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This book is a detailed reference of the twentieth century struggles that were waged across and beyond the decaying Russian Empire at the end of the First World War, as tsarism and democratic alternatives to it collapsed and the world’s first Communist state, the Union of Soviet Socialist Republics, was born. At the same time, it is a necessary corrective to studies that have viewed events of the time as a unitary “Russian Civil War” that sprang from the Russian Revolution of 1917. Instead, it contributes to the ongoing process of integrating the civil wars into a “continuum of crises” that wracked the Russian Empire and its would-be successor states across a prolonged period. The Historical Dictionary of the Russian Civil Wars, 1916-1926 covers the history of this period through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has almost 2,000 cross-referenced entries on individuals, political and governmental institutions and political parties, and military formations and concepts, as well as religion, art, film, propaganda, uniforms, and weaponry. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Russian Civil War.
In Bukhara and the Muslims of Russia Allen Frank examines the relationship of Tatars and Bashkirs with the city of Bukhara during the Russian Imperial era. For Muslims in Russia Bukhara’s prestige was manifested in genealogies, fashion, and in the elevated legal status of Bukharan communities in Russia. The historical relationship of Russia’s Muslim communities with Bukhara was founded above all on Bukhara’s reputation as a holy city of Islam, an abode of great Sufis, and a center of Islamic scholarship. The emergence of Islamic reformism critiquing Bukhara’s sacred status, led by Tatar scholars who were trained in Bukhara, created a number of paradoxes. The symbol of Bukhara became an important feature in theological and political debates among Russia’s Muslims.
Returning to Bukhara after a prolonged exile, Hodja Nasreddin finds his family gone, his home destroyed, and his city in the grasp of corrupt and greedy rulers who have brought pain and suffering upon the common folk. But Hodja Nasreddin is not one to bow to oppression or abandon the downtrodden. Though he is armed only with his quick wits and his donkey, all the swords, walls, and dungeons in the land cannot stop him! Leaning on his own experiences and travels during the first half of the 20th century, Leonid Solovyov weaves the many stories and anecdotes about Hodja Nasreddin - a legendary folk character in the Middle East and Central Asia - into a masterful tale brimming with passionate love for life, liberty, and happiness.
Winner of the EBRD Literature Prize 2019 On New Years' Eve 1938, the writer Abdulla Qodiriy is taken from his home by the Soviet secret police and thrown into a Tashkent prison. There, to distract himself from the physical and psychological torment of beatings and mindless interrogations, he attempts to mentally reconstruct the novel he was writing at the time of his arrest - based on the tragic life of the Uzbek poet-queen Oyhon, married to three khans in succession, and living as Abdulla now does, with the threat of execution hanging over her. As he gets to know his cellmates, Abdulla discovers that the Great Game of Oyhon's time, when English and Russian spies infiltrated the courts of Central Asia, has echoes in the 1930s present, but as his identification with his protagonist increases and past and present overlap it seems that Abdulla's inability to tell fact from fiction will be his undoing. The Devils' Dance brings to life the extraordinary culture of 19th century Turkestan, a world of lavish poetry recitals, brutal polo matches, and a cosmopolitan and culturally diverse Islam rarely described in western literature. Hamid Ismailov's virtuosic prose recreates this multilingual milieu in a digressive, intricately structured novel, dense with allusion, studded with quotes and sayings, and threaded through with modern and classical poetry. With this poignant, loving resurrection of both a culture and a literary canon brutally suppressed by a dictatorship which continues today, Ismailov demonstrates yet again his masterful marriage of contemporary international fiction and the Central Asian literary traditions, and his deserved position in the pantheon of both.
There are two main trends distinguishable amongst Muslim reformists - revivalists and modernists. This book charts and analyses the main trends of Muslim reformist political thought in Bukhara. It is the first to utilize original sources preserved in Soviet archives that were previously inaccessible to western scholars. The author has translated numerous original documents from Tajiki and Russian into English. This book thus serves as a useful resource for students of Islam, Central Asia, the former Soviet Union, and of law, politics and philosophy.