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Elvis Presley’s stature as the “King of Rock and Roll” will never be challenged. Between his first RCA hit single in 1956—the number-one smash “Heartbreak Hotel”—and his death in 1977, Elvis amassed more than 100 hits on the music charts. Presley’s dominance on the music chart was paralleled only by the singer’s motion picture career. Between 1956 and 1969, Elvis appeared in more than thirty films, further cementing his place as one of the most popular entertainers of the twentieth century. While there have been countless books that explore the real Elvis tucked beneath layers of showbiz mythology, such volumes often dismiss his motion picture career as insignificant or overlook his onscreen work entirely. In The Elvis Movies, James L. Neibaur looks at the thirty-one features that Presley made, from Love Me Tender in 1956 to Change of Habit in 1969. Most of these were star vehicles tailor-made for his image. As Neibaur points out, Elvis had a real interest in being a good actor, but his initial promise was soon thwarted by anti-creative decisions that sold a packaged version of the singer. Despite lapsing into a predictable formula of lightweight musicals, Elvis Presley’s star power ensured that the films became box office successes. Neibaur examines each film, providing information about their production and offering assessments about their value in general, as well as their place in the Presley canon. Additional details include behind-the-scenes personnel, costars, DVD availability, and featured hit songs. An entertaining and informative look at an often underrated aspect of the singer’s career, The Elvis Movies offers readers insight into his films. This volume will be a welcome resource to fans of the singer who want to know more about the King and his successful ventures on the big screen.
An illustrated introduction to the career of American singer Elvis Presley.
Family photos, reminiscences, and still-life photography of Elvis's possessions.
Born into a family of vaudevillians, Buster Keaton made his first film appearance in 1917 at the age of 21. By the early 1920s, he had established himself as one of the geniuses of silent cinema with such films as Sherlock, Jr. and The Navigator and his 1925 work, The General, placed at number 18 in the American Film Institute's poll of the 100 greatest features, the highest ranked silent film on the survey. But with the advent of sound in the late 1920s, silent stars like Keaton began to fall out of favor and the great comedian's career began to decline. In The Fall of Buster Keaton, James Neibaur assesses Keaton's work during the talking picture era, especially those made at MGM, Educational, and Columbia studios. While giving some attention to the early part of Keaton's career, Neibaur focuses on Keaton's contract work with the three studios, as well as his subsequent work as a gagman, supporting player, and television pitchman. The book also recounts the resurgence of interest in Keaton's silent work, which resulted in a lifetime achievement Oscar and worldwide recognition before his death in 1966. This fascinating account of an artist's struggle and triumph during the more challenging period of his career will be of interest to anyone wanting to learn about one of film's most influential performers.
As a teenager, Danny Fisher had all he ever wanted -- a dog, a grown-up summer job, flirtatious relationships with older women -- and a talent for ruthless boxing that quickly made him a star in the amateur sporting world. But when Danny's family falls on hard times, moving from their comfortable home in Brooklyn to Manhattan's squalid Lower East Side, he is forced to leave his carefree childhood behind. Facing poverty and daily encounters with his violent, anti-Semitic neighbors, Danny must fight both inside and outside the ring just to survive. As his boxing becomes legendary in the city's seedy underworld, packed with wiseguys and loose women, everyone seems to want a hand in Danny's success. Robbins's colorful, fast-talking characters evoke the rough streets of Depression-era New York City. Ronnie, a prostitute ashamed of how far she's fallen and desperately in need of friendship; Sam, a slick bookie who wants to profit from Danny's boxing talent; and Nellie, a beautiful but lonely girl who refuses to believe Danny is beyond redemption -- each of whom has a different vision of Danny's future -- will help steer his rocky course. Gritty, compelling, and groundbreaking for its time, A Stone for Danny Fisher is a tale of ambition, hope, and violence set in a distinct and dangerous period of American history. A classic, sexy bestseller by Harold Robbins, reintroduced to a whole new generation of readers.
Dave Hebler spent four years (1972-1976) protecting Elvis Presley as one of his personal bodyguards and during that time was also Elvis's Kenpo Karate instructor. Every Elvis fan knows all about Elvis the entertainer, Elvis the actor, and Elvis the singer. In this book Dave takes you through his personal journey with Elvis, sharing many humorous stories to give you a glimpse of Elvis the person. Dave's stories reveal that not only was Elvis the greatest entertainer ever, but also the greatest person ever. Dave takes you through how he met Elvis, how he became Elvis's bodyguard and karate instructor, what it was like during his first day on the job, the things crazy women did during concerts, and more. He goes into some fun stories with Elvis including the big drug bust, the San Diego Chicken, the lady ninja, the gaudy bauble, the gunslinger, the kid with the watches, and more. He talks about Elvis the giver, Elvis the martial artist, and Elvis the Christian to paint the picture of who Elvis the person truly was. Dave shares some stories in this book that have never been told and even goes through his firing, what it was like handling Elvis's prescription drug issues, and provides insights about the controversial book "Elvis What Happened?" This book is Dave's journey as he lived it with Elvis - a man Dave loved dearly and protected from everyone but Elvis himself.
The personal stories and a backstage look into the life on the road with The King - as told by Elvis' beloved TCB Band, James Burton, Ron Tutt, Glen D. Hardin, and Jerry Scheff.
The #1 New York Times bestselling memoir that reveals the intimate story of Elvis Presley and Priscilla Presley, told by the woman who lived it. THE INSPIRATION FOR THE MAJOR MOTION PICTURE PRISCILLA, DIRECTED BY SOFIA COPPOLA Decades after his death, millions of fans continue to worship Elvis the legend. But very few knew him as Elvis the man. Here in her own words, Priscilla Presley tells the story of their love, revealing the details of their first meeting, their marriage, their affairs, their divorce, and the unbreakable bond that has remained long after his tragic death. A tribute to both the man and the legend, Elvis and Me gives Elvis fans the world over an unprecedented look at the true life of the King of Rock 'N' Roll and the woman who loved him.
The King still rules! Blending blues and country, gospel and pop, Elvis Presley sang and gyrated his way into superstardom. In this vivid, fast-flowing portrait, readers will meet the shy teen behind the sassy performer, the celebrity who sparked swoons around the world, the overworked actor and his fatal dance with prescription drugs. More than twenty-five years after Elvis's death, people of all ages still delight in his music. Author Connie Plantz introduces new fans to the man behind the Elvis mystique. Book jacket.
When a man single-handedly changes the course of popular music with one of the most pure and passionate original sounds of the 20th century, it's tough to care about his sideline occupations. But Elvis Presley wanted to be an actor as much, if not more, as he wanted to be a singer. Many Elvis fans didn't like his movies, and neither did Elvis, very much. And yet, the vast majority of them were box office smashes, sure-fire money making hits. Someone was buying tickets. In the 1960s, it seemed everyone was buying tickets. This book considers Elvis Presley's films not as an unwelcome intrusion into the insular Presley universe, even though this is how Presley and his associates usually viewed them, but as a significant part of the late 1950s and primarily 1960s pop culture they represented. Elvis Presley, after all, loved film and TV. The Elvis Films puts these guilty pleasures into context with not only Presley's life and circumstances at the time, but looks at how they related-or in some cases did not relate to-the other popular culture of the period. Jon Abbott has been writing about popular culture for over thirty years in a variety of specialist and trade publications, and his kaleidoscopic knowledge of his subject leaves no stone unturned in this provocative and fact-filled analysis of the Elvis movies and the arts and media environment that surrounded them. He is the author of Irwin Allen Television Productions 1964-1970, and Stephen J. Cannell Productions: A History of All Series and Pilots.