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'Must be regarded as an important step in rescuing Edwardian history from what he rightly calls "an academic limbo" ... combines the qualities of readability, breadth of focus, willingness to explain.' - TES
Second edition of The Pocket Guide to Edwardian England, newly revised and expanded. The Edwardian Era simplified, organized, and easy to reference. Aimed towards writers of historical fiction, though genealogists, Downton Abbey fans, and the curious alike will find this an excellent starting point for their own research. Compiled from lectures and blog posts on Edwardian Promenade, as well as 70% more original content, Edwardian England: A Guide to Everyday Life, 1900-1914 poses to give a entry level, but thorough look at the time period made popular by Downton Abbey and Mr. Selfridge.
Compiled from lectures and blog posts on Edwardian Promenade, the Pocket Guide to Edwardian England poses to give a fun, frothy, but thorough look at the time period made popular by Downton Abbey and Upstairs Downstairs! From the royal family of Edward VII to the working class, to the servants who toiled in great country houses and their masters, to the mighty politicians and their goals. For anyone wanting a short and concise, yet deeply engrossing look at this opulent era, Pocket Guide to Edwardian England is just book to take you away.
A richly detailed history of Britain at its imperial zenith, revealing the simmering tensions and explosive rivalries beneath the opulent surface of the late Victorian and Edwardian eras. The popular memory of Britain in the years before the Great War is of a powerful, contented, orderly, and thriving country. Britain commanded a vast empire: she bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamed of and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence can be seen in Edward Elgar’s Pomp and Circumstance marches, newsreels of George V’s coronation, and London’s great Edwardian palaces. Yet beneath the surface things were very different In The Age of Decadence, Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation’s massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century’s gravest constitutional crisis—and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists’ public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press, and the science fiction of H. G. Wells, but also the nostalgia of A. E. Housman.
Exposition. London. Barbican Art Gallery. 1987-1988.
Edwardian Culture: Beyond the Garden Party is the first truly interdisciplinary collection of essays dealing with culture in Britain c.1895-1914. Bringing together essays on literature, art, politics, religion, architecture, marketing, and imperial history, the study highlights the extent to which the culture and politics of Edwardian period were closely intertwined. The book builds upon recent scholarship that seeks to reclaim the term ‘Edwardian’ from prevalent, restrictive usages by venturing beyond the garden party – and the political rally – to uncover some of the terrain that lies between. The essays in the volume – which deal with both famous writers such as J. M. Barrie and Arnold Bennett, as well as many lesser-known figures – draw attention to the nuanced multiplicity of experience and cultural forms that existed during the period, and highlight the ways in which a closer examination of Edwardian culture complicates our definitions of ‘Victorian’ and ‘Modern’. The book argues that the Edwardian era, rather than constituting a coda to the Victorian period or a languid pause before modernism shook things up, possessed a compelling and creative tenor of its own.
Worlds lie between the marketplaces of India and the halls of a magnificent country estate like Highland Hall. Will Julia be able to find her place when a governess is neither upstairs family nor downstairs help? Missionary Julia Foster loves working alongside her parents, ministering and caring for young girls in India. But when the family must return to England due to illness, she readily accepts the burden for her parents’ financial support. Taking on a job at Highland Hall as governess, she quickly finds that teaching her four privileged, ill-mannered charges at a grand estate is more challenging than expected, and she isn’t sure what to make of the estate’s preoccupied master, Sir William Ramsey. Widowed and left to care for his two young children and his deceased cousin Randolph’s two teenage girls, William is consumed with saving the estate from the financial ruin. The last thing he needs is any distraction coming from the kindhearted-yet-determined governess who seems to be quietly transforming his household with her persuasive personality, vibrant prayer life, and strong faith. While both are tending past wounds and guarding fragile secrets, Julia and William are determined to do what it takes to save their families—common ground that proves fertile for unexpected feelings. But will William choose Julia’s steadfast heart and faith over the wealth and power he needs to secure Highland Hall’s future?
This original and “meticulously researched retelling of history’s most infamous voyage” (Denise Kiernan, New York Times bestselling author) uses the sinking of the Titanic as a prism through which to examine the end of the Edwardian era and the seismic shift modernity brought to the Western world. “While there are many Titanic books, this is one readers will consider a favorite” (Voyage). In April 1912, six notable people were among those privileged to experience the height of luxury—first class passage on “the ship of dreams,” the RMS Titanic: Lucy Leslie, Countess of Rothes; son of the British Empire Tommy Andrews; American captain of industry John Thayer and his son Jack; Jewish-American immigrant Ida Straus; and American model and movie star Dorothy Gibson. Within a week of setting sail, they were all caught up in the horrifying disaster of the Titanic’s sinking, one of the biggest news stories of the century. Today, we can see their stories and the Titanic’s voyage as the beginning of the end of the established hierarchy of the Edwardian era. Writing in his signature elegant prose and using previously unpublished sources, deck plans, journal entries, and surviving artifacts, Gareth Russell peers through the portholes of these first-class travelers to immerse us in a time of unprecedented change in British and American history. Through their intertwining lives, he examines social, technological, political, and economic forces such as the nuances of the British class system, the explosion of competition in the shipping trade, the birth of the movie industry, the Irish Home Rule Crisis, and the Jewish-American immigrant experience while also recounting their intimate stories of bravery, tragedy, and selflessness. Lavishly illustrated with color and black and white photographs, this is “a beautiful requiem” (The Wall Street Journal) in which “readers get the story of this particular floating Tower of Babel in riveting detail, and with all the wider context they could want” (Christian Science Monitor).
The author provides a stimulating interpretation of the Edwardian period, offering valuable insights into the difficulties of governing a society in a time of rapid modernisation and suggesting a new perspective on the question of whether Britain was on the verge of revolution in the summer of 1914.