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This is the story of two women from worlds that could not seem farther apart--imperial China and the American Midwest--who found common ground before and after one of the greatest clashes between East and West, the fifty-five day siege of the Beijing foreign legations known as the Boxer Uprising. Using diaries, letters and other sources,The Empress and Mrs. Congertraces the parallel lives of Empress Dowager Cixi and American ambassador's wife Sarah Pike Conger, which converged to alter their perspectives of each other and each other's worlds. Grant Hayter-Menziesis the author ofImperial Masquerade: The Legend of Princess Der Lingand the biographer of stage and screen stars Charlotte Greenwood and Billie Burke. "Sarah Conger's story is worth telling for many reasons. She occupied a point in time that makes her interesting, but the author demonstrates that she is interesting in her own right-a flawed and fascinating individual whose story we want to read not for what we learn about Chinese history, but for what we learn about a woman profoundly typical of her era and class leading a life of determination in the belief that the right combination of positive attitudes and common sense must win out over adversity." - Timothy Brook, University of British Columbia
Broadway actress Billie Burke was one of the most sought after young stage beauties of her time, stealing the hearts of Enrico Caruso, Mark Twain, and, most importantly, famed Broadway producer Florenz Ziegfeld, who became her husband. Following Ziegfeld's death, the threats of financial ruin and encroaching age forced Burke to recreate herself as a Hollywood character actress. This biography benefits from the cooperation of the daughter and grandchildren of Burke and Ziegfeld, as well as from anecdotes provided by actors who performed with Burke on the stage and screen. In addition to studying the character and significance of Burke's greatest screen role as Glinda the Good Witch of the North, this richly illustrated book also provides a complete history of Burke's stage, screen, and radio work.
Kansas-born Pauline Benton (1898-1974) was encouraged by her father, one of America's earliest feminist male educators, to reach for the stars. Instead, she reached for shadows. In 1920s Beijing, she discovered shadow theatre (piyingxi), a performance art where translucent painted puppets are manipulated by highly trained masters to cast coloured shadows against an illuminated screen. Finding that this thousand-year-old forerunner of motion pictures was declining in China, Benton believed she could save the tradition by taking it to America. Mastering the male-dominated art form in China, Benton enchanted audiences eager for the exotic in Depression-era America. Her touring company, Red Gate Shadow Theatre, was lauded by theatre and art critics and even performed at Franklin Roosevelt's White House. Grant Hayter-Menzies traces Benton's performance history and her efforts to preserve shadow theatre as a global cultural treasure by drawing on her unpublished writings, the recollections of her colleagues, the testimonies of shadow masters who survived China's Cultural Revolution, as well as young innovators who have carried on Benton's pioneering work.
This look at gay paradises in Southeast Asia and the men who created them considers the obstacles gay men have faced in securing a voice as citizens, and how they have used images of paradise in Bali, Bangkok and Singapore to create a sense of refuge, construct homes for themselves, and dissent from typical notions of manhood and masculinity. It focuses on Walter Spies, a gay German painter who in the 1930s depicted Bali as an ideal male aesthetic state; Khun Toc, who founded an architectural paradise called Babylon in Thailand; and the "cyber-paradise" of Fridae.com created by a young Singaporean named Stuart Koe. Collectively, Atkins examines their pursuit of sexual justice, the ideologies of manhood they challenged, the different types of gay spaces they created (geographic, architectural, online), and political obstacles they have encountered. Gary Atkins is professor of communication at Seattle University. He is the author of Gay Seattle: Stories of Exile and Belonging--Página 4 de la cubierta.
On the streets of Paris one day in July 1918, an American doughboy, Sgt. Jimmy Donovan, befriended a stray dog that he named Rags. No longer an unwanted street mutt, Rags became the mascot to the entire First Division of the American Expeditionary Force and a friend to the American troops who had crossed the Atlantic to fight. Rags was more than a scruffy face and a wagging tail, however. The little terrier mix was with the division at the crucial battle of Soissons, at the Saint-Mihiel offensive, and finally in the blood-and-mud bath of the Meuse-Argonne, during which he and his guardian were wounded. Despite being surrounded by distraction and danger, Rags learned to carry messages through gunfire, locate broken communications wire for the Signal Corps to repair, and alert soldiers to incoming shells, saving the lives of hundreds of American soldiers. Through it all, he brought inspiration to men with little to hope for, especially in the bitter last days of the war. From Stray Dog to World War I Hero covers Rags's entire life story, from the bomb-filled years of war through his secret journey to the United States that began his second life, one just as filled with drama and heartache. In years of peace, Rags served as a reminder to human survivors of what held men together when pushed past their limits by the horrors of battle. Watch a book trailer.
This book is a timely and solid portrait of modern China from the First Opium War to the Xi Jinping era. Unlike the handful of existing textbooks that only provide narratives, this textbook fashions a new and practical way to study modern China. Written exclusively for university students, A-level or high school teachers and students, it uses primary sources to tell the story of China and introduces them to existing scholarship and academic debate so they can conduct independent research for their essays and dissertations. This book will be required reading for students who embark on the study of Chinese history, politics, economics, diaspora, sociology, literature, cultural, urban and women’s studies. It would be essential reading to journalists, NGO workers, diplomats, government officials, businessmen and travellers.