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The Elemental Project is a modern young adult sci-fi inspired by alchemical history. The story follows Guardian Lucas Sawyer and four angelic elementals on their quest to create the philosopher’s stone. Alchemy is not built on science or data, but rather secrets and deceit. The trick is to finding the truth when all you have ever been taught was a lie. Guardian Lucas Sawyer had only one goal in mind: prove to his fellow Elondohnians that he’d make an excellent guardian chief like his father before him. His first task in doing so, is to protect the four angelic elementals and help them create the philosopher’s stone. He trained his entire life for this and was prepared to do whatever it takes to accomplish this mission. He didn’t predict that he’d start falling for the earth elemental, Vita, or that doing so could be deadly. He’s confident that if he remains focused on his task, no harm can be done. But when a hidden prophecy is discovered with more than one shocking revelation, Lucas is forced to choose between loyalty and love. Would all those years of guardian training be enough to stop the prophecy from coming into fruition? If not, what were the consequences of his failure?
A fascinating little illustrated series of 118 haiku about the Periodic Table of Elements, one for each element, plus a closing haiku for element 119 (not yet synthesized). Originally appearing in Science magazine, this gifty collection of haiku inspired by the periodic table of elements features all-new poems paired with original and imaginative line illustrations drawn from the natural world. Packed with wit, whimsy, and real science cred, each haiku celebrates the cosmic poetry behind each element, while accompanying notes reveal the fascinating facts that inform it. Award-winning poet Mary Soon Lee's haiku encompass astronomy, biology, chemistry, history, and physics, such as "Nickel, Ni: Forged in fusion's fire,/flung out from supernovae./Demoted to coins." Line by line, Elemental Haiku makes the mysteries of the universe's elements accessible to all.
A spectacular, visually rich monograph on one of the most visionary architecture firms of the twenty-first century led by 2016 Pritzker Prize-winner Alejandro Aravena Elemental, based in Santiago, Chile, epitomizes a new generation of pioneering, socially engaged architects. The firm specializes in innovative, powerful, and humane public-interest projects, working on both large and small scales across Chile, the United States, Mexico, Switzerland, and China. Featuring stunning images by renowned architectural photographers together with sketches and drawings from Aravena's personal notebooks, this book beautifully, often irreverently, displays Elemental's unique working methods and philosophy. Each project - from iconic structures like the Anacleto Angelini UC Innovation Centre to seaside residences and pioneering reconstruction plans - is accompanied by Aravena's engaging texts, bringing to life his understanding of civil society and the built environment. From the publisher of Snarkitecture, Grafton Architects and Concrete.
This book summarizes a long career in architecture conducted by Stein, a leader in sustainable design for several decades in New York City. The book culminates and illustrates several of his earlier publications, including Architecture and Energy (1977) and Energy Conscious Architecture (2001). Stein argues adamantly and persuasively that new construction is not a sustainable strategy for architecture, design, or construction around the world. Rather, renovation, preservation, and restoration of existing buildings represent the best possible strategies for economic and ecological survival, regardless of climate and economy, global or local. The aesthetic implications of this argument are especially evident in the Cubist style buildings of Stein's active New York City firm, called Elemental Architecture. Unfortunately, the writing needs some editing, and the book's bibliography includes just one recent publication, A. Bahamon and M. Sanjines's Rematerial (CH, Sep'10, 48-0085). This book will be valuable for architecture, design, real estate, and development libraries serving commercial, residential, business, and industrial markets throughout the world. Summing Up: Highly recommended. All levels. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Two-year Technical Program Students; Professionals/Practitioners. Reviewed by P. Kaufman.
