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In China Buddhism flourished during the Liang Dyansty (502–587) due in large part to Emperor Wu, who personally met with Bodhidharma, the 28th Indian patriarch from Shakyamuni Buddha. Legend has it that Emperor Wu’s first wife died prematurely and fell into the lower realms. In order to rescue her and to help her spirit ascend to the heavens, Emperor Wu, a great patron of Buddhism, had Chan Master Baozhi compose a repentance ceremony on her behalf. The resulting repentance text was so successful and popular that it is still used in monasteries today. Repentance Dharma of Kindness and Compassion in the Bodhimanda is a complete English translation of what is popularly known as “The Jeweled Repentance of the Emperor of Liang.” It was translated over a period of 15 years by the monks, nuns and laity of the Buddhist Text Translation Society (BTTS). BTTS was founded in 1970 in San Francisco by Tripitaka Master Hsuan Hua as part of the Dharma Realm Buddhist Association. BTTS publishes sutra translations, instructional handbooks, biographies, children’s books, and introductory material on Buddhism.
The Six Dynasties, also known as the "Dark Age” of Chinese history, was a period of political disunity and conflict but also one of important developments in the arts, religion, and culture. This comprehensive and extensively illustrated book covers the material culture of the Six Dynasties, A.D. 220 to 589. Albert E. Dien, a foremost expert on the period, draws on the archaeological findings of mainland China journals as well as historical and literary sources to clarify and interpret the database of over 1,800 tombs developed for this volume. During the Six Dynasties, the influences of non-Chinese nomads, the flourishing of Buddhism, and increasing numbers of foreign merchants in the capitals brought about widespread change. The book explores what the archaeological artifacts reveal about this era of innovation and experimentation between the Han and Tang dynasties.
While the Neo-Confucian critique of Buddhism is fairly well-known, little attention has been given to the Buddhist reactions to this harangue. The fact is, however, that over a dozen apologetic essays have been written by Buddhists in China, Korea, and Japan in response to the Neo-Confucians. Buddhist Apologetics in East Asia offers an introduction to this Buddhist literary genre. It centers on full translations of two dominant apologetic works—the Hufa lun (護法論), written by a Buddhist politician in twelfth-century China, and the Yusŏk chirŭi non (儒釋質疑論), authored by an anonymous monk in fifteenth-century Korea. Put together, these two texts demonstrate the wide variety of polemical strategies and the cross-national intertextuality of East Asian Buddhist apologetics.
This is the first scholarly treatment of the emergence of American Buddhist Studies as a significant research field. Until now, few investigators have turned their attention to the interpretive challenge posed by the presence of all the traditional lineages of Asian Buddhism in a consciously multicultural society. Nor have scholars considered the place of their own contributions as writers, teachers, and practising Buddhists in this unfolding saga. In thirteen chapters and a critical introduction to the field, the book treats issues such as Asian American Buddhist identity, the new Buddhism, Buddhism and American culture, and the scholar's place in American Buddhist Studies. The volume offers complete lists of dissertations and theses on American Buddhism and North American dissertations and theses on topics related to Buddhism since 1892.
Sir Charles Eliot's "Hinduism and Buddhism, An Historical Sketch, Vol. 3" is a gigantic work that provides a comprehensive analysis of the origins, development, and historical circumstances of Hinduism and Buddhism. This scholarly masterwork demonstrates Eliot's remarkable comprehension of both of the main Asian religions and their effect on Indian and global cultures and society. Volume 3 dives into Hinduism's ancient roots, chronicling its development from the earliest Vedic traditions to the diverse and multifaceted belief systems which developed over time. He explores Hinduism's philosophical, mythical, and ritual parts, providing readers an in-depth knowledge of its many customs and beliefs. Furthermore, the book exhaustively traces Buddhism's rise, its founder, Siddhartha Gautama (Buddha), and the spread of this transforming spiritual movement throughout Asia. Eliot investigates not only the tenets and customs of Buddhism, but also its historical relationships with Hinduism and the larger social milieu. Some stories are brutal and weird, while others creep up on you and draw you in slowly. This version of "Hinduism and Buddhism, An Historical Sketch, Vol. 3" is both modern and legible, with an eye-catching new cover and professionally typeset manuscript.
The Fozu tongji by Zhipan (ca. 1220-1275) is a key text of Chinese Buddhist historiography. In the present volume Thomas Jülch presents his translation of the first five juan of the massive annalistic part. Rich annotations clarify the backgrounds to the historiographic contents, presented by Zhipan in a highly essentialized style. For the historical traditions the sources Zhipan refers to are meticulously identified. In those cases where the accounts presented are inaccurate or imprecise, Jülch points out how the relevant matter is depicted in the sources Zhipan relies on. With this carefully annotated translation of Fozu tongji, juan 34-38, Thomas Jülch enables an indepth understanding of a key text of Chinese Buddhist historiography.
During his twenty-year tenure as a columnist for Việt Nam News, Hà Nội’s English-language newspaper, Hữu Ngọc charmed and invigorated an international readership hungry for straightforward but elegant entrees into understanding Vietnamese culture. The essays were originally collected in the massive Wandering through Vietnamese Culture. With Viet Nam: Tradition and Change, Ohio University Press presents a selection from these many treasures, which are perfectly suited to students of Vietnamese culture and travelers seeking an introduction to the country’s rich history, culture, and daily life. With extraordinary linguistic ability and a prodigious memory, Hữu Ngọc is among Việt Nam’s keenest observers of and writers about traditional Vietnamese culture and recent history. The author’s central theme—that all tradition is change through acculturation—twines through each of the book’s ten sections, which contain Hữu Ngọc’s ideas on Vietnamese religion, literature, history, exemplary figures, and more. Taken on its own, each brief essay is an engaging discussion of key elements of Vietnamese culture and the history of an issue confronting Việt Nam today.