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Only the merest façade of normalcy cloaks the town of Smithville. Underneath lies a cauldron of grisly characters and grim possibilities, especially for the children of the Mark family who just moved to town. Talon, the clever 5th grader, is deeply embroiled in a plot to uncover the secret of the nefarious fifth grade teacher bent on his destruction. Join him and his unusual, yet oddly familiar batch of new friends as they deal with the infamous Mr. Eet.
The second episode in this award-winning trilogy impressively shows how the Union and Confederacy, slowly and inexorably, reconciled themselves to an all-out war—an epic struggle for freedom. In Terrible Swift Sword, Bruce Catton tells the story of the Civil War as never before—of two turning points which changed the scope and meaning of the war. First, he describes how the war slowly but steadily got out of control. This would not be the neat, short, “limited” war both sides had envisioned. And then the author reveals how the sweeping force of all-out conflict changed the war’s purpose, in turning it into a war for human freedom. It was not initially a war against slavery. Instead, this was, Mr. Lincoln kept insisting, a fight to reunite the United States. At first, it was not even much of a fight. Cautious generals; inexperienced, incompetent, or jealous administrators; shortages of good people and supplies; excess of both gloom and optimism, kept each side from swinging into decisive action. As the buildup began, there were maddening delays. The earliest engagements were halting and inconclusive. After these first tests at arms, reputations began to crumble. Buell, Halleck, Beauregard Albert Sidney Johnston. Failed to drive ahead—for reasons good and bad. General McClellan (impaled in these pages on the arrogant words of his letters) captured more imaginations than enemies, and continued to accept serious over estimates of Confederate strength while becoming more and more fatally estranged from his own government.
Victor the virgin, Alexander the coward, Guinevere the lady, Aphrodite the slut and Keller the professor all have one thing in common. This Halloween weekend they are going to "Mares Rest," the house that's cursed. To survive, they must depend upon Madam Rue, whose powers extend beyond the spread of the tarot cards; Ezera the mortician, with a secret to hide; and Max the ex-cop, who hates Keller. Love, broken hearts, growing up and walking out of the mansion the morning after are just the beginning of their problems. The author weaves his tapestry carefully for surprise after surprise. Become one of "the three that protect the one in life, so the one may protect the four from Death!"
Powerful ideas of protest and freedom of expression from the world-renowned Egyptian political prisoner and activist collected in English for the first time. With a foreword by Naomi Klein. "The text you are holding is living history." — Naomi Klein, from the foreword Alaa Abd el-Fattah is arguably the most high-profile political prisoner in Egypt, if not the Arab world, rising to international prominence during the revolution of 2011. A fiercely independent thinker who fuses politics and technology in powerful prose, an activist whose ideas represent a global generation which has only known struggle against a failing system, a public intellectual with the rare courage to offer personal, painful honesty, Alaa’s written voice came to symbolize much of what was fresh, inspiring and revolutionary about the uprisings that have defined the last decade. Collected here for the first time in English are a selection of his essays, social media posts and interviews from 2011 until the present. He has spent the majority of those years in prison, where many of these pieces were written. Together, they present not only a unique account from the frontline of a decade of global upheaval, but a catalogue of ideas about other futures those upheavals could yet reveal. From theories on technology and history to profound reflections on the meaning of prison, You Have Not Yet Been Defeated is a book about the importance of ideas, whatever their cost.
What if the literary form of the Bible derived its pattern from the elementary process of creation? Is there an underlying symbolic form to the book? The Tree of Life is an analysis of this form and compares it to the operations of the intellect. These operations are the process by which we come to know what is. It also corresponds to the metaphysical elements, which are the core of our being. What becomes evident is that there is a form to human consciousness.
'With a single announcement from a herald, all the cities of Greece and Asia had been set free; only an intrepid soul could formulate such an ambitious project, only phenomenal valour and fortune bring it to fruition. (Livy, 33. 33) Thus Livy describes the reaction to the Roman commander T.Q. Flamininus' proclamation of the freedom of Greece at the Isthmian games near Corinth in 196 BC. Half a century later Greece was annexed as a province of the Romans who burned the ancient city of Corinth to the ground. Books 31 to 40 of Livy's history chart Rome's emergence as an imperial nation and the Romans tempestuous involvement with Greece, Macedonia and the near East in the opening decades of the second century BC; they are our most important source for Graeco-Roman relations in that century. Livy's dramatic narrative includes the Roman campaigns in Spain and against the Gallic tribes of Northern Italy; the flight of Hannibal from Carthage and his death in the East; the debate on the Oppian law; and the Bacchanalian Episode. This is the only unabridged English translation of Books 31 to 40. The complete Livy in English, available in five volumes from Oxford World's Classics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The story of Greece began long, long ago in a strange wonderland of beauty. Woods and winds, fields and rivers, each had a pathway which led upward and onward into the beautiful land. Sometimes indeed no path was needed, for the rivers, woods, and lone hill-sides were themselves the wonderland of which I am going to tell...
Past meets present in South Carolina At first, Gillian Culkin feels only mildly inconvenienced by crowds of demonstrators debating the presence of the Confederate flag flying brazenly atop the South Carolina State House. Gil passes these people every day as she makes her way to work in the Caroliniana Library on the University of South Carolina campus. Like so many other White Southerners, she had never before given much thought to racial issues. But over the course of a few weeks, she comes to realize that the flag represents important and entrenched issues of race and inequality. Gil finds her views on race developing and evolving as she examines the past and sees its influence on the present. Meanwhile, at the Caroliniana, she studies the 1857 diary of a South Carolina dirt farmer named William Medlin. Hollingsworth makes him the center of a second story. Thinking to turn a quick profit, Medlin buys a slave at auction. In the course of the tragic journey he then undertakes with his newly acquired slave, Medlin’s views of enslavement change. ​The two narratives—one told in the present, the other in the past, in alternating chapters—provide a probing and insightful look at what it means to be human within an often inhumane system
'You know how to win a battle, Hannibal; you do not know how to use the victory!' Livy's great history of Rome contains, in Books 21 to 30, the definitive ancient account of Hannibal's invasion of Italy in 218 BC, and the war he fought with the Romans over the following sixteen years. Livy describes the bloody siege of the Spanish city of Saguntum, Rome's ally, which sparked the war, and the Carthaginian leader's famous march with elephants over the Alps into Italy. Livy's gripping story-telling vividly conveys the drama of the great battles, the disastrous encounters at Trasimene and Cannae, and the final confrontation between Hannibal and the youthful Scipio Africanus. Individuals as well as events are brought powerfully to life, as the long course of the Second Punic War unfolds. This new translation captures the brilliance of Livy's style, and is accompanied by a fascinating introduction and notes. The complete Livy in English, available in five volumes from Oxford World's Classics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.