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It's 1885 and a drunk and rage-filled Nigel Pickford breaks up a phony medium's séance. A strange twist of fate soon finds him part of a team investigating the afterlife. The Eidola Project is an intrepid group of explorers dedicated to bringing the light of science to that which has been feared, misunderstood, and often manipulated by charlatans. They are a psychology professor, his assistant, an African-American physicist, a sideshow medium, and now a derelict, each possessing unique strengths and weaknesses. Called to the brooding Hutchinson Estate to investigate rumored hauntings, they encounter deadly supernatural forces and a young woman driven to the brink of madness. Will any of them survive?
The Eidola Project, a team of 19th Century ghost hunters, have been tasked with trying to stop a deadly shapeshifting demon attacking the native people of La Push, on the Washington Coast. The team brings their own demons with them, in the form of drug addiction, a werewolf's curse, and being in mourning from the death of a loved one. Can they rise to this new challenge, or will they face they same grisly end as the shapeshifter's other victims?
The Eidola Project travels to Petersburg, Virginia, to investigate a series of murders in the Black community—rumored to be caused by a werewolf. Once there, danger comes from all quarters. Not only do they face threats from the supernatural, the KKK objects to the team's activities, and the group is falling apart. Can they overcome their human frailties to defeat the evil that surrounds them?
Remembrance Day is just an excuse for vampires and humans to throw themselves a parade. They like to pretend they did us werewolves a favor. But I guess it's not all bad. I do get cheap booze, live in an underground lunar city, which some would find cool, and I am employed. Sejanus Industries isn't a benevolent corporate ruler, but they're the devil I made a deal with. My life is quiet and mostly non-violent but one message from my cousin could cause me to lose everything I've sacrificed for my peaceful life.
Ever since she was a teen, Robin Fox has been tormented by painful flashes of the future, too little and too late to prevent disaster. Back then, her gift painted a target on her back, and she was forced to flee a devious enemy and trust her family with her one secret. When a child disappears from a remote mountain resort sixteen years later, Robin's visions may finally prove helpful. But the situation is not what it seems. She may have fallen into a trap--with her own secret as bait. Robin holds the key to find the missing child, but her desperation to make up for past mistakes forces an impossible choice...
Karl Marx has rarely, if ever, been treated as a writer. Charles Barbour argues not only that we can examine the literary and rhetorical aspects of Marx's texts, but also that, as soon as we begin to do so, those texts begin to take on new and entirely unexpected political implications. In the past, Marx scholars have characterized his literary remains as either a relatively coherent body of work, or a structure cut in half by a single, all-important "epistemological break." Neither metaphor really captures the incredible proliferation of documents that we retroactively label Karl Marx. Barbour proposes that we characterize them, instead, as a machine, or an assemblage of fragments and components that can be put together and taken apart in any number of different ways for any number of different purposes. Focusing primarily on Marx's early polemical writings, and especially the debates with Bruno Bauer and Max Stirner that make up most of the voluminous manuscript now called "The German Ideology," The Marx Machine endeavors to show how some of Marx's most consistently denigrated and ignored works can in fact be approached as responses to Marx's contemporary critics.
Joseph Marquez's only crime was hunger, and taking back what was already stolen from him. In the Democratic Republic of the Americas, the sentence for theft of government property is public execution. His sentence was commuted, despite pleading guilty, in exchange for his help. What exactly he's supposed to help with has been intentionally kept from him, but the rumors about the atrocities at Petty Island don't bode well for him and the other prisoners. Nothing is known for sure about Petty Island, but for Marquez and three other prisoners, their very lives are at stake as they struggle to determine friend or foe.
This book demonstrates the way in which William Blake aligned his idiosyncratic concept of the Selfhood – the lens through which the despiritualised subject beholds the material world – with the atomistic materialism of the Epicurean school as it was transmitted through the first-century BC Roman poet and philosopher Lucretius’ De Rerum Natura. By addressing this philosophical debt, this study sets out a threefold re-evaluation of Blake’s work: to clarify the classical stream of Blake’s philosophical heritage through Lucretius; to return Blake to his historical moment, a thirty-year period from 1790 to 1820 which has been described as the second Lucretian moment in England; and to employ a new exegetical model for understanding the phenomenological parameters and epistemological frameworks of Blake’s mythopoeia. Accordingly, it is revealed that Blake was not only aware of classical atomistic cosmogony and sense-based epistemology but that he systematically mapped postlapsarian existence onto an Epicurean framework.
Bettina L. Knapp explores the universal and eternal nature of fourteen French fairy tales, including the medieval Romance of Mélusine, Charles Perrault's seventeenth-century versions of Sleeping Beauty and Bluebeard, and Jean Cocteau's film version of Beauty and the Beast. She demonstrates the relevance of these fairy tales for modern readers, both for the psychological problems they address and for the positive resolutions they offer. Through her careful examination of these tales, Knapp shows that people in past eras suffered from such supposedly "modern" problems as alienation and identity crises and went through harrowing ordeals before experiencing some sort of fulfillment. By imparting the age-old wisdom embedded in these works, French Fairy Tales triggers new insights into psychological problems and offers helpful ways of dealing with them.
Der in englischer Sprache verfasste Forschungsbericht zu Ovids Metamorphosen wurde von einem Forscher:innenteam der Universität Huelva unter Leitung von Antonio Ramírez de Verger und Luis Rivero García erstellt und arbeitet die schier unüberschaubare Literatur zu diesem gegenwärtig wohl meistgelesenen und meisterforschten Werk der römischen Dichtung kritisch auf. Im Zentrum des zweiten Teils stehen Arbeiten zu Sprache und Stil der Metamorphosen, außerdem Arbeiten zu Quellen und Vorbildern sowie zur Rezeptionsgeschichte.