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The Empress Eugénie was one of the most glamorous, celebrated and ultimately tragic figures of the nineteenth century. Wife of Napoleon III and close friend of Queen Victoria, she suffered the loss of her beloved sister, her only son, and her adopted country. But did Eugénie take her greatest secret-an illegitimate child, conceived when she was a teenager in Spain and fathered by the only man she ever truly loved-to the grave with her? And if so, what became of the child? After half a lifetime's research Joyce Cartlidge has pieced together evidence from historic records and clues in correspondence from Eugénie and her family and friends, some of it never printed before, to tell a compelling story of love and motherhood that ties the Spanish house of Montijo and the French throne to a small family in Victorian Lancashire. 'An extraordinary odyssey into family history' -The Mail on Sunday
Reconstructing Empress Eugénie's position as private collector and public patron, this study is the first to examine Eugénie (1826-1920) in these roles. Her patronage and collecting is considered within the context of her political roles in the development of France's institutions and international relations. The book also examines representations of the empress, and the artistic transformation of a Hispanic woman into a leading figure in French politics.
Eugenie de Montijo was Empress of the French, sharing the Second Empire with her husband Napoleon III. She impressed the Prussian Chancellor Bismarck so much that he called her The only man in Paris.
Reconstructing Empress Eug?e's position as a private collector and a public patron of a broad range of media, this study is the first to examine Eug?e (1826-1920), whose patronage of the arts has been overlooked even by her many biographers. The empress's patronage and collecting is considered within the context of her political roles in the development of France's institutions and international relations. Empress Eug?e and the Arts: Politics and Visual Culture in the Nineteenth Century also examines representations of the empress, and the artistic transformation of a Hispanic woman into a leading figure in French politics. Based on extensive research at architectural sites and in archives, museums, and libraries throughout Europe, and in Britain and the United States, this book offers in-depth analysis of many works that have never before received scholarly attention - including reconstruction and analysis of Eug?e's apartment at the Tuileries. From her self-definition as empress through her collections, to her later days in exile in England, art was integral to Eug?e's social and political position.