. Times are tough in the mining community, especially for thirteen-year-old Adabel Cutler's family. As they fight to survive, Adabel has to figure out her own identity while dealing with her volatile father, her dutiful sister, her defiant brother, and her mother's disappearance, which she can't seem to remember. This is a beautifully written and deeply felt coming-of-age novel by the acclaimed author of Like a River. Includes an author's note, bibliography, and archival images.
From USA TODAY Bestselling Author John EllsworthIt was just a quick sandwich in the hospital cafeteria...But when she returned to her daughter's room...Whatever happened to Melissa's daughter is anyone's guess. The police seal the hospital doors; a search proceeds but the four-year-old is nowhere to be found The girl is gone, vanished without a ransom note, without a body being found, without a trace. The detectives believe she has most likely been sold into human trafficking. No matter, Melissa is determined. She is also very, very bright, a woman who refuses to give up, a woman who knows what motherhood means. She journeys to Mexico in search of her missing child. She confronts the Tijuana Cartel. Do they have her daughter? Twelve years have passed by and she no longer has any idea what the little girl even looks like.Then...two unmistakable eyes peer out at her from a passing van. But was it Melissa's daughter? Watch one desperate woman and one lost child try to reach across time and connect. A story to please you to the very end.A psychological thriller you'll want to read in one sitting...
". . . intriguing, both a solid refresher on our savage colonial history and a smart rumination on what it means to get lost. ― Outside First time in paperback, ebook, and audio editions Part travel adventure, part history, part exploration Features four specific "blank spots" from across the country and delves into our human relationships with place In The Last Empty Places, bestselling author Peter Stark takes the reader to four of the most remote, wild, and unpopulated areas of the United States outside of Alaska and mainly not part of protected wilderness: the rivers and forests of Northern Maine; the rugged, unpopulated region of Western Pennsylvania that lies only a short distance from the East’s big cities; the haunting canyons of Central New Mexico; and the vast, arid basins of Southeast Oregon. Stark discovers that the places he visits are only "blank" in terms of a lack of recorded history. In fact, each place holds layers of history, meaning, and intrinsic value and is far from being blank. He also finds that each region has played an important role in shaping our American idea of wilderness through the influential "natural philosophers" who visited these places and wrote about their experiences--Henry David Thoreau, William Bartram, John Muir, and Aldo Leopold. It’s a fascinating look at the value of nature, the ways humans use and approach it, and what it means to seek out empty places in today’s world.
In this paean to the wild lands of the American West, Paul Gruchow celebrates the intrinsic value of places that resist human exploitation. Whether he's rambling through the Minnesota Blue Mounds, spying on migrating cranes in the Nebraska sandhills, lumbering along the Oregon Trail in an old-fashioned wagon train, contemplating the "unearthly spires" of the Dakota Badlands, clambering up Wyoming's Big Horn Mountains, or getting lost in Montana's Beartooth range, Gruchow is an ideal companion, a writer who makes the quirks and curiosities of the natural world come alive.
Thinking Radical Democracy is an introduction to nine key political thinkers who contributed to the emergence of radical democratic thought in post-war French political theory: Hannah Arendt, Maurice Merleau-Ponty, Pierre Clastres, Claude Lefort, Cornelius Castoriadis, Guy Debord, Jacques Rancière, Étienne Balibar, and Miguel Abensour. The essays in this collection connect these writers through their shared contribution to the idea that division and difference in politics can be perceived as productive, creative, and fundamentally democratic. The questions they raise regarding equality and emancipation in a democratic society will be of interest to those studying social and political thought or democratic activist movements like the Occupy movements and Idle No More.
Fresh from her critically acclaimed international tour, America's premier preformance artist has re-created her startling new work in a lavishly illustrated book. Empty Places includes the complete text of that performance, as well as all the songs on her tie-in album Strange Angels, comedic monologues and 200 dazzling photographs.
For 31 months between 1979 and 1995, James F. Weiner conducted anthropological research amongst the Foi people in Southern Highlands Province, Papua New Guinea. This book contains the transcriptions, translations, and descriptions of the songs he recorded. The texts of women’s sago songs (obedobora), men’s ceremonial songs (sorohabora), and women’s sorohabora are included. Men turn the prosaic content of womenís sago songs into their ownsorohabora songs, which are performed the night following large-scale inter-community pig kills, called dawa. While women sing sago songs by themselves, men sing their ceremonial songs in groups of paired men. Women also have their own ceremonial versions of such songs. The songs are memorial in intent; they are designed to commemorate the lives of men who are no longer living. Most commonly they do so by naming the places the deceased inhabited during his lifetime. These song texts and translations are introduced by Weiner. Ethnomusicologist Don Niles then brings together information about each type of song and considers these Foi genres in relation to those of neighbouring groups, highlighting aspects of regional performance styles. Consideration is also given to the poetic devices used in Papua New Guinea songs. Eighteen recordings illustrating the Foi genres discussed in this book are available for download. It remains uncertain how such songs may be affected by the major oil extraction project that has been undertaken in the region for more than two decades. This book will interest students of anthropology, ethnomusicology, linguistics, verbal art, aesthetics, and cultural heritage.
In The Empty Place: Democracy and Public Space Teresa Hoskyns explores the relationship of public space to democracy by relating different theories of democracy in political philosophy to spatial theory and spatial and political practice. Establishing the theoretical basis for the study of public space, Hoskyns examines the rise of representative democracy and investigates contemporary theories for the future of democracy, focusing on the Chantal Mouffe's agonistic model and the civil society model of Jürgen Habermas. She argues that these models of participatory democracy can co-exist and are necessarily spatial. The book then provides diverse perspectives on how the role of physical public space is articulated through three modes of participatory spatial practice. The first focuses on issues of participation in architectural practice through a set of projects exploring the ‘open spaces’ of a postwar housing estate in Euston. The second examines the role of space in the construction of democratic identity through a feminist architecture/art collective, producing space through writing, performance and events. The third explores participatory political democratic practice through social forums at global, European and city levels. Hoskyns concludes that participatory democracy requires a conception of public space as the empty place, allowing different models and practices of democracy to co-exist.