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From the author of The Euthanist—“A mysterious painting, dark family secrets, and a decades-old vendetta intertwine in [this] lush art-world thriller.”* Paire Anjou came to New York to be an artist, but thus far has only achieved an artist boyfriend—the enfant terrible of the art world, Derek Rosewood. On her way to his show, where his controversial paintings will be on display, Paire sees an older man on the sidewalk, looking into the window of the Fern Gallery, gazing intently at a painting, and sobbing. As Paire approaches him, the man stabs himself in the chest. The painting that inspired the suicide is a one-off for the gallery—the last-known surviving work of a dissident Chinese artist named Qi. An empress, dressed in red, sits imperiously and stares out at the viewer. Paire is but one of the people who stare back, joined by hundreds, from around the world, flocking to the Fern Gallery to observe and obsess over the Empress. The Empress inspires lust and panic, rage and greed. When Paire starts digging into the backstory of the painting, and its artist, she unravels a tale of profound betrayal and a vengeance that spans generations. She also sets in motion the painting's final heist, a swirling morass of bribery, theft, and murder, drawing Paire deeper and deeper into the underside of the art world, where the greatest works inspire the most vicious of crimes. “An engrossing and fascinating tale with a shocking conclusion that I didn’t see coming.”—*Laura McHugh, award-winning author of The Weight of Blood and The Wolf Wants In
This book integrates history, theology, and art and analyzes the Jesuits’ cross-cultural mission in late imperial China. Readers will find a rich collection of resources from historical sites, museums, manuscripts, and archival materials, including previous unpublished works of art. The production and circulation of art from different historical periods and categories show the artistic, theological, and missional values of Christian art. It highlights European Jesuits, Asian Christians, transnationalism, and gives voice to Chinese Christian women and their patronage of art in the seventeenth century. It offers a rare systematic study of the relation between art and mission history.
This one-volume edition contains both text and plates and includes corrections in the text and bibliography made since the books publication in 1987. There are concise monographic chapters on the important artists and movements of the period, with material on each artists life and work, characteristics of style, and the relationship of the artistic movements to historical and intellectual currents of the time. The author covers a wide range of material and his presentation is lucid and perceptive. Neoclassicism, Romanticism, Realism, Academics and Salon Painters, and Impressionism are covered, and the following artists are included: David, Gros, Girodet, Grard, Gurin, Prudhon, Goya, Fuseli, Blake, Runge, Friedrich, Turner, Constable, Igres, Gricault, Delacroix, Corot, Rousseau, Daumier, Millet, Courbet, Manet, Degas, Monet, Renoir, Sisley, Pissarro, and Czanne.
This volume traces the history of painting from medieval times to modern times with a focus on each era and its major artists. This volume traces the history of painting from medieval times to modern times with a focus on each era and its major artists.