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The Elephant Cage By: Brooks Powell F*** your parliament and your constitution. America is an elephant. Cyprus is a flea. Greece is a flea. If these two fleas continue itching the elephant, they may just get whacked good ...We pay a lot of good American dollars to the Greeks, Mr. Ambassador. If your Prime Minister gives me talk about democracy, parliament and constitution, he, his parliament, and his constitution may not last long..." Comment by President Lyndon B. Johnson to the Greek ambassador - June 1964 1974 - the height of the Cold War. U.S. listening posts surround the Soviet Union eavesdropping on virtually every Russian radio communication. Operated by White House staff, manned by military personnel, and managed by CIA agents, the listening posts gather, analyze, and report intercepted intelligence to the National Security Council who use it to plot and carry out bloody anti-communist regime change. Field intelligence workers - low paid soldiers work long hours in dark rooms scanning airwaves for Soviet targets while struggling to stay awake and sane in a backward third-world country. Some soldiers escape this reality with the assistance of high-powered cannabis, promiscuous sex, and ear-deafening rock and roll.
Over the last 20 years, ethnic minority groups have been increasingly featured in Japanese Films. However, the way these groups are presented has not been a subject of investigation. This study examines the representation of so-called Others – foreigners, ethnic minorities, and Okinawans – in Japanese cinema. By combining textual and contextual analysis, this book analyses the narrative and visual style of films of contemporary Japanese cinema in relation to their social and historical context of production and reception. Mika Ko considers the ways in which ‘multicultural’ sentiments have emerged in contemporary Japanese cinema. In this respect, Japanese films may be seen not simply to have ‘reflected’ more general trends within Japanese society but to have played an active role in constructing and communicating different versions of multiculturalism. In particular, the book is concerned with how representations of ‘otherness’ in contemporary Japanese cinema may be identified as reinforcing or subverting dominant discourses of ‘Japaneseness’. the author book also illuminates the ways in which Japanese films have engaged in the dramatisation and elaboration of ideas and attitudes surrounding contemporary Japanese nationalism and multiculturalism. By locating contemporary Japanese cinema in a social and political context, Japanese Cinema and Otherness makes an original contribution to scholarship on Japanese film study but also to bridging the gap between Japanese studies and film studies.
Up-to-date resources providing full coverage of Cambridge IGCSE® First Language English (0500 and 0522) for first examination in 2015. This updated, write-in Workbook can be used for independent learning, for homework tasks or revision. It contains text extracts from around the world with linked exercises for students to practise the skills they need for the Cambridge IGCSE. Exercises are grouped into 12 diverse units on cross-curricula topics which are not linked to the Coursebook themes, so students remain engaged in the reading material. The Workbook has been completely updated in line with the new syllabus. It is particularly suitable for students who need additional support with language and grammar. A microsite provides free online resources to support the course.
Fully updated, flexible resources taking an active-learning approach that encourages students to aim higher in the 0500, 0524 and 0990 syllabuses. Explore the mysterious River Congo in Joseph Conrad's Heart of Darkness, meet Noppakhoa - the elephant who loves to paint, and learn fiery facts about rockets. Through interesting topics and exam-style questions, this write-in language skills and practice book provides students with the grammar practice they need for the course and beyond. The clear layout of the book makes focussing on particular grammatical concepts easy, allowing teachers to tailor lessons to their class. Suggested answers to questions are at the back of the book.
The three-decade-long conflict tore apart the Tamils’ world in Sri Lanka. This anthology, framed by war, brings together poems, stories and a memoir by Tamil writers living there and in the diaspora. Wide-ranging and from recent decades, till the war’s ending, these pieces have been translated with great skill for the first time into English. Stark, and sometimes lyrical, distilling memory, history, mythology and classical literary tropes, they powerfully echo the Tamils’ sorrows and deep fears, their longings and hopes for tomorrow. Laments about youths felled by gunfire, their forced disappearances, the loss of family and homes, desecration of shrines, repeated displacements, becoming international refugees alternate with remembrance of the beauteous forests and sea, of celebrations of Tamil language and culture, and the compassion of women providing people succour. Accompanied by an introduction to set the context, this rich and moving volume reveals the spirit of a wounded island and brings its voices to a new audience.
This is Swami Venkatesananda's longer Yoga Vasiṣṭha. His two volume book is here offered between two covers. Its purpose is to provide a means to eliminate psychological conditioning and to attain liberation. Containing the instructions of the sage Vasiṣṭha to Lord Rama, this scripture is full of intricately woven tales, the kind a great teacher might tell to hold the interest of a student.
"The Hunt for Red October" meets "Blind Man's Bluff" in this chilling, true story of a rogue Soviet submarine that sank while trying to provoke a war between the U.S. and China.
What do you do when the voice in your head is telling you to walk out of your job and follow your dreams? What would happen if you listened to the voice in your head? What if you walked out of your job, left your home and a few hours later found yourself jobless and homeless, sitting on a park bench, with a pad and a pen and a desperate hope that the book you are going to write in the park will eventually change your life? That's what Craig Stone, professional nobody did. This is the story he made up to keep his sanity while living alone in Gladstone Park, North London, as he came to terms with the consequences of making bold decisions. He sat under a tree, writing about what it was like to be living under a tree. Craig was determined to write a book that would get him out of the park, a book so original it would be published and change the course of his life. The Squirrel that Dreamt of Madness is his story. An imaginative mix of fantasy and his own experiences, this funny and sometimes poignant tale will appeal to those looking for an original and edgy take on autobiographical writing. “One of our favourite guests of the year (and we seriously say that to very few people!)” – The BBC Comedy Café
The Yoga Vasistha has been a favourite book of spiritual seekers in India these several centuries. Its special appeal lies in its thoroughly rational approach, and in its presentation of Vedanta as a philosophy to bridge the gulf between the secular and the sacred, action and contemplation, in human life, through a comprehensive and lofty spirituality. This monumental scripture is the greatest help to the spiritual awakening and the direct experience of the Truth. This is certain. If this is what you want, you are welcome to the Yoga Vasistha. An oft-recurring expression in this scripture is kakataliya'-a crow alights on the coconut palm tree and at that very moment, a ripe coconut falls. The two unrelated events thus seem to be related in time and space, though there is no causal relationship. Such is life. Such is 'creation'. But the mind caught up in its own trap of logic questions why, invents a 'why' and a 'wherefore' to satisfy itself, conveniently ignoring the inconvenient questions that still haunt an intelligent mind. Vasistha demands direct observation of the mind, its motion, its notions, its reasoning, the assumed cause and the projected result, and even the observer, the observed and the observation-and the realization of their indivisible unity as the infinite consciousness.