"Elemental Disappearances casts a wanderer's eye upon an ever-expanding configuration of sites of disturbance. The things sought after are apparitional: they appear and disappear at will; they perfect the art of materialization and vanishing. Such is the nature of living dangerously, and with it the short duration of enchantment. This collection tracks provocative ideas, artifacts, and phenomena rising and fading across different territories of the contemporary world. Through a constellation of powerful thought-images, the authors uncover spaces of an ephemeral and fugitive nature in order to generate a fractal vision of our time and beyond." (back cover)
2012 Jolt Award Finalist! Even experienced software professionals find it difficult to apply patterns in ways that deliver substantial value to their organizations. In Elemental Design Patterns, Jason McC. Smith addresses this problem head-on, helping developers harness the true power of patterns, map them to real software implementations more cleanly and directly, and achieve far better results. Part tutorial, part example-rich cookbook, this resource will help developers, designers, architects, and analysts successfully use patterns with a wide variety of languages, environments, and problem domains. Every bit as important, it will give them a deeper appreciation for the work they’ve chosen to pursue. Smith presents the crucial missing link that patterns practitioners have needed: a foundational collection of simple core patterns that are broken down to their core elements. If you work in software, you may already be using some of these elemental design patterns every day. Presenting them in a comprehensive methodology for the first time, Smith names them, describes them, explains their importance, helps you compare and choose among them, and offers a framework for using them together. He also introduces an innovative Pattern Instance Notation diagramming system that makes it easier to work with patterns at many levels of granularity, regardless of your goals or role. If you’re new to patterns, this example-rich approach will help you master them piece by piece, logically and intuitively. If you’re an experienced patterns practitioner, Smith follows the Gang of Four format you’re already familiar with, explains how his elemental patterns can be composed into conventional design patterns, and introduces highly productive new ways to apply ideas you’ve already encountered. No matter what your level of experience, this infinitely practical book will help you transform abstract patterns into high-value solutions.
For centuries it was believed that all matter was composed of four elements: earth, air, water, and fire in promiscuous combination, bound by love and pulled apart by strife. Elemental theory offered a mode of understanding materiality that did not center the cosmos around the human. Outgrown as a science, the elements are now what we build our houses against. Their renunciation has fostered only estrangement from the material world. The essays collected in Elemental Ecocriticism show how elemental materiality precipitates new engagements with the ecological. Here the classical elements reveal the vitality of supposedly inert substances (mud, water, earth, air), chemical processes (fire), and natural phenomena, as well as the promise in the abandoned and the unreal (ether, phlogiston, spontaneous generation). Decentering the human, this volume provides important correctives to the idea of the material world as mere resource. Three response essays meditate on the connections of this collaborative project to the framing of modern-day ecological concerns. A renewed intimacy with the elemental holds the potential of a more dynamic environmental ethics and the possibility of a reinvigorated materialism.
: ELEMENTAL: The Power of Illuminated Love is the product of two individuals¿ combined creative and spiritual visions. It features some 64 paintings by celebrated artist Luther E. Vann with more than approximately 50 accompanying poems and two essays by award-winning author Aberjhani. The art, spanning the early 1970s to 2007, expresses Vann¿s perception of spiritual principles active in the personal and pubic lives of people in New York and Savannah. Introductory essays comment on Vann¿s life and his art. The poems complement the art with themes that explore issues like war, homelessness, the nature of love, and expanded spiritual consciousness.
Bachelard called them "the hormones of the imagination." Hegel observed that, "through the four elements we have the elevation of sensuous ideas into thought." Earth, air, fire, and water are explored as both philosophical ideas and environmental issues associated with their classical and perennial conceptions. David Macauley embarks upon a wide-ranging discussion of their initial appearance in ancient Greek thought as mythic forces or scientific principles to their recent reemergence within contemporary continental philosophy as a means for understanding landscape and language, poetry and place, the body and the body politic. In so doing, he shows the importance of elemental thinking for comprehending and responding to ecological problems. In tracing changing views of the four elements through the history of ideas, Macauley generates a new vocabulary for and a fresh vision of the environment while engaging the elemental world directly with reflections on their various manifestations.