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This text describes the inorganic chemistry of the natural world. It should prove a useful supplement to an undergraduate course in inorganic or environmental chemistry and a reference work for all interested in the scientific study of the environment.
This book deals with the rare earth elements (REE), which are a series of 17 transition metals: scandium, yttrium and the lanthanide series of elements (lanthanum, cerium, praseodymium, neodymium, promethium, samarium, europium, gadolinium, terbium, dysprosium, holmium, erbium, thulium, ytterbium and lutetium). They are relatively unknown to the wider public, despite their numerous applications and their critical role in many high-tech applications, such as high-temperature superconductors, phosphors (for energy-saving lamps, flat-screen monitors and flat-screen televisions), rechargeable batteries (household and automotive), very strong permanent magnets (used for instance in wind turbines and hard-disk drives), or even in a medical MRI application. This book describes the history of their discovery, the major REE ore minerals and the major ore deposits that are presently being exploited (or are planned to be exploited in the very near future), the physical and chemical properties of REEs, the mineral processing of REE concentrates and their extractive metallurgy, the applications of these elements, their economic aspects and the influential economical role of China, and finally the recycling of the REE, which is an emerging field.
Considering the limited resources of our planet, earth-abundant elements will have to be explored increasingly in the future. This book highlights the uses of the most earth-abundant elements in catalysis and will be of interest to graduates, academic researchers and practitioners in catalysis.
A readable, informative, fascinating entry on each one of the 100-odd chemical elements, arranged alphabetically from actinium to zirconium. Each entry comprises an explanation of where the element's name comes from, followed by Body element (the role it plays in living things), Element ofhistory (how and when it was discovered), Economic element (what it is used for), Environmental element (where it occurs, how much), Chemical element (facts, figures and narrative), and Element of surprise (an amazing, little-known fact about it). A wonderful 'dipping into' source for the familyreference shelf and for students.
Descriptions of all elements, usually only found by consulting many different sources. Includes history and common uses.
In Assembling Life, David Deamer addresses questions that are the cutting edge of research on the origin of life. For instance, how did non-living organic compounds assemble into the first forms of primitive cellular life? What was the source of those compounds and the energy that produced the first nucleic acids? Did life begin in the ocean or in fresh water on terrestrial land masses? Could life have begun on Mars? The book provides an overview of conditions on the early Earth four billion years ago and explains why fresh water hot springs are a plausible alternative to salty seawater as a site where life can begin. Deamer describes his studies of organic compounds that were likely to be available in the prebiotic environment and the volcanic conditions that can drive chemical evolution toward the origin of life. The book is not exclusively Earth-centric, but instead considers whether life could begin elsewhere in our solar system. Deamer does not propose how life did begin, because we can never know that with certainty. Instead, his goal is to understand how life can begin on any habitable planet, with Earth so far being the only known example.
Heselton, the founder editor of The Ley Hunter Journal, explores the mysterious realm of the spirit within the living Earth. The reader is shown how to interpret the legends and folklore of places sanctified by time.
�OUR next task is to study coming-to-be and passing-away. We are to distinguish the causes, and to state the definitions, of these processes considered in general-as changes predicable uniformly of all the things that come-to-be and pass-away by nature. Further, we are to study growth and 'alteration'. We must inquire what each of them is; and whether 'alteration' is to be identified with coming-to-be, or whether to these different names there correspond two separate processes with distinct natures. On this question, indeed, the early philosophers are divided. Some of them assert that the so-called 'unqualified coming-to-be' is 'alteration', while others maintain that 'alteration' and coming-to-be are distinct. For those who say that the universe is one something (i.e. those who generate all things out of one thing) are bound to assert that coming-to-be is 'alteration', and that whatever 'comes-to-be' in the proper sense of the term is 'being altered': but those who make the matter of things more than one must distinguish coming-to-be from 'alteration'. To this latter class belong Empedocles, Anaxagoras, and Leucippus. And yet Anaxagoras himself failed to understand his own utterance. He says, at all events, that coming-to-be and passing-away are the same as 'being altered':' yet, in common with other thinkers, he affirms that the elements are many. Thus Empedocles holds that the corporeal elements are four, while all the elements-including those which initiate movement-are six in number; whereas Anaxagoras agrees with Leucippus and Democritus that the elements are infinite.�
Air, Water, Earth, Fire. All life on earth depends on and survives because of the four elements of nature. Poets and painters alike have captured their allure and our desire for beauty. But how do artists render the essence of atmosphere and light, the sky, fog and mist, and wind and snow, as well as different terrain, mountains, wildfire, and festive fireworks? Now, over 50 contemporary artists and more than 400 paintings reveal the secret in every possible style. Here's what is available to you here: Each topic is analyzed according to its specific properties and uses. You find the resources, methods, and styles most suited to represent each element. Each chapter offers step-by-step exercises and tutorial videos. This is magic and method all wrapped into one volume. The artists here will speak to you and you can learn from their insight and the direction in which they pursue their artistic goals.
Forced to interact with the natural elements that invigorate a built structure and co-determine a building's experiential reality during construction, one ought to keep in mind their brute powers - earth's crushing heaviness, the erratic character of water, air's thermo-dynamic cataclysms, or the dangerous benignity of fire. Affective in a direct way, they act as guiding principles in the process of realization: While the earth targets the foundations, the roof shields from water, the openings control the flow of air, and the walls protect from the gleaming sun.