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This retrospective of Yampolsky's photographic work since 1960 captures rural Mexico and its people with respect and infinite care, documenting the moments when lifeways that have endured for centuries face the onslaught of modernization. 55 duotone photos.
"Now this publication is available in English as Mexican Suite. Olivier Debroise and Stella de Sa Rego have revised this edition to include more current material and explanatory notes for an audience less familiar with Mexican history. They have also eliminated some of the general history of photography and added more of the early history of photography in Mexico, as well as many new, previously unpublished images. The book is organized both chronologically and thematically, which allows viewer/readers to follow the evolution of major photographic genres and styles. Debroise also examines the role of photography in the development of modern Mexico and the influence of prominent foreign photographers such as Edward Weston, Tina Modotti, and Henri Cartier-Bresson.
Reveal and Detonate. Contemporary Mexican Photography proposes a survey of current photographic production in Mexico from multiple viewpoints, in which photographers of different ages and from different parts of the country converge and intersect to chart a complex, contradictory, and disquieting map of Mexico today. A map that seeks to provoke questions, to open up photography to reflections and dialogue that will stimulate new ideas to enrich the discipline. To reveal new ways of seeing and producing images. To detonate reflection on the way we think about the contemporary photographic image.
Annotation Photographer Nacho Lopez was Mexico's Eugene Smith, fusing social commitment with searing imagery to dramatize the plight of the helpless, the poor, and the marginalized in the pages of glossy illustrated magazines. Even today, Lopez's photographs forcefully belie the picturesque exoticism that is invariably presented as the essence of Mexico. In Nacho Lopez, Mexican Photographer, John Mraz offers the first full-length study in English of this influential photojournalist and provides a close visual analysis of more than fifty of Lopez's most important photographs. Mraz first sets Lopez's work in the historical and cultural context of the authoritarian presidentialism that characterized Mexican politics in the 1950s, the cult of wealth and celebrity promoted by Mexico's professional photographers, and the government's attempts to modernize and industrialize Mexico at almost any cost. Mraz skillfully explores the implications of Lopez's imagery in this setting: the extent to which his photographs might constitute further victimization of his downtrodden subjects, the relationship between them and the middle-class readers of the magazines for which Lopez worked, and the success with which his photographs challenged Mexico's economic and political structures. Mraz contrasts the photos Lopez took with those that were selected by his editors for publication. He also compares Lopez's images with his theories about documentary photography, and considers Lopez's photographs alongside the work of Robert Capa, Dorothea Lange, Henri Cartier-Bresson, and Sebastiao Salgado. Lopez's imagery is further analyzed in relation to the Mexican Golden Age cinema inspired by Sergei Eisenstein, the pioneeringdigital imagery of Pedro Meyer, and the work of Manuel Alvarez Bravo, who Mraz provocatively argues was the first Mexican photographer to take an anti-picturesque stance. The definitive English-language assessment of Nacho Lo.
Published in conjunction with an exhibition organized and circulated by The American Federation of Arts, with stops in California, Oklahoma, Washington, and New York through 1995. The insightful text (in English and Spanish) describes the rich tradition of Mexican photography and the new ideas and t
"This exhibition of one hundred and fifty prints has been selected from the many thousands of negatives which form the Casasola Archive. Its title, 'Tierra y Libertad', takes up the rallying call for 'Land and Liberty' which expressed the aspirations of the Mexican Revolution--excerpt from the foreword