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Vols. for 1828-1934 contain the Proceedings at large of the American Board of Commissioners for Foreign Missions.
Missionary medicine flourished during the period of high European imperialism, from the late-1800s to the 1960s. Although the figure of mission doctor – exemplified by David Livingstone and Albert Schweitzer – exercised a powerful influence on the Western imagination during the nineteenth and early-twentieth centuries, few historians have examined the history of this important aspect of the missionary movement. This collection of articles on Asia and Africa uses the extensive archives that exist on medical missions to both enrich and challenge existing histories of the clinic in colonial territories – whether of the dispensary, the hospital, the maternity home or leprosy asylum. Some of the major themes addressed within include the attitude of different Christian denominations towards medical mission work, their differing theories and practices, how the missionaries were drawn into contentious local politics, and their attitude towards supernatural cures. Leprosy, often a feature of such work, is explored, as well as the ways in which local people perceived disease, healing and the missionaries themselves. Also discussed is the important contribution of women towards mission medical work. Healing Bodies, Saving Souls will be of interest not only to students and historians but also the wider reader as it aims to define the place of missionary within the overall history of medicine.
Between 1890 and 1918, British colonial expansion in Africa led to the removal of many African artifacts that were subsequently brought to Britain and displayed. Annie Coombes argues that this activity had profound repercussions for the construction of a national identity within Britain itself--the effects of which are still with us today. Through a series of detailed case studies, Coombes analyzes the popular and scientific knowledge of Africa which shaped a diverse public's perception of that continent: the looting and display of the Benin "bronzes" from Nigeria; ethnographic museums; the mass spectacle of large-scale international and missionary exhibitions and colonial exhibitions such as the "Stanley and African" of 1890; together with the critical reaction to such events in British national newspapers, the radical and humanitarian press and the West African press. Coombes argues that although endlessly reiterated racial stereotypes were disseminated through popular images of all things "African," this was no simple reproduction of imperial ideology. There were a number of different and sometimes conflicting representations of Africa and of what it was to be African--representations that varied according to political, institutional, and disciplinary pressures. The professionalization of anthropology over this period played a crucial role in the popularization of contradictory ideas about African culture to a mass public. Pioneering in its research, this book offers valuable insights for art and design historians, historians of imperialism and anthropology, anthropologists, and museologists.