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An enchanted island. An evil resurrected. A society determined to gain power. When a violent attack leaves their father in the hospital, Abigail and Benjamin Cole discover there's more to their family history than mental illness. But after fifteen-year-old Abi is abducted, she learns the attack wasn't random. Thrust into an exotic and beautiful world part of a multi-millennial feud, she must decide who to trust in a society built on secrets. Questioning everything she's ever known, she enlists the help of a boy connected to her in impossible ways and uncovers a dangerous secret stretching generations. Seventeen-year-old Ben desperately searches for both his sister and his mother, but his hold on reality is fading. Something dark has latched onto him. In a race against his own failing mind, where violent hallucinations and paranoia force him to believe he's next in line for the family curse, he learns he's the only one that can save his family. When darkness is coming, who do you trust? Magic. Deceit. War. Perfect for fans of Libba Bray, Cassandra Clare, and Leigh Bardugo.
Vlad has to keep his vampire urges under control while dealing with the pressures of middle school. Thirteen-year-old Vladimir Tod really hates junior high. Bullies harass him, the principal is dogging him, and the girl he likes prefers his best friend. Oh, and Vlad has a secret: His mother was human, but his father was a vampire. With no idea of the extent of his powers, Vlad struggles daily with his blood cravings and his enlarged fangs. When a substitute teacher begins to question him a little too closely, Vlad worries that his cover is about to be blown. But then he faces a much bigger problem: He’s being hunted by a vampire killer. Watch a QuickTime trailer for this book.
This book investigates the concept of what it means to be 'epic' and its form in American life, literature, and art from the country's early days.
If we are to give credence to legendary stories of our various cultures, then mankind is in a period of kimbo; the time between Paradise Lost and Paradise regained; between expulsion from Eden and attaining the blessed state of perfect happiness in Elysias. So mankind struggles through the vagaries of time and chance, weathering the buffetings of circumstance and fortune. Still, all it not lost or unfulfilled, for in our contending with time and chance, we become the recipients of countless experiences-pleasant and tragic-that inhabit our memories and weave the fabric of who we are; and we can record these memories of our experiences and encounters, thereby revealing ourselves, publishing our feelings to fellow sojourners.
The prescience of medieval English authors has long been a source of fascination to readers. Retrospective Prophecy and Medieval English Authorship draws attention to the ways that misinterpreted, proleptically added, or dubiously attributed prognostications influenced the reputations of famed Middle English authors. It illuminates the creative ways in which William Langland, John Gower, and Geoffrey Chaucer engaged with prophecy to cultivate their own identities and to speak to the problems of their age. Retrospective Prophecy and Medieval English Authorship examines the prophetic reputations of these well-known medieval authors whose fame made them especially subject to nationalist appropriation. Kimberly Fonzo explains that retrospectively co-opting the prophetic voices of canonical authors aids those looking to excuse or endorse key events of national history by implying that they were destined to happen. She challenges the reputations of Langland, Gower, and Chaucer as prophets of the Protestant Reformation, Richard II’s deposition, and secular Humanism, respectively. This intellectual and critical assessment of medieval authors and their works successfully makes the case that prophecy emerged and recurred as an important theme in medieval authorial self-representations.
Using insights from translation theory, this book uncovers the value of female prophets' riddling prophecies in Greek and Latin poetry.
This book challenges our current critical understanding of the relations between gender, genre, and literary authority in this period.