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"Through the pages of the book pass seven countesses. And as base and continuum to the story of a great Scottish family stands Broomhall, the house to which each generation brought trophies, mementos, relics, reports, letters, and ephemera. The book is based on the Elgin archives, which the present Earl of Elgin placed at the disposal of the author, whose extensive research took him as far afield as Canada and Japan." (Flyleaf of cover). Bruce was the family surname of the Earls of Elgin.
The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.
This book analyses the collection of archaeological drawings drawn in Greece by a team of artists and architects in the service of Lord Elgin.
`The Empire Strikes Back' will inject the empire back into the domestic history of modern Britain. In the nineteenth century and for much of the twentieth century, Britain's empire was so large that it was truly the global superpower. Much of Africa, Asia and America had been subsumed. Britannia's tentacles had stretched both wide and deep. Culture, Religion, Health, Sexuality, Law and Order were all impacted in the dominated countries. `The Empire Strikes Back' shows how the dependent states were subsumed and then hit back, affecting in turn England itself.
Writings of travelers have shaped ideas about an evolving China, while preconceived ideas about China also shaped the way they saw the country. A Century of Travels in China explores the impressions of these writers on various themes, from Chinese cities and landscapes to the work of Europeans abroad. From the time of the first Opium War to the declaration of the People's Republic, China's history has been one of extraordinary change and stubborn continuities. At the same time, the country has beguiled, scared and puzzled people in the West. The Victorian public admired and imitated Chinese fashions, in furniture and design, gardens and clothing, while maintaining a generally negative idea of the Chinese empire as pagan, backward and cruel. In the first half of the twentieth century, the fascination continued. Most foreigners were aware that revolutionary changes were taking place in Chinese politics and society, yet most still knew very little about the country. But what about those few people from the English-speaking world who had first-hand experience of the place? What did they have to say about the "real" China? To answer this question, we have to turn to the travel accounts and memoirs of people who went to see for themselves, during China's most traumatic century. While this book represents the work of expert scholars, it is also accessible to non-specialists with an interest in travel writing and China, and care has been taken to explain the critical terms and ideas deployed in the essays from recent scholarship of the travel genre.
What is lost in translation may be a war, a world, a way of life. A unique look into the nineteenth-century clash of empires from both sides of the earthshaking encounter, this book reveals the connections between international law, modern warfare, and comparative grammar--and their influence on the shaping of the modern world in Eastern and Western terms. The Clash of Empires brings to light the cultural legacy of sovereign thinking that emerged in the course of the violent meetings between the British Empire and the Qing Dynasty (1644-1911). Lydia Liu demonstrates how the collision of imperial will and competing interests, rather than the civilizational attributes of existing nations and cultures, led to the invention of China, the East, the West, and the modern notion of the world in recent history. Drawing on her archival research and comparative analyses of English--and Chinese--language texts, as well as their respective translations, she explores how the rhetoric of barbarity and civilization, friend and enemy, and discourses on sovereign rights, injury, and dignity were a central part of British imperial warfare. Exposing the military and philological--and almost always translingual--nature of the clash of empires, this book provides a startlingly new interpretation of modern imperial history.
Explore Culzean Castle with this book!Culzean Castle on the Ayrshire coast is the most visited property of the National Trust for Scotland. This lavishly illustrated book tells the whole history of the castle. Michael Moss has carried out extensive research, drawing on estate records, original plans and family correspondence to create a major new history of the castle and a fascinating account of the running of a Scottish country estate. With new pictures, many of them in colour, and an accessible style, this is essential reading for anyone interested in Scottish history and Scottish architecture.Built in the late sixteenth century above a network of caves, the castle became a centre for smuggling during the eighteenth century. Sir Thomas Kennedy, 9th Earl of Cassillis, went on an extended grand tour in the 1750s and returned full of ideas as to how to improve his vast estates and home. His brother and heir commissioned Robert Adam to create his masterpiece and became bankrupt as a result. The estate was rescued when wealthy American cousins inherited it in 1792. Archibald Kennedy, 1st Marquess of Ailsa, completed the house and lavished money on the property.Key Features:*Major new account of Culzean's history, going back four hundred years.*Beautifully produced and lavishly illustrated, with many new pictures.*Includes easy-to-read story of the family, plus family tree.*Essential reading for anyone interested in Scottish history and Adam architecture.
Already in the century before photography's emergence as a mass medium, a diverse popular visual culture had risen to challenge the British literary establishment. The bourgeois fashion for new visual media - from prints and illustrated books to theatrical spectacles and panoramas - rejected high. Romantic concepts of original genius and the sublime in favor of mass-produced images and the thrill of realistic effects. In response, the literary elite declared the new visual media an offense to Romantic idealism. 'Simulations of nature,' Coleridge declared, are 'loathsome' and 'disgusting.' The Shock of the Real offers a tour of Romantic visual culture, from the West End stage to the tourist-filled Scottish Highlands, from the panoramas of Leicester Square to the photography studios of Second Empire Paris. But in presenting the relation between word and image in the late Georgian age as a form of culture war, the author also proposes an alternative account of Romantic aesthetic ideology - as a reaction not against the rationalism of the Enlightenment but against the visual media age being born.
This new edition of Michael Fry's remarkable book charts the involvement of the Scots in the British empire from its earliest days to the end of the twentieth century. It is a tale of dramatic extremes and craggy characters and of a huge range of concerns - from education, evangelism and philanthropy to spying, swindling and drug running. Stories of Scottish regiments on the rampage, cannibalism and other atrocities are contrasted with the deeds of heroic pioneers such as David Livingstone and Mary Slessor. Above all it tells how the British empire came to be dominated and run by the Scots, and how it truly became a Scottish empire. As the empire transformed Scotland beyond recognition, so was the Empire shaped by the Scots - a remarkable achievement from the population of so small a country, which was itself neither nation nor fully province, neither fully colonizer nor fully colonized. Michael Fry's energetic and colourful account is one of the classics of modern Scottish history.
Stories of scholars, writers, artists, and explorers woven together in a narrative of Greek travel