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Originally published: by HAKUSENSHA in Japan in 1995.
When Ping admits that he is the only child in China unable to grow a flower from the seeds distributed by the Emperor, he is rewarded for his honesty.
This stand-alone sequel to Card's "New York Times"-bestselling novel "Empire" continues the author's message about the dangers of extreme political polarization and the need to reassert moderation and mutual citizenship ("Booklist").
Study of nostalgic representations of the maternal, the home, and childhood in the literature and photographs of early-20th-century artists.
"The delicate arc of these poems intimates—rather than tells—a love story: celebration, fear of loss, storm, abandonment, an opening forth. Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna Warren This debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary. Antique Book The sky was crazed with swallows. We walked in the frozen grass of your new city, I was gauzed with sleep. Trees shook down their gaudy nests. The ceramic pots were caparisoned with snow. I was jealous of the river, how the light broke it, of the skein of windows where we saw ourselves. Where we walked, the ice cracked like an antique book, opening and closing. The leaves beneath it were the marbled pages. Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.
Empires have returned as features of the international scene. With the Cold War's global ideological contest gone, alternative structures such as the War on Terror or the Clash of Civilizations losing credibility, and even the unipolar position of the USA no longer self-evident, the operations of competing empires, history's best known form of order imposed over territories and peoples, acquires renewed credibility. Empire and International Order presents a critical examination of how useful the concept of empire is for understanding varieties of international order across time and place. Original contributions from an international team of upcoming and distinguished scholars analyse a wealth of theoretical approaches alongside contemporary themes enabling the reader to understand the desire to shift the ground of analysis away from the current literature of immediate issue of the US towards the disciplines of international relations, politics, and political/sociological theory.
In what would be A.D. 600 in our history, the Roman Empire still stands, supported by the Legions and Thaumaturges of Rome. Now the Emperor of the West, the Augustus Galen Atreus, will come to the aid of the Emperor of the East, the Augustus Heraclius, to lift the siege of Constantinople and carry a great war to the very doorstep of the Shahanshah of Persia. It is a war that will be fought with armies both conventional and magical, with bright swords and the darkest necromancy. Against this richly detailed canvas of alternate history and military strategy, Thomas Harlan sets the intricate and moving stories of four people: Woven with rich detail youd expect from a first-rate historical novel, while through it runs yarns of magic and shimmering glamours that carry you deeply into your most fantastic dreams At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.
Heaven Is Empty offers a new comparative perspective on the role of the sacred in the formation of China's early empires (221 BCE–9 CE) and shows how the unification of the Central States was possible without a unitary and universalistic conception of religion. The cohesive function of the ancient Mediterranean cult of the divinized ruler was crucial for the legitimization of Rome's empire across geographical and social boundaries. Eventually reelaborated in Christian terms, it came to embody the timelessness and universality of Western conceptions of legitimate authority, while representing an analytical template for studying other ancient empires. Filippo Marsili challenges such approaches in his examination of the reign of Emperor Wu of the Han (141–87 BCE). Wu purposely drew from regional traditions and tried to gain the support of local communities through his patronage of local cults. He was interested in rituals that envisioned the monarch as a military leader, who directly controlled the land and its resources, as a means for legitimizing radical administrative and economic centralization. In reconstructing this imperial model, Marsili reinterprets fragmentary official accounts in light of material evidence and noncanonical and recently excavated texts. In bringing to life the courts, battlefields, markets, shrines, and pleasure quarters of early imperial China, Heaven Is Empty provides a postmodern and postcolonial reassessment of "religion" before the arrival of Buddhism and challenges the application of Greco-Roman and Abrahamic systemic, identitary, and exclusionary notions of the "sacred" to the analysis of pre-Christian and non-Western realities.