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Eighteenth-century Europe witnessed monumental upheavals in both the Catholic and Protestant faiths and the repercussions rippled down to the churches’ religious art forms. Nigel Aston now chronicles here the intertwining of cultural and institutional turmoil during this pivotal century. The sustained popularity of religious art in the face of competition from increasingly prevalent secular artworks lies at the heart of this study. Religious art staked out new spaces of display in state institutions, palaces, and private collections, the book shows, as well as taking advantage of patronage from monarchs such as Louis XIV and George III, who funded religious art in an effort to enhance their monarchial prestige. Aston also explores the motivations and exhibition practices of private collectors and analyzes changing Catholic and Protestant attitudes toward art. The book also examines purchases made by corporate patrons such as charity hospitals and religious confraternities and considers what this reveals about the changing religiosity of the era as well. An in-depth historical study, Art and Religion in Eighteenth-Century Europe will be essential for art history and religious studies scholars alike.
A study of the clergy of the Church of England as a professional group during the later Stuart and Georgian periods. Jacobs describes their social backgrounds, selection and education, lifestyles, and supervision, and challenges long-held views that most were inappropriately educated, poverty-stricken, and neglectful of their duties.
This volume takes a thematic approach to the history of the eighteenth century in the British Isles, covering such issues as domestic politics (including popular political culture), religious developments and change, and social and demographic structure and growth. Paul Langford heads a leading team of contributors, to present a lively picture of an era of intense change and growth in which all parts of Britain and Ireland were increasingly bound together by economic expansion and political unification.
This special issue of The Journal of Religious History, Literature and Culture comprises some of the papers delivered at the ‘George Whitefield after Three Hundred Years’ International Conference held in June 2014 at Pembroke College, Oxford, commemorating the tercentenary of George Whitefield’s birth in 1714. The Revd George Whitefield (1714–70) was a very important early Methodist leader, clergyman and writer, who has not attracted as much scholarly attention as John and Charles Wesley. This interdisciplinary volume contains articles on ‘George Whitefield and the Secession Movement’s Reaction to the Cambuslang Revival’ by Kenneth B. E. Roxburgh; ‘George Whitefield and Anti-Methodist Allegations of Popery, c.1738–c.1750’ by Simon Lewis; ‘Latitudinarian responses to Whitefield, c.1740–1790’ by G. M. Ditchfield; ‘Preachers, prints and portraits: Methodists and image in Georgian Britain’ by Peter S. Forsaith, with eight attractive images; ‘George Whitefield’s Journals: A Publishing Phenomenon’ by Digby James; and ‘George Whitefield’s Reception in Twentieth-Century German-Speaking Theology’ by Maximilian J. Hölzl.
Dr. Jago reinforces the view of recent scholars that, when judged by what it tried to do instead of by what Victorian reformers thought it ought to have tried to do, the Georgian church was successful in maintaining the spiritual life of the parishes - though perhaps not so well-equipped to survive intact the unprecedented changes in population and industry that reshaped Yorkshire and English society in the later eighteenth century.