Download Free The Emma Gees Illustrated Edition Book in PDF and EPUB Free Download. You can read online The Emma Gees Illustrated Edition and write the review.

Includes the First World War Illustrations Pack – 73 battle plans and diagrams and 198 photos The classic account of sniping on the Western Front. “Herbert Wesley McBride was a Captain in the Twenty-first Battalion, Canadian Expeditionary Force, during the First World War. He was a sniper and commander of a machine gun unit known as the “Emma Gees.” He was also the author of two books on the war: “A Rifleman Went To War” (1933) and “The Emma Gees” (1918)...When the war started, he volunteered in a Canadian rifle company in Ottawa because he wanted to see action as quickly as possible. He was commissioned as an officer, but was reduced to a private due to several drunken incidents. He shipped to England for training and then to the Western Front, where he participated in battles around Ypres and the Somme throughout 1916. In his book, “A Rifleman Went To War,” he recounts killing more than 100 German soldiers as a sniper. This book is highly regarded by students of riflery, it’s mandatory reading in the U.S. Marine Corps Sniping School. It is also considered one of the best first-person accounts of World War I, often being compared favorably to “Storm of Steel” by Ernst Junger. However McBride notes in his book that by the end of 1916 he felt in his heart “the game was over,” and a series of alcoholic binges resulted in his court martial and dismissal from the Canadian Expeditionary Force in February 1917. He then joined the United States Army’s 38th Division, serving out the war as a marksmanship and sniping instructor at Camp Perry. He resigned in October 1918. After the war, he worked in the lumber industry in Oregon for most of his later years. He died in Indianapolis of a sudden heart failure on March 17, 1933, shortly after finishing “A Rifleman Went To War.” He was 60.”-Canadaatwar.com
Includes the First World War Illustrations Pack – 73 battle plans and diagrams and 198 photos The classic account of sniping on the Western Front. “Herbert Wesley McBride was a Captain in the Twenty-first Battalion, Canadian Expeditionary Force, during the First World War. He was a sniper and commander of a machine gun unit known as the “Emma Gees.” He was also the author of two books on the war: “A Rifleman Went To War” (1933) and “The Emma Gees” (1918)...When the war started, he volunteered in a Canadian rifle company in Ottawa because he wanted to see action as quickly as possible. He was commissioned as an officer, but was reduced to a private due to several drunken incidents. He shipped to England for training and then to the Western Front, where he participated in battles around Ypres and the Somme throughout 1916. In his book, “A Rifleman Went To War,” he recounts killing more than 100 German soldiers as a sniper. This book is highly regarded by students of riflery, it’s mandatory reading in the U.S. Marine Corps Sniping School. It is also considered one of the best first-person accounts of World War I, often being compared favorably to “Storm of Steel” by Ernst Junger. However McBride notes in his book that by the end of 1916 he felt in his heart “the game was over,” and a series of alcoholic binges resulted in his court martial and dismissal from the Canadian Expeditionary Force in February 1917. He then joined the United States Army’s 38th Division, serving out the war as a marksmanship and sniping instructor at Camp Perry. He resigned in October 1918. After the war, he worked in the lumber industry in Oregon for most of his later years. He died in Indianapolis of a sudden heart failure on March 17, 1933, shortly after finishing “A Rifleman Went To War.” He was 60.”-Canadaatwar.com
Includes Aerial Warfare During World War I Illustrations Pack with 115 maps, plans, and photos. “There is no bitter snarl nor self-pity in this classic novel about the air war of 1914-1918, based very largely on the author’s experiences. Combat, loneliness, fatigue, fear, comradeship, women, excitement — all are built into a vigorous and authentic structure by one of the most valiant pilots of the then Royal Flying Corps. REVIEWS ‘The greatest novel of war in the air.’—Daily Mail ‘Beautifully written with a poet’s eye as well as a pilot’s eye.’— Southern Evening Echo ‘The only book about flying that isn’t flannel.’—Anonymous Fighter Pilot ‘Not only one of the best war books...but as a transcription of reality, faithful and sustained in its author’s purpose of re-creating the past life he knew, it is unique.’—Henry Williamson, author of Tarka the Otter.”-Print ed.
"Never refuse a fight, is the motto of the Royal Flying Corps.” – And so it was with Captain Campbell, one of the earliest British flying aces with five victories to his name. His flying career was abruptly cut short in 1917, after three years in the air, by a bullet which punctured his lung. Filled with tales of his own and his comrades exploits in the air, he wrote his recollections of his wartime service in America on tour as he sought to raise American aid. Author —Captain George Frederick Campbell, R.F.C. Text taken, whole and complete, from the edition published in Chicago, Davis printing works, 1918. Original Page Count – 232 pages. Illustrations – Numerous Illustrations.
Includes World War One In The Desert Illustration Pack- 92 photos/illustrations and 19 maps spanning the Desert campaigns 1914-1918 “This book, published in 1919, was compiled from the edited diary entries kept by Down while serving in Palestine with the 14th Black Watch (74th Dismounted Yeomanry Division). “In November 1917 Down took a draft of soldiers from France to Palestine and himself joined the 14th Black Watch Battalion, part of the forces advancing through Palestine against the Turks. “Jerusalem had been captured but the fighting continued through difficult and mountainous countryside and in often very poor weather conditions. The battalion was predominantly involved in road making (pp. 61; 79) and support duties until the spring of 1918 when they went into the front line where Down was wounded in April. His entries continue in the bright witty style of the letters - though perhaps with a little less sparkle - and he describes entertainingly the soldiers view of the Holy Land. He is much impressed by the beauty of the countryside but has little complimentary to say of the people (p. 52) or of the Turkish soldiers they encounter (p. 83) “He concludes this volume with a description of Cairo and Alexandria where he was sent for treatment and convalescence and finally with his return to the BEF in France in June 1918.”-IWM
In this volume all extant celestial maps and globes made before 1500 are described and analysed. It also discusses the astronomical sources involved in making these artefacts in antiquity, the Middle Ages, the Islamic world and the European Renaissance before 1500.
This carefully researched monograph is a historical investigation of the illustrated Aratea astronomical manuscript and its many interpretations over the centuries. Aratus' 270 B.C.E. Greek poem describing the constellations and astrological phenomena was translated and copied over 800 years into illuminated manuscripts that preserved and illustrated these ancient stories about the constellations. The Aratea survives in its entirety due to multiple translations from Greek to Latin and even to Arabic, with many illuminated versions being commissioned over the ages. The survey encompasses four interrelated disciplines: history of literature, history of myth, history of science, and history of art. Aratea manuscripts by their nature are a meeting place of these distinct branches, and the culling of information from historical literature and from the manuscripts themselves focuses on a wider, holistic view; a narrow approach could not provide a proper prospective. What is most essential to know about this work is that because of its successive incarnations it has survived and been reinterpreted through the centuries, which speaks to its importance in all of these disciplines. This book brings a better understanding of the history, changes and transmission of the original astronomical Phaenomena poem. Historians, art historians, astronomy lovers, and historians of astronomy will learn more specialized details concerning the Aratea and how the tradition survived from the Middle Ages. It is a credit to the poetry of Aratus and the later interpreters of the text that its pagan aspects were not edited nor removed, but respected and maintained in the exact same form despite the fact that all sixty Aratea manuscripts mentioned in this study were produced under the rule of Christianity.